Jeff Allard

Jeff Allard

@jallard.bsky.social

Comic and horror movie nerd.

158 followers131 following1.7K posts

This series continues to be outstanding. It boasts the ingenious plotting you'd expect from Ryan North, but it's also hilarious thanks to North having a field day with Doom's ego. Having Doom inhabiting Sue Storm's body in this issue leads to some priceless interactions with the rest of the FF.

Gail Simone has gotten into such a great groove on this book. It's the most soap opera-y book out there, full of drama and emotional turmoil in a way that X-Men books used to be, but haven't been in decades. Juan Frigeri crushes it in his debut as the new addition to the art team. Gorgeous issue.

Really digging this mini. While it'd be hard to fuck up a Punisher in the middle of a zombie apocalypse scenario, I credit this for going the extra mile to be an actually well developed story. Writer Tom Waltz's really killing on Punisher books this week with both this and the Showdown one shot out.

Writer Tom Waltz serves up some classic Punisher action here, with Greg Land's art being a good fit for this particular tale. I'll definitely check out all these Showdown one shots. Can't go wrong with one and done Punisher tales, with Frank just coming in and getting business done.

If you want to watch a movie about a cosmetically challenged protagonist getting revenge on the mob goons who ruined his good looks, go with DARKMAN. This, sadly, is weak sauce. You've got a nasty bit of gore here and there, but it isn't enough to make this any less of a middle of the road effort.

One of the strengths of this run has been Jed MacKay's willingness to allow Marc to do whatever it takes to win, even when his actions are decidedly unheroic. He's a dirty fighter, and as we see here, that costs him, even when he wins. And on art, the team of Pramanik and Rosenberg remains supreme.

I was already convinced that Zdarsky was going to be giving us peak Avengers with his upcoming run, but after reading this, I'm even more certain. This was damn good, setting up a ton of cool, intriguing shit. We're definitely heading back to the days when the Avengers ran the 616. Love to see it.

I ended up flying through Crystal Lake. What a blast. In my mind, it's more of a straight up reboot than prequel, but I'm good either way. I roll my eyes at the idea of anyone being bent out of shape about any changes made to the lore, when F13's lore is nonsensical. No need to be precious about it.

Floored by this movie. I only feel less certain about Elizabeth Holmes after watching it. Not because Holmes herself is deceptive, but because Nathan Fielder is less interested in exposing truths than he is in performing cinematic sleight of hand, and subverting the pursuit of clarity.

Just as a DIE HARD flavored focus on John Greycrow, as he has to defend the Alaskan base from inflitrators, this DNX tie-in would've been a satisfyingly kick ass issue, but there's a turn it takes in its last pages that add a very cool "Oh shit!" twist that I didn't see coming.

I always appreciate it when events keep their foot on the gas, and that's what Jed MacKay's been doing with this. Full throttle action, taking place within a tight narrative timeline, but still finding room for meaningful character beats. Loving Federico Vicentini's art.

As I've been loving Benjamin Percy's Punisher run, but mostly soft on his Deadpool, it's not surprising that this crossover has been a mixed bag for me. On the upside, this penultimate chapter was the strongest installment yet, introducing some potentially wild stakes going into the conclusion.

I was pretty pumped for this mini, and this first issue got things off to a confident start. I've been digging Dan Panosian's run of Wolverine covers, and this mini with him as writer/artist looks set to be a fun take on the character. The fact that Dazzler features into it is icing on the cake.

Decent start to the latest volume of Venom. Unlike many Venom fans, apparently, I actually liked Ewing's run, and found MJ bonding with Venom to be a refreshing change of pace, so I'm not automatically hyped for the return of Eddie. That said, this was ok, and I esp liked Tommaso Bianchi's art.

Fun issue! I appreciate that the main goal of this book is to provide a breezy good time, dealing in problems with modest stakes. I imagine we won't be seeing artist Gleb Melnikov on interiors for awhile as they're moving over to Iron Man for a stretch. If so, this was a solid issue to go out on.

