John A. (Jay) Cross

John A. (Jay) Cross

@johnacross.bsky.social

Working on historical Commedia dell'Arte plays. Interested in: Astronomy/Cosmology, Movie-making, Photography, Shakespeare, Other theater, Medieval Science, SCA, and other things that amuse me.

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This is quite different in presentation. It takes place in the countryside, but the nymphs and women are spoken of but never are part of the dialog. This changes the atmosphere of the stories a lot.

Another quick quote from "Aminta": 'He does no Business that thinks too much.' This is advice from a wingman trying to get a nervous would-be lover to go meet the girl he's obsessed with.

Here is a nice line from a pastoral between two shepherds lamenting about unrequited love: "The Lamb feeds on the Grass, the Wolf on the Lambs; but cruel Love feeds on Tears, and never shews himself satisfied." - "Aminta" by T. Tasso.

I have been on a spree of reading pastoral-related literature. I just finished Isabella Andreini's "Mirtilla", and am now about to start Tasso's "Aminta". My goal is to better understand how 16th Century Italians saw these plays, and to see how better to perform them.

I listened to an audiobook called "Daphnis and Chloe", which was written in the 2nd Century CE. It is a pastoral taking place in Arcadia. It's interesting seeing how folks 1900 years ago viewed the stories I've been studying from 450 years ago. Next up "The Eclogues".

#CdAHistory We went through a Pastoral play that was published in 1611, and then had some discussion about love and life in Arcadia, and how it might inform us as to how the humanist Italians saw the period of Greek Lyric poetry. Great session.

We are in the part of the election season when you cannot trust any poll. Everyone has a reason to bias the results up or down to try and maximize both donations and desperate votes. This will be a long two weeks.

A month or so ago, I ordered some LED panel lights from TEMU. TEMU is really bad about putting specs and technical details up for their products. So for a very modest price, I got a very modest product. These panels will be good for lighting your face for Zoom meetings, not general theatrical use.

Stuck in the too many things to do trap again. I know the solution is to just do some small ones and work my way up through the list. I just finished the smallest a few minutes ago. On to the next.

I'm having a perhaps too many successes in terms of progress toward my Commedia dell'Arte goals. I either need to more actively involve other people or get a lot more organized. Maybe both.

There is a lot of fuzzy information about the Yandex data centers being destroyed. I am curious as to how many of the bots trying to influence our election are not from Russia. Are the bots in the remaining half also from Russia, or are they from other sources. If so what other countries?

Today, some out of town friends from Ohio are on the East Coast for the first time. They want to visit Salem MA. I'm going to join them there this morning. I don't plan to dress up for it. Side note: I am descended from George Jacobs Sr. who at 83 was the oldest of the people they executed.

We're going through a very complicated commedia scenario called "Li Scambi". This is our third time through it, and it will take a lot of work to straighten it out, but I think it can be done. It is a high energy play with a lot is mistaken identity and letters.

We looked at Act 3 of Shakespeare's Troilus and Cressida today. Somewhere in there was mentions a Tercel, so a second discontinued model of Toyota in this play. Are there more? I wonder if Avalon gets mentioned somewhere.

I had a mostly good 24-hours. One downer was that a newish friend was in an emotionally fragile state, and tried to make a helpful comment that rattled me. I rejected her help. She needed some help to get back on track. I feel bad about that. Other things are terrific! -- more ->

I got a lot of good advice and new comradery from a theater history professor and author in Georgia. Lots of directions to go in. I just need the time and manpower to go in some of the directions.

Recently got digital copies of some old pictures because my great aunt's daughter recently passed away. I can do all the sadness for the passing, no need to support me on that. While I still have no pictures of my great grandfather, here is a picture of his dog, Mr. Giggs.

Recently got digital copies of some old pictures because my great aunt's daughter recently passed away. I can do all the sadness for the passing, no need to support me on that. While I still have no pictures of my great grandfather, here is a picture of his dog, Mr. Giggs.

I don't know much about the picture. My great Grandfather died in 1922, so this picture is from before then. He was born in 1880, so this image has to be from after about 1900. It was probably taken in a studio in the back of a store in Newark NJ.

I have just finished reading (in print, not as an audiobook) "Directing Intersectionally", which is a non-fiction book about practical approaches to inclusive theater. It's been helpful, and the authors seems to have similar ideas to my approach, but they also have the academic vocabulary.

#CdAHistory we went through an odd play today, and luck brought one of the wonderful young people I met in Finland to the session. It's a gray wet day, but I am feeling very cheerful.

I wish I could figure out what inspires me to get going on a project in such a way that I could contrive to make it happen more or less at will. I bring this up because today the muse whispered in my ear, and I am underway again. Coulda started four months ago.

I finished listening to Moore's "Serpent of Venice", and have just begun "Shakespeare for Squirrels". So far it is also entertaining. Also today, I am going through Act 2 of "Troilus and Cressida" with my every other Thursday Shakespeare group.

#CdAHistory This afternoon we went through an old play that had previously defied explanation, but on this pass through it, we made it all make sense. The title character of the play is a servant-girl named 'Perna' which suggests that we need some large round prosthetic buttocks for her.

I went to see the puppet show. It was actually two 45 minutes shows, one with puppets, and another one with a man talking to his previously recorded self on a television. The first show was by a performer who used a wheelchair doing a show with a public domain Steamboat Willy era Mickey Mouse. more

I went to see the puppet show. It was actually two 45 minutes shows, one with puppets, and another one with a man talking to his previously recorded self on a television. The first show was by a performer who used a wheelchair doing a show with a public domain Steamboat Willy era Mickey Mouse. more

The Mickey Mouse character was a hotdog vender who couldn't bear working without weed, and in the process talks with his subconscious mind and transitions to being Minnie Mouse. The puppets were pretty gritty. The over-all impact was clever.

I have a mostly low-key day today, catching up on editing scenarios and maintaining a database, but this evening, I have a bi-monthly Commedia dell'Arte meeting, and also tickets to see a puppet show. Fun things tend to crowd together on my calendar.

I'm listening to an audiobook. The narrator sounds like a young assistant pastor reading a long old testament lesson. The text holds my interest, but I may have been spoiled by listening to several consecutive well-narrated books before this one. No names. Not bad-mouthing anyone.

I have felt unmotivated today. Did I eat too much dessert yesterday, or is it just that I'm listening to a slower, less witty audiobook while trying to exercise? Hard to know. Maybe it's none of the above. Press on!

Going through the Shakespeare play "Troilus and Cressida". Some of the sexual imagery seems more obvious than usual. e.g. Act 1, scene 3, line 304, Nestor says of his young wife: "I'll hide my silver beard in a gold beaver". Is this the earliest known use of 'beaver' to mean lady parts?

#CdATroupes We had a rehearsal last night for a play in which characters disguise themselves as other actors. These are always complex shows that take some time to work who knows that it is a disguise, and how do people react. It's good we have a lot of rehearsals. ... or do we?

#CdAHistory It's been a while since posting here, but things have been happening. Chiara and I just did the 2nd pass translation of a play called "The Four Fake Possessions" but in the play five people pretended to be possessed. It was similar to the Scala play of the same name.

One of my biggest worries about the next year has been relieved in a great way. I had been thinking that I'd need to use AI to help transcribe a really long old Italian manuscript, but a wonderful person I made as a friend last Winter is doing it faster and better than AI.

Someone asked: How many Commedia dell'Arte have a prop that is a large box that someone hides in, and that it gets moved apparently with someone inside it (i.e. we need to use a stage magic trick to empty the box before moving it). Answer, I don't know yet, but many troupes needed such a box.