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Prolific production designer Grace Yun has ‘Beef’ to share. Yun, known for her work on Past Lives and Hereditary, is back for a 2nd season of Netflix's anthology series, talking about how she designed sets for Beef with an eye for class, race, and the interpersonal tension that defines the show -->

Design Observer

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“There’s a bit of this East-meets-West kind of clash that’s going on,” she tells The Credits. One character, “borrows from these more Western, established interior design eras. A nod to a bit of neoclassical, but also a California aesthetic, along with British cottage chic.”

motionpictures.orgProduction Designer Grace Yun on Power, Class, and Conflict in “Beef” Season 2Grace Yun on designing luxury, conflict, and class for Netflix’s “Beef” season two.

7/5/26, 2:34 pm0 reposts0 likes

Design Observer

@designobserver.com

7 May

The other “is way more into a minimalist, limited-palette aesthetic, something that feels quite clean, orderly, and icy.” More from Yun on Design Observer, here:

designobserver.comHow production designer Grace Yun turned domestic spaces into horror in 'Hereditary' and heartache in 'Past Lives' - DesignObserverProduction designer Grace Yun discusses her work on Hereditary and Past Lives, revealing how she transforms everyday spaces into emotional landscapes that embody grief, memory, and the unseen forces t...