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This was the first piece of hers that caught my attention. Her output is prolific and enviably consistent: fierce and forthright, honest to a fault, occasionally exasperated, but always with a wry humour, a wink and a nod at the audience.

I’d like to think my years working at if:book gave me a good gut feeling for finding potential collaborators, people with the spark and the embrace of the absurd that suggest they might be well disposed to join this strange world of weird books. You know, people I won’t scare off.

Our connection came extraordinarily close to never happening. My initial email to her was caught up in the now years-long vendetta gmail has against me and had been trapped in some kind of spam-adjacent purgatory. After weeks with no reply I saw this post and thought…espera qué?

Sara Ah@solosara.bsky.social

Aprovechando el tema de la IA para recordaros que si queréis cubiertas para vuestros libros me tenéis aquí, una admiradora, una sierva, una esclava. Os dejo algunas que he hecho.

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Sara first worked with cutups and collage after leaving school, she didn’t fully embrace the medium as an artist until later. "And this time I decided to post the work online. Before long, I had people approaching me asking how they could buy my pieces. It took me completely by surprise."

“‘These are the images that speak to me and speak for me. I think of it sometimes like journaling. I’m not necessarily making images about myself, but about the things that are on my mind, the things that are around me or speak to me. It’s very intuitive.”

“I make flowers grow and animals emerge from bodies because nature happens, whether you want it to or not. It will eventually reclaim its space. Like a flower growing through a crack in the pavement.”

“Almost all my source images come from the Internet Archive, from the old scans of magazines there. I don’t like things being too clean or slick or new, I like them to be more real and lived in. I want you to know these images come from a real object made of paper and ink.”