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What did H. P. Lovecraft think of classic Universal horror movies? A deep dive into Lovecraft's letters reveals the films he did and didn't watch, in Lovecraft & Universal Horror. deepcuts.blog/2026/01/24/d...

deepcuts.blogDeeper Cut: Lovecraft & Universal HorrorI don’t attend the cinema very often, but realise what a marvellous conveyer of weird images & impressions it could be if it would only utilise seriously its tremendous range of optical & m…

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I feel horror movies from that era are so much less scary than horror fiction from even the late 1800s. (Admittedly I’m talking the very best fiction— EF Benson etc). Maybe I’m not watching the right ones? But also I intellectually know ppl’s relation to film was just totally different than today

I will say that a lot of early horror movies have a certain disjointed quality that makes them stick out pretty uniquely and makes them effective as macabre mood pieces. I mean there's just nothing else at all like White Zombie

It was very different. And the film sensibilities were different. A lot of horror movies failed to develop tension, had a LOT of talking, a lot of formulaic romantic stuff, and there was almost never that sense that the bad guys might win. But they were the start of things, and some are beautiful.

There must be fascinating analyses of this era’s horror out there… I wonder… not just moral pressure issues (even prior to the Hayes code), but maybe the theater-derived forms of early movies, the (still existent) expectations that movies must be a tentpole with something for the whole family etc

I can get behind the idea from “Gods and Monsters” that the Frankenstein movies were intended as camp, not to be scary. (Though audiences still felt they were scary..??! I think…?) I know ~1900 people were fainting when a prop gun was fired at the screen so I assume their nerves were wired different

Basically to my admittedly limited film knowledge it’s only post WW2 that I start seeing things on screens that actually feel scary… some Noirs, Twilight Zones, then the explosion of essentially ‘modern’ horror in the 1960s