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To literary agents, a synopsis is a helpful tool to assess a story's causal chain. Writers can use their synopsis for the same purpose.

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Which indicates much of what is wrong with the book business. Please explain to me the "inciting incident" in, say, ANY of John Cowper Powys's books. EG Maiden Castle. The whole concept is against stories in which a normal life gradually disintegrates under a gradual onslaught of small things.

Every single classic that we looked at in our Story Skeleton series had an inciting incident, and I don't believe that's because the authors planned out all their plot points. And the inciting incidents were often subtle or buried in backstory.

I haven't read his books, but I've also come across very very few books without an inciting incident. It could be that his are subtle. I'll have to pick one up!

Another example: The Hours, which was a NYT best seller. I read it; it was terrible. All I recall is that the whole book was people talking in a room until at the end, one of them throws himself out the window.

Again, haven't read Cowper, but I had a look at the synopsis for Maiden Castle. I would guess that two inciting incidents are (1) whatever makes Uryen decide "to reawake the old gods" at Maiden Castle, and (2) the point at which Wizzie begins her relationship with Dud.