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SHOCKTOBER ‘26 #8: ALICE, SWEET ALICE This worked so well for me. Shot entirely in northern New Jersey in 1976? Hell yeah. Deeply Catholic and very giallo in structure, it’s a hell of a ride. As a parent, I find this kind of material endlessly frightening.

SHOCKTOBER ‘26 #9: DOWNRANGE In this house we love two things: Ryūhei Kitamura movies and trapped-by-a-sniper thrillers. Hot damn is this a mean fuckin ride.

SHOCKTOBER ‘26 #10: THE BORDERLANDS / FINAL PRAYER The first found footage movie of the season and I’m always a sucker for a jaded exorcist movie, especially when it’s got an ending as memorable as this.

SHOCKTOBER ‘26 #11: SESSION 9 I still find the two most stressful parts of this movie how quickly they fall behind schedule on the project and how lackadaisical they all are with PPE around asbestos.

SHOCKTOBER ‘26 #12: INTRUDER Directed by the late, great Scott Speigel with the Raimi boys and even a small Bruce walk-on. It’s a solid slasher but the real joy is the 1989 Michigan grocery store setting. Just do another slow pan down the cereal aisle and let my brain release the good chemicals.

SHOCKTOBER ‘26 #13: EVIL DEAD BURN So much more enjoyable than expected. It’s mean and funny and some of the makeup effects are amazing. I remain convinced there are no bad Evils Dead. Consider me a fan.

SHOCKTOBER ‘26 #14: 1BR Very solid flick about a cult in an apartment complex that I strongly suspect could have found a bigger audience with a better title. This wouldn’t work on me though because I will never attend an apartment building event.

SHOCKTOBER ‘26 #15: SCOOBY-DOO Matt Lillard just loves being Shaggy and that love is infectious. He spends the whole movie acting opposite an ugly computer dog (not Frank Welker!?) and it shouldn’t work but it mostly does.

SHOCKTOBER ‘26 #16: SLEEPY HOLLOW The first Oh No Jeffrey Jones of the season, he’s always great and it’s always a bummer. However the uncancelled members of the cast are really great and I do love a lush, overdesigned rural 1799 New York.

SHOCKTOBER ‘26 #17: STIGMATA Classic ‘bate and switch. It pretends to be a religious horror thriller but it’s actually a wildly horned up cassock-ripper about how bad Patricia Arquette wants to fuck the vestments off Gabriel Byrne. Jonathan Pryce tries (and fails) to do a Horny Exorcism.

SHOCKTOBER ‘26 #18: MARAMA I like that this is described as a tale of retribution rather than revenge which is an important distinction. Also when he was like “do you like my Maori house? I had it shipped here from New Zealand” I was like “oh yeah did it have to walk up the mountain too?”

SHOCKTOBER ‘26 #19: HOUSE OF WAX I wouldn’t have even considered this was a 3D movie if not for the 10 minute paddleball guy break in the middle. It’s not Shocktober without Vincent Price and he’s so fun in this one. Extremely young Charles Bronson as a heavy too!

SHOCKTOBER ‘26 #20: ANNABELLE COMES HOME Perfectly effective Sleepover Horror which is an important part of our ecosystem but still too loud and Christian. At the end an anchorman on tv says “Hartford, the land of steady habits” which is not a thing anyone says but maybe he was a demon too.

SHOCKTOBER ‘26 #21: HISTORY OF THE OCCULT This is best political thriller I’ve ever seen about taking down a corrupt president using the power of shoe-leather reporting (also the president is a warlock)

SHOCKTOBER ‘26 #22: THE AUTOPSY OF JANE DOE A modern classic in every sense of the word. Efficient, terrifying, and the part where they peel back the skin and see everything is a top 5 moment for horror in the 2010s. I love this film.

SHOCKTOBER ‘26 #23: WALLACE & GROMIT THE CURSE OF THE WERE RABBIT Just a constant delight and absolutely gorgeous to look at. A full length feature that feels like a Halloween special is a hard balance to achieve and they do it so well.

SHOCKTOBER ‘26 #24: HALLOWEEN RESURRECTION I would have hated this as yet another jokey post-SCREAM ironic slasher at the time but given how grim and dreary post-9/11 horror became it’s a lot more fun in hindsight.

SHOCKTOBER ‘26 #25: TORSO A giallo that plays like a slasher and mostly serves as a delivery vehicle to look at bodacious boobs and dope 1970s Italian trucks and scooters. Interesting non-US take on a hippiesploitation movie.

SHOCKTOBER ‘26 #26: SHADOW OF THE VAMPIRE The Dafoe Faces on display in this movie are out of control. It doesn’t really answer any of the questions it raises about who is sacrificed in the name of art but good gosh that man is in full goblin mode.

SHOCKTOBER ‘26 #27: MAN FINDS TAPE There are a lot of good ideas here and a couple pretty spooky moments but ultimately I found this kind of a mess. At one point the narrator stops to recap the plot and provide additional information we didn’t recieve yet which tells me the filmmakers know it too.

SHOCKTOBER ‘26 #29: ADDAMS FAMILY VALUES I mean what can I say that isn’t addressed by the Tag Team theme song over the credits? Joan Cusack is so funny in this movie.

SHOCKTOBER ‘26 #30: PERFECT BLUE Incredible that in 1997 Satoshi Kon had the internet and fan culture dead to rights and we’ve been catching up ever since.

SHOCKTOBER ‘26 #31: DREAM HOME Had to bust out a heavy hitter for no. 31. What really elevates the nastiness is how long everyone takes to die, the human body is tough and you really gotta work at it once you get choppin. I love both the Hong Kong location shooting and the sick joke it ends on.

And Campbell does effin nothing.

He’s such a good dad in this