Edmund Dūst | إدموند دوست

Edmund Dūst | إدموند دوست

@edmunddust.com

A Grim, Slim Thing Illustrator and PhD Mystics, Maidens and the Macabre Glasgow edmunddust.com

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Some of my drawings from my "Anatolian Sufism" series exploring key figures, scenes and themes in Medieval Anatolian mythology. I will discuss each at length at a later date. For now, I just wanted to share the highlights. #medievalart #mythology #sufism #fantasyart

Hey you! Yeah you...Like the Arthurian cycle? Spend your nights cackling at Book of Hours illuminations like a... monster or something? Well feast your eyes on: Saracen & Satyr A comic project I've been hammering away at... #medievalart #kingarthur #arthurian #occult yasharbezem.com/saracen/

yasharbezem.comSaracen - Yashar BezemSaracen & Satyr Introduction ☩ Characters ☩ Comic ☩ Concept Art Saracen & Satyr: or the Mystical Quest of the Good Sir Palademes I retell the Arthurian tale of the Saracen Knight Sir Palamedes and his...

I retell the Arthurian tale of the Saracen Knight Sir Palamedes and his quest for the elusive “Questing Beast”. Taking cues from Aliester Crowley’s unique mystical interpretation, Saracen and Satyr continues in the tradition of the occult fascination with this timeless cycle.

Today marks the Spring Equinox, known as Nowruz/Nevruz in the Iranic and Turkic worlds. You might be familiar with how Iranians celebrate it but among the Bektashis, it is commemorated as the birthday of the primordial saint, Ali; the coming of Spring and the renewal of the world more generally

Edmund Dūst | إدموند دوست reposted

We're still not 100% sure how this (or any, for that matter) algorithm works, so we are posting it again: OUR SUBMISSION PERIOD WILL BE OPEN MARCH 14-28! TELL YOUR PALS! #litmag #folklore 💙📚 #callforsubs #submissioncall #literarymagazinesubmissions #opencall #callforentries #callforsubmissions

Think I'm finally going to delete all my meta apps. Yeah, it'll make it harder for people to find me but to hell with it. I can't stomach the open disdain these people have for their own users (and let's face it, humanity at large). Least I can do is not freely give them my own data.

The Concubine's Sedition (fitna) By Bezem Material: Ink and pencil My newest drawing depicting Fitna, a character from the Persian epic, Haft Peykar. The Chinese concubine of the Sassanid shah, Bahram Gur; she stands her ground against the arrogant monarch and bests him. #persian #illustration

So I want to talk a little bit about this painting I made a couple of years ago. It depicts a dazzling scene in Anatolian Sufi mythology and is emblematic of the kinds of images one can expect in Medieval Sufi narratives. Full explanation in the comments 👇 #art #skystorians

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Frustrated, he demands to speak with the covenant head. They relent and bring him to Abdal Musa (the man in the painting). They argue back and forth before the Abdal finally raises his arm and asks "Look well Gaybi, is this your arrow", revealing the arrow he shot.

Stumped, Gaybi recognises what has transpired. The Abdal was infact the deer he had pursued. He bows down in reverance and remains in the covenant as his Dervish, eventually becoming one of the most important poets in Anatolian Sufism, Kaygusuz Abdal.

So I want to talk a little bit about this painting I made a couple of years ago. It depicts a dazzling scene in Anatolian Sufi mythology and is emblematic of the kinds of images one can expect in Medieval Sufi narratives. Full explanation in the comments 👇 #art #skystorians

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Landing the shot but failing to bring it down, he chases the animal which runs into a tekke (Dervish covenant). He meets with the Dervishes and explains that he is here to claim the spoils of his hunt. However, nobody in the covenant saw a deer or any animal for that matter.

So I want to talk a little bit about this painting I made a couple of years ago. It depicts a dazzling scene in Anatolian Sufi mythology and is emblematic of the kinds of images one can expect in Medieval Sufi narratives. Full explanation in the comments 👇 #art #skystorians

View full thread

Totally dependent on God, often itinerant and openly eschewing good reputation. Think of them as kind of religious anarchists. What more, their proximity to the divine imbdued many with "keramet" (a kind of thaumaturgy). In these types of hagiographies, a person will often encounter such an Abdal,

witness their keramet and emerge changed from such an experience. The extraordinary briefly interrupts the flow of regular life and mundane reality, shocking the viewer out of their slumber, allowing for the kind of change desirable for spiritual wayfaring.

So I want to talk a little bit about this painting I made a couple of years ago. It depicts a dazzling scene in Anatolian Sufi mythology and is emblematic of the kinds of images one can expect in Medieval Sufi narratives. Full explanation in the comments 👇 #art #skystorians

So I used the term "Sufi" but it's not entirely accurate. Sufis in medieval Anatolia were generally understood to be of an erudite type. The very enigmatic figures I have drawn are often referred to as "Abdals". Think of the idea of a wandering Dervish..

An addition to my "Ottoman Vogue" series where I draw women in a style inspired by both early 20th century fashion magazines with Persianate artistic flourishes. Title: "And your body knows every tongue" |وجسمك يعرف كل اللغات), taken from an erotic poem by Nizar Qabbani #illustration #calligraphy

Some Ink, gouache and pencil drawings I made last year as part of my "Ottoman Vogue" series. I had discovered various Vogue inspired magazines circulating in the late Ottoman Empire and then did my own fashion illustrations with some subtle Persian miniature inspired motifs. #illustration

The magazines in question are "Sevimli Ay" (Lovely moon). The arabic script calligraphy I used in the above two images was "thuluth" and "nastaliq" respectively. Both of which were executed on calligraphy paper and affixed onto the illustrations. I have a few others I did in this series. Stay tuned.

"St. George" by Bezem Ink, gouache and pencil on paper Most are familiar with the image of Saint George slaying a dragon but fewer artworks depict his status as a suffering saint. My George is depicted here, disrobed, vulnerable yet defiant. An oriental Saint draped in crimson.. #medievalart

I was in the Bode museum in Berlin and came across a discussion of a painting depicting the trial of the saint which stressed the bodily (and possibly queered) component of his demise. Since then I've been obsessed by this idea. There's a ambiguous component of Saint George I wished to explore.

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