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Hey Illustrators, I’ve recently been working on presentations for a couple upcoming SCBWI talks. If you were in attendance what questions would you want answered? I’ll do my best to answer your questions in this thread, and may include them in my talks as well.

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For whatever it’s worth our standard contracts prohibit the use of AI. AI art can't be copyrighted because it isn't created by a human. In book publishing if we can't own it, we can't sell it.

I think that question might be better directed at an AD who welcomes physical postcards and/or emails. Since I primarily use social media for discovery I'm happy for artists to post as much new work as possible! Also, just because I'm not following an artist doesn't mean I'm not visiting their feed.

Throughout my 20 years in book publishing there have been waves of layoffs. The kidlit market is a little soft right now but we’re still doing well. I’m not seeing anything in book publishing at the moment like we’ve seen recently in Silicon Valley.

I have a highly specific one that I've been curious about - if an illustrator submits their work to you (via email/form/postcard), do you expect them to be immediately available, or is it ok if it's more of a 'let's keep in touch for the next few months-year' situation?

Once it has been decided that an illustrator is the right fit for a book I reach out to negotiate deal terms, which include the advance, royalties, sub-rights, scope, and schedule. I try to resolve any scheduling issues. Sometimes it’s not possible. That said…

…when an art director reaches out, the book (or series) will likely already be slotted into a specific month/season, sometimes for very strategic reasons. In some cases an art director will have very little flexibility with the schedule.