earthlingdiary.bsky.social
earthlingdiary.bsky.social
@earthlingdiary.bsky.social
Appalachian Buddhist Interpreter of tribal tech art
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A bronze age pictograph from Russia paired with a rock drawing from Melvalai, India circa 3,000 BCE. Both tribal artists are depicting the exact same image from opposite ends of a continent quite possibly thousands of years apart. Both show floppy-antenna, noodle-arms and a dress. Tribes interacted.
Anthony Peratt plasma instability on left. A gold breastplate by a Tolima tribal civilization artist between 0-700 CE in Columbia, South America. Anthropologists can't find enough zoomorphic descriptions to explain this piece. Problem is, it's a depiction of an atmospheric electromagnetic discharge.
The staff associated with Lord Shiva,for a few thousand years, is called a trishula. In Hinduism, a trishula represents Shiva's cosmic power and authority. On the right is a picture of an electric discharge in a plasma chamber. Again, we have tribal artists choosing technical representation properly
The distance is an issue, but the separation in time is a problem. The image on the right is a Peruvian petroglyph est. 4,000 to 6,000 years ago from the world's highest desert. The image on the right is a picture from 1915 of a Nakoaktok Mawihi of the northwest coast Same imagery 6,000+ years apart
This copper alloy Markhor goat from 3,000 BCE Mesopotamia is associated with the Sumerian god Ea. The museum claims the elaborate superstructure on top is for displaying geometric patterns. I think by placing electrical connections to the 4 obvious leads on the legs, the plasma show would be godlike
It's the distance. Not only are these representations a half a world apart, from Chili and Indonesia, but also 4 to 6,000 years apart. When tribes record or re-create, it's to show an event. They witnessed a figure with headgear that discharged plasma. 2 tribal artists depicting the same interaction
The Museum of Prehistorical Statuary in Sardinia has the rudest policy of not allowing visitors to paint the artifacts. Such nerve. Anywho.. once you train your eye to look for specific technical representation by the First Nation's artists,you'll see how accurate they really were. Tribes interacted
Early as 8,000 BCE in the Atacama desert of Chile to around 1,000 BCE in bronze-age Sardinia are holistically similar expressions. Both show electrodes, the petroglyph shows discharge from the head. The Sardinia bronze shows a wire plugged into the antenna extension of our 3-finger and 3-toe fellow.
The Peyro Clabado is a perfect illustration of negating history with framing. Located in southern France, this stunning construction is presented as a "balancing stone" and no one blinks an eye. Yet, this 800-ton granite megalith is clearly a "balanced stone" held in place by a geopolymer plug. See?
Megalithic standing stones bearing quartz are machines transferring electromagnetic energy from Earth to atmosphere. Granite on left. Lay a megalithic stone on top and the electromagnetic energy transfer increases. Limestone on right. 10,000 BCE and electromagnetic power stations littered the Earth.