Àrokò Cooperative is a worker-owned design studio and publishing house. We help organizations build brands, products, and narratives with clarity, depth, and craft.
Subscribe to our digital outlet @ www.aroko.world | Learn more about us @ www.aroko.coop
Save the Date! More announcements coming soon about HOMEPLACE, including features on our artists, RSVPs for our programs, and more. We'll see you in October.
festival.designphiladelphia.org/events/homeplace
Brought to you by Àrokò Cooperative and 1803 Pine
Location - Philadelphia
Can we design a place where people truly belong?
In our latest Àrokò roundtable, we reflect on what makes a home, what we carry from the places that shaped us, and how those experiences inform the worlds we create.
Read the conversation ↓
www.aroko.world/aroko-monthl...
Y'all ready to come dancing 💃🏽? Our first event of Homeplace will be a House Jam, with Philly’s own Talie Cerin. Tickets now available!
luma.com/user/aroko
Y'all ready to come dancing 💃🏽? Our first event of Homeplace will be a House Jam, with Philly’s own Talie Cerin. Tickets now available!
luma.com/user/aroko
Pre-colonial frameworks like jinn and Bori spirits are lessons in shared tenancy, reminding us that home is the first place we learn we aren't alone.
Read @aishatuado.bsky.social's piece here:
www.aroko.world/the-jinn-are...
Foraging clay, pit fires at Ocean Beach, and turning everyday tables into altars. @kristenstain.bsky.social reflects on their time at the Eames Ranch Residency, exploring Afro-diasporic traditions and the sacred space of the kitchen. Read the full story here: www.aroko.world/raw-earth-li...
Foraging clay, pit fires at Ocean Beach, and turning everyday tables into altars. @kristenstain.bsky.social reflects on their time at the Eames Ranch Residency, exploring Afro-diasporic traditions and the sacred space of the kitchen. Read the full story here: www.aroko.world/raw-earth-li...
🪞 What happens when the mirror is crowded with other people’s eyes?
@aishatuado.bsky.social writes about the white gaze, exile from the self, beauty, and reclaiming how we see ourselves. Read here:
www.aroko.world/who-put-snow...
WHO TAUGHT YOU WHAT BEAUTIFUL MEANS?
Tell us in the comments. 👇🏾
🪞 What happens when the mirror is crowded with other people’s eyes?
@aishatuado.bsky.social writes about the white gaze, exile from the self, beauty, and reclaiming how we see ourselves. Read here:
www.aroko.world/who-put-snow...
WHO TAUGHT YOU WHAT BEAUTIFUL MEANS?
Tell us in the comments. 👇🏾
📣 LONGLIST ANNOUNCEMENT! 📣
After reviewing over 120 submissions, we are excited to share the longlist for the Àrokò Folklore Anthology No. 1. 🎉 A huge THANK YOU goes out to the team of readers who've spent time with these stories. 🖤
View the list of authors here:
www.aroko.world/aroko-folklo...
📣 LONGLIST ANNOUNCEMENT! 📣
After reviewing over 120 submissions, we are excited to share the longlist for the Àrokò Folklore Anthology No. 1. 🎉 A huge THANK YOU goes out to the team of readers who've spent time with these stories. 🖤
View the list of authors here:
www.aroko.world/aroko-folklo...
One of my favorite things about @mclc.bsky.social's latest piece is how he turns a global sporting event into a conversation about society. Dive into his piece below 👇🏾
The World Cup gave us unforgettable moments, but what did it reveal about America? Read @mclc.bsky.social's sharp reflection here:
www.aroko.world/ball-is-life...
Check out our first ÀROKÒ MUSIC FEATURE: “LA LA” by Jeremy Capps. Is this the whimsy song of the summer? We sure think it is 👀
Read here: www.aroko.world/aroko-music-...
What happens when designers, storytellers, artists, publishers, and zinesters gather in one space?
We attended the Black Zine Fair and left inspired.
Check out @shakeil.bsky.social's reflections in this wonderful piece:
www.aroko.world/black-zine-f...
I’m OBSESSED with this piece by @nellynkettles.bsky.social at ÀROKÒ.WORLD.
If you love deep readings of Black cinema, Yoruba cosmology, Hoodoo, and the spiritual worlds that connect them, this one is for you:
www.aroko.world/is-god-is-an...
Check out this new piece by @nellynkettles.bsky.social exploring what happens when "Sinners" and "Is God Is" are read through the Yoruba Ibeji twins, revealing a meditation on ancestry, protection, Hoodoo, and Black futurity.
Read here: www.aroko.world/is-god-is-an...
Check out this new piece by @nellynkettles.bsky.social exploring what happens when "Sinners" and "Is God Is" are read through the Yoruba Ibeji twins, revealing a meditation on ancestry, protection, Hoodoo, and Black futurity.
Read here: www.aroko.world/is-god-is-an...
ÀROKÒ IS OPEN TO CONTRIBUTORS for our online publication ÀROKÒ.World. We welcome contributors across all disciplines such as artists, designers, and researchers.
