Greg Kot

Greg Kot

@gregkot.bsky.social

Co-host "Sound Opinions." Former music critic at Chicago Tribune. Author of 7 books, including "I'll Take You There," “Learning How to Die," "Ripped." Teaching music and democracy at U of C.

2K followers193 following281 posts

A good night for the home team at the Hideout Inn. Eleventh Dream Day in full roar. Highlights: a cover of Lyres' "Help You Ann," in honor of the late Jeff "Monoman" Conolly, the set-closing "Orange Moon," the haunted drift of "The Raft." Packed house. Tim Tuten as MC. Lounge Ax's Susan ... (1/2)

... Miller Tweedy and Julia Adams, Thrill Jockey's Bettina Richards (who signed the band to Atlantic in 1989), tape archivest Aadam Jacobs in the house. The occasion was the release of "By The Time They Got to Lounge Ax," a double-LP of early '90s EDD sets at Lounge Ax, recorded by Jacobs. (2/2)

Currently mixing up the medicine on democracy, the role of the artist and Bob Dylan at U of Chicago's Graham School (exciting classroom photo in comments). The class is sold out, but Graham is re-upping it for the winter quarter. Registration is open now. Details here: tinyurl.com/2nndmtps

tinyurl.comBob Dylan and AmericaExplore the life and art of the iconic Bob Dylan with Greg Kot (“Sound Opinions” co-host and former Chicago Tribune music critic) and Nora Titone (UChicago Parrhesia Program for Public Thought and Dis...

Guitarist Matt Gold last night at a house concert. Liked his past collabs w/ Macie Stewart & Elizabeth Moen, & his omnivorous approach, reminiscent of Bill Frissell or Richard Thompson. He touches on West African and Brazilian textures, chamber pop, Spaghetti Western atmospherics, with jazzy nuance.

David Porter, legendary Stax songwriter, on his secret sauce for writing a soul classic: “The people don’t care about how you feel. They care about how you make them feel.” He dishes with the best of them on @soundopinions.bsky.social (link in comments).

At Smashed Plastic Record Pressing to celebrate the release of the inaugural LPs from @aadamjacobs.bsky.social tape archive: Naked Raygun's “This Place Used to Be a Strip Joint” & Eleventh Dream Day's “By the Time They Got to Lounge Ax.” A+ live documents of Chicago's indie music scene: (1/2)

Naked Raygun's “This Place Used to Be a Strip Joint” and Eleventh Dream Day's “By the Time They Got to Lounge Ax.” We rolled through a panel discussion with Aadam and Janet Bean/Rick Rizzo of EDD and Jeff Pezzati/Eric Spicer of NR, then Rick and Janet regaled us with a rare acoustic set.

John Prine would’ve turned 80 later this week, but he slipped away in 2020, and boy, do we need his songs now. If anything, his stature has only expanded during his missing years, and the city he once called home is celebrating him big time in the next few days. A convo with JP linked below.

While in Greece, we saw a bunch of street artists playing variations on urban styles such as rebetiko. One night we ended up at Tavern Klimataria for this terrific co-ed quartet. Reminded me of Richard Thompson-Sandy Denny era Fairport Convention or Ireland’s Lankum, tinged with bluegrass and jazz.

Melissa Auf Der Maur, an aspiring Montreal artist, took a detour when she met Billy Corgan & Courtney Love. She ended up playing bass in two volatile '90s bands – Hole and Smashing Pumpkins – and lived to write about it in “Even the Good Girls Will Cry.” @soundopinions.bsky.social interview below.

Dolly Parton, RIP. She was a boundary-pushing artist and a compassionate human being who is irreplaceable. I had the opportunity to chat with Dolly several times over the decades, and an excerpt from one of those chats is linked in the comments.

The 2 editions of “The Rolling Stone Record Guide” (1979) were once bibles for a new generation of music fans & music journos. They were edited by Dave Marsh & John Swenson, and Marsh (RIP) in particular was an inspiration – a prolific author & combative critic. When we met... (link in comments)

Jeff Conolly (RIP) led Lyres, ace Boston garage-rockers. Their "On Fyre" debut was an instant classic. He's gone but the image of Conolly singing "Help You Ann" while playing Vox riffage with his right hand and banging a tambourine with his left was burned into my DNA in the 1980s and never left.

Glen Hansard gone at 56. Motorcycle crash in Dublin. Shocking stuff. Street busker-turned-Oscar winner. As a songwriter, he had a way of capturing the bittersweet moments of life, and our interviews inevitably circled back to how his approach to songwriting evolved. Link in comments.

I'll be teaching "Bob Dylan and America" at U of Chicago's Graham School (for adult learners) in the fall. We'll look at the people and events who influenced Dylan, the contemporaries who challenged him, andthe new artists he inspired. Registration now open: tinyurl.com/3bhbmb4v

tinyurl.comBob Dylan and AmericaExplore the life and art of the iconic Bob Dylan with Greg Kot (“Sound Opinions” co-host and former Chicago Tribune music critic) and Nora Titone (UChicago Parrhesia Program for Public Thought and Dis...

This week, we kick off the 1st of 2 shows on @soundopinions.bsky.social celebrating one of our favorite bands ever: the Feelies. We give the classic-album-dissection treatment to the 1980 debut, “Crazy Rhythms,” and in week 2 to the 1986 follow-up, “The Good Earth.” (Link to ep. 1 in comments)

Sad to learn that Mary Morello has died at age 102. She was a teacher, activist and the mother of Rage Against the Machine's Tom Morello, who grew up Libertyville, IL. In 2000, I spent a day with Mary & Tom at her home. I've linked to an excerpt in comments. RIP, Mary, and condolences to Tom.

Got to see Husker Du perform this album in its entirety before its release on July 1, 1984. The band was on an incredible roll as songwriters and performers during this era (1984 through early 1986) and “Zen Arcade” has been required Independence Day listening ever since. Turn on the news!

Spent Juneteenth eve w/ Kahil El’Zabar’s Ethnic Heritage Ensemble in Millennium Park. A good day for the South Side, for the world, with the words of Barack & Michelle Obama at the opening of the Obama Presidential Center, & then the exhortations – musical & verbal – of El’Zabar, one of the (1/3)

more daring members of the Association for the Advancement of Creative Musicians (AACM). He bridged jazz, blues & neo-classical (with the Chicago string sextet D-Composed) in a set that spanned John Coltrane (David Murray doing Trane justice in his sax solo) and Nona Hendryx soul-mining as (2/3)

she channeled words of comfort to an orphaned child in “Summertime.” El’Zabar was the engine that drove it all on drums, hand percussion and thumb piano. “No one can give you freedom,” he said. “It’s an inalienable right.” And it lives inside his music. (3/3)

James "Blood" Ulmer (RIP) was at the center of a guitar revolution in the late '70s & beyond. His crucial roles with Ornette Coleman & Arthur Blythe brought blues, free jazz and No Wave into a free-flowing conversation. Saw him do it real time at Tut's in January 1982. His boldness will be missed.