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Perhaps the official play counts live on a separate repo, owned by whoever is managing payments and streaming. If an artist decides to go with a different provider, they keep their profile, subscribers and content. Artists could even offer their own direct payment plans under the same system.
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I would separate the ideas of music distribution and social listening. @teal.fm accomplish as much of the social listening aspect of an existing music streamer.
Making the distribution side work I would imagine looking a lot like @stream.place where the actual content rails aren’t necessarily on protocol but each creator can spin up their own node and distribute throughout the entire network