Gfrun

A shadow has no height, only a frightening breadth, yet it evokes a profound dread, like entropy. Dance needs only rising to create a miracle. Yet many are defeated by the entropy or shadows.

Dance is philosophy, harder than math.😆

How many years must a mountain stand before it turns blue? Courtesy of @landsteward.earth

We don’t even realize that mountains are beauty itself, as is water.

How many years must a mountain stand before it turns blue? Courtesy of @landsteward.earth

We need blue to counterbalance the black sliding downward.

How many years must a mountain stand before it turns blue? Courtesy of @landsteward.earth

In autumn, leaves walk together. How quiet. Verse is redundant. Courtesy of @cliffcrego.bsky.social

Autumn does not walk. It lies in the road, hurt -and happy.

A bloom is a gathering: Faces to faces, Hearts to hearts.

沈长山 旧为休文别业故云，南去里许即前山溔，入省之要道也。山多美竹，望之丽然。大中丞北川陆公构亭其上，文人墨士多往游焉。 明 宋旭（《湖州十八景图》册页一开）

Crystal Forms: A Victorian Aesthetics of Accident Daniel Williams

Crystal Forms: A Victorian Aesthetics of Accident Daniel Williams

“Botanical motifs are dominant in this discourse, and also in late Victorian catalogues for decorative objects like encaustic tiles, whose square format favours pattern symmetries in multiples of four, rather than six. ”

Crystal Forms: A Victorian Aesthetics of Accident Daniel Williams

“‘truth to nature’ in hand-drawn images to ‘mechanical objectivity’ in photomicrography. ” ‘pseudomorphism’.

The night's meteor shower is musical notes A rainbow scatters water ripples parallel to the dark Various colorings like fertilizing sperm into the ambiguous birth canal Planes are about to take off The control tower’s final flash Courtesy of @truthseeker59.bsky.social[1] @adaspota.bsky.social[2-4]

Musical notes like burning wires hiss and crackle in the hair. Night short-circuits.

The lightest dusk is a feather. How to fly without disturbing a dandelion? I think about it for a long time， It is the color of a feather. Courtesy of @taminf.bsky.social

The thinnest, softest thing of summer wings past. Like a dandelion, just half open.

Most Chinese classical poems, once translated, leave even native readers baffled. I thought I at least knew them-yet seeing this title, I was somewhat stunned. 😳 How should ancient poetry be taught so that it can be recognized “with all its vital organs intact” in another language?

“teeth half fallen out, left ear deaf as dragons.” “牙齿半落左耳聋” Dragon 龙,not deaf 聋.

Most Chinese classical poems, once translated, leave even native readers baffled. I thought I at least knew them-yet seeing this title, I was somewhat stunned. 😳 How should ancient poetry be taught so that it can be recognized “with all its vital organs intact” in another language?

“teeth half fallen out, left ear deaf as dragons.” “牙齿半落左耳聋” Dragon 龙,not deaf 聋.

Most Chinese classical poems, once translated, leave even native readers baffled. I thought I at least knew them-yet seeing this title, I was somewhat stunned. 😳 How should ancient poetry be taught so that it can be recognized “with all its vital organs intact” in another language?

Continuing yesterday’s topic: the concrete manifestation of emptiness is negation and questioning—for example, in this line, “has no one seen”.

Most Chinese classical poems, once translated, leave even native readers baffled. I thought I at least knew them-yet seeing this title, I was somewhat stunned. 😳 How should ancient poetry be taught so that it can be recognized “with all its vital organs intact” in another language?

“on a clear day, to reconfirm that witnessing presence.”