Isn’t it? It made me realise that in earlier 20th century films, whenever the action moved to an Arab state, the Hollywood musicians may not have been playing a tune - they only had to play the Arabic scale.
Yeah, switching to a different scale or mode has always been a short cut for film composers wishing to signify certain things. Scene set in South East Asia somewhere? Pentatonic scale, job done. Medieval England? Dorian mode mate.