Hagai Palevsky (he/him)

Hagai Palevsky (he/him)

@dialhforhagai.bsky.social

Writer, critic, translator. Street cat photographer. President of the Great Clown Pagliacci fan club. Enjoyer of posts and content. https://linktr.ee/dialhforhagai

5.1K followers790 following16.7K posts

The Alberto Breccia books I bought the other day are both adaptations (Poe shorts + an Ernesto Sabato adaptation) and the thing I find striking is how few words they both sport, compared to your typical prose-to-comics adaptation. He was so much more willing to let atmosphere rule. Refreshing!

Hagai Palevsky (he/him) reposted

probably the closest my writing will ever come to “conventional horror”

Hagai Palevsky (he/him)@dialhforhagai.bsky.social

You know what must be done. “Corridor Again” is a new 13-page comic drawn by @spacemacchiato.bsky.social and written by myself. You can read it below or purchase a high-resolution .pdf for a price of your choosing at the link: hagaipalevsky.itch.io/corridor-again (1/2)

Thinking about this again, after two days of museums and more museum action coming in the next week. I think my work is a very direct representation not just of what I like but of who I am — my fears, frustrations, avoidances. Can I say that for most people driven by genre/IP concerns? I cannot!

Hagai Palevsky (he/him)@dialhforhagai.bsky.social

Ultimately—and this is a big part of what Mark is saying—the more concerned a work is with audience reception and with recognizability (tropes &c) the less attention it devotes to the craft of authentic expression. At which point you may as well forfeit the entire thing because what’s the point?

An easy example for someone who has found success through this avenue is Mark Waid. I’ve read his FANTASTIC FOUR, I’ve read EMPIRE, I’ve read others here and there… I genuinely can’t say that I detect any substance—any actual real-world feeling—that isn’t hyperlocalized to these fictional characters

This is not to say “straight genre entertainment can never be good” of course but if you can’t offer me more than “I think these characters are capital-I Important” or “the most important thing you can do in life is to subvert a trope” or whatever then you have almost certainly lost my interest

we once again return to “is this comics?” with these two works of accumulative markmaking by Rafael Ruiz Balerdi. my answer is it’s not comics (once again sorry to Mr. McCloud) but it’s nonetheless fun and cool

Hagai Palevsky (he/him) reposted

Went to the Guggenheim in Bilbao and found this super cool niche artist whose work seems really inspired by comics :) Do any comics folks know him/have any opinions on him???

haven’t read the book it’s responding to (Crumb’s GENESIS) but it nonetheless succeeds as both a joke (“here are all these biblical figures suckin and fuckin”) and a critical thesis (“so long as we view these fictional characters as more than characters we will never be able to view them as human”)

Through excess gratuitousness it immediately (and effectively) attacks Crumb for his unusual exercise of restraint and asks what it means to have *that* project, of all projects, be “the chaste one”; what it means is, of course, to fall into a kneejerk, uninterrogative mode of authorial detachment

I think stories about “how it feels to be alive right now” (personal blending into the political, manic/psychosexual grotesqueries) should have fake popup ads for Kalshi/Polymarket-type apps show up directly in your face

probably the closest my writing will ever come to “conventional horror”

Hagai Palevsky (he/him)@dialhforhagai.bsky.social

You know what must be done. “Corridor Again” is a new 13-page comic drawn by @spacemacchiato.bsky.social and written by myself. You can read it below or purchase a high-resolution .pdf for a price of your choosing at the link: hagaipalevsky.itch.io/corridor-again (1/2)

my apologies to all Spanish booksellers who either have already had or will soon have to hear me utter some pathetic variation on “hola, yo no hablo Español pero yo intentar, yo buscando comics como X o Y”

Obv McMahon (with Tom Frame) is transcendent but one thing I think about occasionally is that it’s weird how the repetition of letters is the default way to extend sounds in comics lettering. It’s one thing in standard typeset prose, but in comics you’d think people would explore some other ways

2000AD Randomizer@2000adrandom.bsky.social

Mick McMahon

The idea I always go back to (in my head, my comics have never been so emphatic as to require the solution) is to simply horizontally stretch letterforms while retaining the same height; primitive of course but imho more interesting in the use of space-as-time; dashed-off notes app attempt attached

Saw this 17th-century painting at the Museum of Sacred Art in Bilbao and thought “Wow, cool use of inset panels as a means of ensuring attention!”; this tendency to think exclusively in comics terms is commonly referred to as “McCloud Disorder” and generally considered terminal

Nipped into a comic shop in Bilbao (bought two Breccia books, couldn’t decide on some other stuff). Like in France and (to a somewhat lesser extent) Italy, astonished how robust the Spanish translated market is. So much more stuff gets translated *from* English compared to the reverse

It feels at least a little crazy to see e.g. a Seth book available in Spanish that has never even been published in collected form in English. Or the new Peter Kuper, or books by Tom Hart — the sort of thing that in English would immediately be dismissed as “too niche to bother”

(too niche to bother *translating*, that is; obviously the English books were published, but we don’t really see the foreign equivalents being brought into English. Although I’m pretty sure that Tom Hart stuff is out of print as well…)