Dev Harlan

WYSIWYG (And Other Things You Can Buy on eBay). A show about materiality, embodiment, and platform polemics. On view Sept 10th - Oct. 9th, 2026. -> eBay www.ebay.com/str/wysiwygg...

𝗗𝗲𝗹𝗹 𝗖𝗿𝗮𝘀𝗵 𝗦𝗶𝘁𝗲𝘀 by 𝗗𝗲𝘃 𝗛𝗮𝗿𝗹𝗮𝗻 | @devharlan.bsky.social Plaster, sand, salt, Dell LCD monitor, e-waste PC, foam, HDMI cable. Collected on objkt by @zlaser.bsky.social October 13, 2026 35 ꜩ objkt.com/tokens/KT1F...

Thank you to RightClickSave for the lengthy interview on our group show WYSIWYG. A great opportunity to get into it! www.rightclicksave.com/article/on-d...

Exonemo’s Last Acres of the Internet on eBay …auction ending in less than 24 hours >>>>>>>>>>>>> ebay.io/m/lQltZB

Sarah Grant does fascinating things with fiber, circuits, networks, and more. Her ongoing research with slime moulds is also fantastic. Here, the fluidity of slime is visualized with bespoke hardware that is a self-contained art object. ebay.io/m/sjrqdE

Michael Neff begins this work with a prompt: "THIS IMAGE HAS BEEN DELETED." The resulting 1400 image outputs are then randomly served up inside a hacked eBay listing. You receive a print of the image in the listing at the moment of purchase: ebay.io/m/e7bQwj

Benton C Bainbridge is an analog wizard and early friend in the NYC video art performance community. In his last ever eBay auction, he will explain why he is quitting eBay for good and send it to you on VHS tape. 10 bids so far and ending soon! ebay.io/m/aZwK9Z

Exonemo, long-time digital art duo, were briefly our studio neighbors in Dumbo! Their series of generative ASCII art landscapes, "Last Acres of The Internet", are epic. Delivered on discrete domains with source on Github. Auction is live: ebay.io/m/WL54MO

www.ebay.com/itm/33678880... we have a bid for 99 cents! Benton C Bainbridge: Early Abandoner, 2026 is a media artwork in the WYSIWYG group art show on eBay, curated by @devharlan.bsky.social

“The signal cultural condition of the present is that every experience is always competing with trivially available, infinitely new, super-cheap digital content, dragging the value of everything it touches toward zero.” The Ben Davis review is spot on: news.artnet.com/art-world/ne...

Very interesting conference by the Anthropocene Sediment Network last month, thank you @anthrosednet.bsky.social for the opportunity to participate! Recordings can now be seen here: youtu.be/2m2h0sjiaX8?...

Currents 2025 opening this week! Excited to be participating with a screening of moving image work ‘Afterlives II’

Great exhibit up at New Inc’s Demo 2025, on view in lower Manhattan until June 22: demofestival.org DEMO2025

Helheim Glacier, Greenland. Images from Landsat, panchromatic band, June & July 2023. Notice the large, dark colored icebergs breaking off en masse in the July '23. Ice calving does not normally happen this way at Helheim and may be due to excessive thinning of the glacier.

Newest acquisition to the collection "Five Body Problems #3, (Afterlives)" @devharlan.bsky.social I adore this piece "... of global resource extraction and the myth of limitless consumption. I depict technological decay and disruption as it is not clear if a stable solution exists..."

36 views on technostalgia, just to get you started: brooklynrail.org/2025/02/art-... Appreciate the mention in this excellent article on the Brooklyn Rail by Charlotte Kent @lucyscribbles@threads.net!

Suddenly, out of nowhere, a declassified World War II-era CIA guide to sabotaging fascism in the workplace has become one of the most popular free ebooks on the internet: www.404media.co/declassified...

An interactive map from @ncdp.bsky.social compiles data from official sources (FEMA, CAL FIRE, NOAA, NASA, EPA, ESRI, more) to track California wildfire perimeters, air quality, evacuation orders/shelters, damage assessments, disaster recovery centers, demographics/social vulnerability, and more.

"The aesthetic nod to early computing isn’t just nostalgic; it underscores how tech culture has historically dismissed or sidelined environmental urgency." --Verse

"These interactive works examine the ethical entanglements of tech and climate science — mapping where we stand (“You Are Here”) amidst hypothetical trajectories of apathy, denial, and systemic inertia." -Verse

Been losing sleep on this for weeks! Happy to announce auction goes live today on Verse, 1PM EST, 7PM CET "The Dithering (You Are Here)" verse.works/exhibitions/... Thanks so much @fakewhale.bsky.social for curating. Enjoy the work and happy bidding!

'Late Stage Capitaloscene' part of the exhibit 'The Dithering (You Are Here) coming to verse.works 12/11, presented by @fakewhale.bsky.social: verse.works/exhibitions/...

‘You Are Here’ Strange Attractors, AppleScript, 1992 IPCC Climate Report, OS 7.1, generative graphics in C Coming soon on Verse.works

Cthuluscene CO2 Proxy verse.works/series/cthul...

Cthuluscene CO2 Proxy Now live on Verse.works, Part of the solo exhibition "The Dithering (You Are Here)" Curated by @fakewhale.bsky.social verse.works/series/cthul...

On the reading list, just published this month and so relevant right now! Also highly recommend Golumbia’s 2016 book, The Politics of Bitcoin: firestorm.coop/products/161...

Impressed with the care and attention that went into this show at the Institute of Fine Arts, Cali, Colombia, thank you so much @dianedrubay.bsky.social and Ana Aguirre for including me! Here are a couple views of the work "Afterlives, Vignettes" from the exhibit which closed last weekend:

A 1990 climate projection from the IPCC AR1. I dropped a pin for 2024 atmospheric C02 concentration -- we're basically at Business-As-Usual 🫠

Here's to growing something new.