I'm not one to binge watch, so I won't be blowing through Crystal Lake, but I just watched the first episode and kind of loved it. Friday the 13th is my favorite horror franchise, so it was a kick to see it back in action for the first time since 2009. Aside from that, it was legitimately good.

Yes, there's clearly going to be major changes and additions to F13 lore, but that's cool. This is a series that fell assbackwards into its own mythology from the jump, so no matter what they do with this, no matter how goofy it might be, it'll be perfectly in keeping with the series.

Kelly and Larraz follow up on their introduction of Ravage last issue, with an even better second chapter to this arc, showing Peter trying to get his bearings against a foe who's quickly taken everything from him. Fast paced issue, with Peter looking for support and strategy from several allies.

Looking forward to seeing how this arc lands. I expect Ravage will be an ongoing menace well past next issue's conclusion, but I hope Peter can at least score a decisive victory against him when it comes to May. I also hope we get a fuller explanation of who this guy is, and what he's been up to.

Jason Aaron keeps crushing it on this book. Early on, I wasn't sure what kind of legs this reimagining would have, but by now it's clear Aaron's just getting warmed up. He's probably got about a hundred issues in him on this. Steel gets an excellent spotlight here, with stellar art by Juan Ferreyra.

This tie-in issue to an event I haven't been following didn't make me regret passing over Bad Seeds, but yet I enjoyed it well enough on its own terms. Looking forward to Fraction getting back on track to the regular flow of this run, though. Not a big fan of crossovers when it comes to DC.

As strong as the Midnight debuts of X-Men and FF were, this was the one that hit the hardest, with PKJ and Scietronc pulling zero punches on the body horror. Aside from how graphic it is, there's also a real and tragic humanity to its characters, and immediate hints of a fleshed out larger world.

Hickman rediscovers his Marvel mojo here. His recent minis, Wolverine: Revenge and Spider-Man: Long Way Home, have been fine, but clearly were designed to be artist showcases, not the complex world building exercises that Hickman's known for. Here, he's back to doing what he does best.

We only get a glimmer here of how expansive the world he's created for these characters might be, but the promise of bigger things to come is clear. And Matteo Della Fonte's art is spectacular, begging favorable comparison to Esad Ribic.

One of the best things about the Midnight books is how perfectly the art suits each title. Kev Walker kills it on this with the pulpy, Lovecraftian horror of Benjamin Percy's script. Gothic castles, stormy nights, sea swept lighthouses, hints of ancient gods. Walker is dialed in on all of it.

And, as with the other Midnight books, I love that this feels like such a hardcore departure. The main failing of the recent Ultimate line, for me, was that it played it too safe in its reimaginings. That's not the case here. This is a FF that feels closer to E.C. Comics than to Marvel Comics.

New arrival! I love that Marvel's been steadily pumping out volumes of Two In One. Why they haven't done a single Epic collection yet for the other great '70s Team Up book, Marvel Team Up, I don't know. Maybe someday!

I dug the hell out of all three of these. I would put Spidey at the top, personally, but they all had their own distinct vibes going on.

Still shaking my head over Lanterns. It's not a bad show because it deviated from comic lore, or because it didn't offer enough in the way of comic book style action. It's bad unto itself. If you watched it knowing nothing in advance about Green Lantern, you're still watching a poorly written show.

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If this was supposed to be John's supervillain origin story, ok. But it's hard to say no evil will escape his sight, when in fact all the evil escapes his sight. Or, to be fair, he sees it, but just chooses to let it slide. The cast was top notch and for the first 4-5 episodes it was promising.

But the crash and burn of the last three episodes, particularly the finale, was just too much. If there's a case for a grounded GL show to be made, Lanterns wasn't the one to make it.

Still shaking my head over Lanterns. It's not a bad show because it deviated from comic lore, or because it didn't offer enough in the way of comic book style action. It's bad unto itself. If you watched it knowing nothing in advance about Green Lantern, you're still watching a poorly written show.

