Post

For me, interconnecting the shows wouldn't be a requirement, but a bonus. I would entrust each project to acclaimed authors working across different genres and formats. There could be lower-budget (not blockbusters) but intense, more focused movies, like Master and Commander.

As for a series—or rather, an exploration-focused story in the vein of The Motion Picture featuring space battles like those in The Wrath of Khan. I envision an X-Files-style structure: an overarching storyline spanning a single season or the entire series, interspersed with standalone episodes.

Naturally, the story should reflect current events and contemporary issues in some way—such as crumbling international relations, genocides allowed to happen, media manipulation, or societal problems. Cooperation would be at the heart of this series.

Obviously, I already have my list of concept artists ready. 😇 It’s important—specifically regarding visual effects, or rather visual effects direction—that the space battles be filmed the old-fashioned way, as if using miniatures; that is very important.

0 reposts18 likes

☝️I’m not talking about using physical models (though, like Lucasfilm, you could have fun shooting a few shots with real models). Rather, it’s about envisioning similar constraints to move away from the somewhat cluttered feel of the modern Trek era. Too much freedom stifles creativity.

I say use 'em for establishing shots & only go CG when it'd be less effective to use a model. [EXT - SPACE - ENTERPRISE AT WARP] doesn't need to be a million dollar render every time. Plus if it's say, a 5 year mission or the like, phaser hit on the left nacelle? Paint the model. See it next wk.

Some of the most visually interesting Star Wars fan films on YouTube look like “Star Wars” because the animators mimicked the same motion control moves from the original trilogy in some of their space shots. Those moves scream “model shot” even though they are 100% CG.

Spare you the whole pitch but the idea I had explains the directional context. Civvy freighter, home port on not-in-the-fed Bajor, *and they never go to DS9* because then it's a DS9 episode. A new story to the side of familiar setting, and do not, do not, do not ever give the past centre stage.