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If we just think of agents as theater, that’s a useful and interesting framing. But theater does not ask us to entrust with its emotions with a promise of reciprocity, it’s pretty explicitly non-reciprocal. And that’s what I’m really taking issue with, not aesthetics

Mmm — theater comes in different forms, and if I’m to get away w/ comparing social media to theater, I think it wd have to be, like, participatory dinner theater! But I take the point. The awkwardness of bots is that we’re enlisted in the game.

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New, disruptive forms of participatory speech at the theatre? Honest theatre-goers suddenly playing a game for which they're not prepared? I'm reminded - not for the first time - of those mischievous unemployed ventriloquists recorded by Myles na gCopaleen, and the Dublin theatre mayhem they caused.