Learn more about our guidelines and what we're looking for here:
www.aroko.world/were-open-fo...
@mclc.bsky.social He came to Mexico City twice, seventeen years apart. The first time with little money and no map, the second just before coordinated raids, gun battles, and bombings spread nationwide. Read more of the adventure here ➡️ www.aroko.world/this-is-not-...
@mclc.bsky.social He came to Mexico City twice, seventeen years apart. The first time with little money and no map, the second just before coordinated raids, gun battles, and bombings spread nationwide. Read more of the adventure here ➡️ www.aroko.world/this-is-not-...
Late night client🔥: Olamina + Arokó Like what you see 👀, contact@aroko.coop to work with us
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Brand + visual design identity work: Olamina a Folk School for Land, Craft, and Memory, an ongoing development🌳
Late night client🔥: Olamina + Arokó Like what you see 👀, contact@aroko.coop to work with us
•
Brand + visual design identity work: Olamina a Folk School for Land, Craft, and Memory, an ongoing development🌳
“In the world we are
living in now, where there is an abundance of cheap output and what people often call 'Al slop, quality becomes a kind of filtering mechanism. It helps us decide what to keep and what to reject. It asks what is actually worth returning to again and again." - Aishatu
In the same way we've
been talking about maintaining systems without interrogating them, if we apply a craft mindset to everything indiscriminately, we risk misdirecting our care. It becomes a question of whether we're investing attention in things that actually merit it." - Michael
We exist in a material
world, and a lot of what we interact with is not made to last.
But we are still in relationship with those materials, so we have to decide how we handle them.
And that does come
down to the individual." - Kristen
We exist in a material
world, and a lot of what we interact with is not made to last.
But we are still in relationship with those materials, so we have to decide how we handle them.
And that does come
down to the individual." - Kristen
In the same way we've
been talking about maintaining systems without interrogating them, if we apply a craft mindset to everything indiscriminately, we risk misdirecting our care. It becomes a question of whether we're investing attention in things that actually merit it." - Michael
“In the world we are
living in now, where there is an abundance of cheap output and what people often call 'Al slop, quality becomes a kind of filtering mechanism. It helps us decide what to keep and what to reject. It asks what is actually worth returning to again and again." - Aishatu
We sat down to talk about speed, craft, and quality. The question that kept returning: what deserves care? Read our roundtable discussion on the defense of slow craft here: www.aroko.world/aroko-monthl...
Client Week Showcase: Nu Rhythm + Arokó 🎶 🔥 Like what you see 👀, contact@aroko.coop to work with us
•
Brand + logo design work: NuRhythm is a personal training program for musicians and creatives who keep non-traditional schedules.
Client Week Showcase: Nu Rhythm + Arokó 🎶 🔥 Like what you see 👀, contact@aroko.coop to work with us
•
Brand + logo design work: NuRhythm is a personal training program for musicians and creatives who keep non-traditional schedules.
“Work that shapes how people see themselves in the world should move at the speed of trust.”
Check out our latest roundtable on the defense of slow craft: www.aroko.world/aroko-monthl...
We sat down to talk about speed, craft, and quality. The question that kept returning: what deserves care? Read our roundtable discussion on the defense of slow craft here: www.aroko.world/aroko-monthl...
They’ve seen enough, they’ve heard enough, and their loved ones have heard enough (of them). Following the Best Picture win for 'One Battle After Another', @nellynkettles.bsky.social offers us a chance to reconsider all the praise Paul Thomas Anderson receives.
www.aroko.world/paul-thomas-...
Check out @zariah-cam.bsky.social 's latest short story on the grief of going no-contact and the healing power of chosen family. A tender reminder that even in loss you’re not alone. Read here: www.aroko.world/grieving-the...
They’ve seen enough, they’ve heard enough, and their loved ones have heard enough (of them). Following the Best Picture win for 'One Battle After Another', @nellynkettles.bsky.social offers us a chance to reconsider all the praise Paul Thomas Anderson receives.
www.aroko.world/paul-thomas-...
Check out @zariah-cam.bsky.social 's latest short story on the grief of going no-contact and the healing power of chosen family. A tender reminder that even in loss you’re not alone. Read here: www.aroko.world/grieving-the...
They’ve seen enough, they’ve heard enough, and their loved ones have heard enough (of them). Following the Best Picture win for 'One Battle After Another', @nellynkettles.bsky.social offers us a chance to reconsider all the praise Paul Thomas Anderson receives.
www.aroko.world/paul-thomas-...
"My voice is both my weapon and my healing."
Read the full interview on how Kym Dominique-Ferguson built a home for spoken word in Montréal:
www.aroko.world/interview-wi...
"My voice is both my weapon and my healing."
Read the full interview on how Kym Dominique-Ferguson built a home for spoken word in Montréal:
www.aroko.world/interview-wi...
One woman has lived in a witch camp for 45 years. She arrived at 40. Her husband died. His co-wife's children blamed her.
She is 85 now. The accusation was never revisited. Never withdrawn.
The word that expelled her has never expired.
aroko.world/the-political-economy-of-witchcraft-accusations