Flat Donkey

Flat Donkey

@flatdonkey.bsky.social

Flat Donkey celebrates comics and graphic novels, the gifted creators who make them, and the insightful readers who appreciate them. Visit Flatdonkey.com. I’m George, btw.

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Flat Donkey reposted

"... in Requiem for Gaza, Hedges and Sacco defiantly offer us a history of this genocide from the Palestinian perspective, to honor the survivors and dignify the countless lives that have already been lost." -- The Arts STL https://ow.ly/XLfx50ZVyrv

ow.lyChris Hedges & Joe Sacco | Requiem for Gaza (Fantagraphics)160 pgs. B&W | $25.99  hardcover | W: Chris Hedges A: Joe Sacco For all our modern access to information, from 24-hour cable news to countless long-form YouTube podcasts and endless half-m…

It’s troubling enough that an artist’s style, that they labored and sacrificed to attain, can be lifted so blatantly and legally. Taking their signature, which signifies authenticity, seems not only criminal but shameful. Thanks to @niemanlab.org for the article. #comics #creators #ai

niemanlab.orgChatGPT is adding real cartoonists’ signatures to fake New Yorker cartoonsOpenAI's chatbot isn't just imitating the magazine's style. It's also falsely attributing AI-generated images to real artists.

@gemmacorrell.bsky.social's memoir, "Anxietyland", is a valuable resource and a great read. If you or someone you know is struggling, in distress, or having thoughts of suicide, immediate help is available. Call or text 988, or chat online at 988lifeline.org. #comics #indiecomics #graphicnovel

flatdonkey.com‘Anxietyland’ is a carnival of internal suffering and healingGemma Correll’s memoir maps out the unattractive attractions encountered along her mental health journey.

I remember becoming nauseated at the Mütter Museum in Philadelphia, realizing that the displays I was looking at were parts or real people. I recalled that visit while reading this book. However, I was far from nauseated while reading. Quite the opposite—I was glued. @dandq.bsky.social #comics

flatdonkey.comArizona O’Neill lays herself bare in the macabre—but not horrific—‘Opioids & Organs’Her personal account of trauma and coping aims to enlighten, not frighten.

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