If anything, I think some comic fans just look at its lack of comic book-iness and think, "Well, this is grown up!" But it isn't. If you're going to do a grounded show rooted in personal drama, you have to have these characters act in consistent ways that correspond to how real people behave.

The way things play out in Lanterns make me seriously question the grasp its creators have on, well, reality. You don't have to indulge in nerd shit to successfully write a superhero show, but I do think you need a clear understanding of right and wrong, and that is nowhere to be found in Lanterns.

This was a blast. Great stuff, with some clever, diabolical twists. If you thought the Xenomorphs were already terrifying, imagine them being able to phase through walls!

Simone's wonderfully weird Uncanny run continues to absolutely cook, thanks in large part to the indispensable art of Luciano Vecchio. There's a ton of incredible artists working in comics rn, but with every issue Vecchio works on, he keeps making the case that he's among the very best.

Outstanding, Magento focused issue, with MacKay delving deep into Magneto's psyche, featuring a possible visit from Xavier (who may only be a memory ghost). I appreciated how the look back at Magneto's impact was focused on events within MacKay's run, which has contained several substantial events.

Really digging this event. Love seeing Scott and his X-Men firmly mopping the floor with 3K here, now that they've taken the full measure of these chumps. Also love how this event is basically just Scott vs OG Beast, who makes a major, unexpected move in the last pages of this issue.

Honestly, I'm glad they pulled the plug on it. It had its merits, had some high points, but it felt too mildly imagined from the jump, too few risks taken. It lasted long enough.

AIPT@aiptcomics.com

🕷️ The Ultimate Universe wasn’t supposed to end. Jonathan Hickman reveals Marvel changed course around issues #12–13, forcing creators to wrap up a line that was originally meant to continue. “I’ve never seen Marvel kill a line that is the most profitable line that they have at the time.” Details:

The whole season has been up and down, but all the same, I was still surprised by just how bad the Lanterns season finale was. Awful resolution to Hal's murder. Like, on every level. Who did it, why they did it, and the fact that they suffer no repercussions from it. It's a bunch of bullshit.

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...To say nothing of the people who *made* this show. Good lord, what were they thinking? Hal is pretty much the only character who acted decently the entire time, and all he gets for it is ten years in prison and a bullet in the head, while his killer is let off the hook entirely.

Anyhow, not a fan. And just add the fact that they squandered the GL concept on a show as mundane as a prime time procedural to the list of reasons why this show was ass. Not a single instance of legit Green Lantern action in the last 3 episodes of a show about *checks notes* Green Lantern. Sigh.

The whole season has been up and down, but all the same, I was still surprised by just how bad the Lanterns season finale was. Awful resolution to Hal's murder. Like, on every level. Who did it, why they did it, and the fact that they suffer no repercussions from it. It's a bunch of bullshit.

The cast was terrific. The writing, however, was atrocious. I don't care about changes to the GL lore. That's how adaptations go. I do, however, care when characters are written with poor motivations and are made to act in ways that fly in the face of all logic. I do not get the people on this show.

Yeah, so this was totally awesome. I wouldn't be surprised if writer Jordan Morris keeps moving up to bigger projects at Marvel, because he's great. Anyhow, I was already stoked for this based on the one shot that brought Fred and Passenger together, but this was even better than I was hoping for.

Solidly funny throughout, coupled with a spot on characterization of Fred and his dedication to living a quiet life of low ambition. Terrific art by Luke Ross, and thumbs up for Stefano Caselli's killer cover.

Charles Soule tees up his Venom run here. Solid issue, and I'll definitely be checking out what he's got planned for Eddie's new symboite era. It's inevitable that we'd get back to that classic pairing, here's hoping that Soule has some fresh ideas in store.

Al Ewing brings the curtain down on his Venom run in satisfying fashion. Personally I wish it didn't have to end so soon, as I dug the Venom and MJ pairing. Call me crazy, but I think it's fun to throw readers a curveball. But it's over and Ewing brings it all to a close as well as one could expect.