Jon

Jon

@jongordon.bsky.social

Confirmed fan of slow films, fast novels and music with a good, steady beat. Letterboxd: https://boxd.it/7kbX

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Great film. Like a sombre version of the Grand Budapest Hotel. A paean to the death of European civilisation. Beautifully filmed. Hüller is incredible. The guy playing Mann too.

Jon@jongordon.bsky.social

Taken the afternoon off to see this:

I watched it in a matinee showing, third row and in the centre seat. The filmhouse screen 1. The academy ratio sucked me in and created a sense of complete proximity and it really was the platonic ideal of cinema viewing.

After 3 spins of teenage fanclub’s new LP I can recommend it to all the 50 something melancholic optimists out there. Euros Child’s mournful organ and slightly sci fi keyboard parts add some interest to what is otherwise a lovely lost CSNY album.

Listening to Stevie Wonder’s Songs in the key of life. Obviously one of the greatest albums ever made. If you ever fancy putting on Steely Dan, for the studio sophistication of the sound, put on Stevie instead and you can get all that and, you know, soul and emotion too.

If seen through the lens of a comedic meta commentary on Affleck the man, better than people are saying. As a thriller it’s bollocks obviously with everyone working in completely different registers.

Jon@jongordon.bsky.social

Gonna be shit but still going to watch

Watched A Social Reckoning. Shocked by the clunky script, the unconvincing characters, the tv style, the lack of jeopardy or excitement and the failure to show just what a phyrric victory the WSJ reports were. This is more of a depressing story than Sorkin wants to tell, frankly. A total failure.

Watched Don’t Look Back in Anger. Really good documentary about a band I haven’t listened to since 1993. Genuinely moving.

boxd.itA ★★★½ review of Caged Heat (1974)Watched as part of my 1974 list. I had no idea that women’s prison movies were an exploitation subgenre. So the first thing that needs to be noted is that the way this subverts or riffs off the genre ...
Jon@jongordon.bsky.social

Watched a satire of an exploitation genre I didn’t really even know existed! Pretty stylish even on the terrible YouTube print copy I watched. Alarming, funny, feminist adjacent.

Watched a satire of an exploitation genre I didn’t really even know existed! Pretty stylish even on the terrible YouTube print copy I watched. Alarming, funny, feminist adjacent.

Jon@jongordon.bsky.social

Tonight’s 1974 Jonathan Demme movie. Not like Silence of the lambs by the look.

Watching some 1974 films over the next month. Oddly, seem to have seen a stack of movies from the year already. But have these on my initial list. The 70s are pretty inexhaustible for great films. The Gambler Zardoz Mr Majestyk Caged Heat Daisy Miller Thieves Like Us

Great film with an unexpectedly fun ending. My disc has a version with an alternative ending though…

Jon@jongordon.bsky.social

Home alone tonight and going to watch, probably the last of my 1973 films:

Assume Brosnan was mute because of his unconvincing Irish accent

Jon@jongordon.bsky.social

A sickness blighted weekend but as I start to feel better, putting this on:

Very much enjoying the audio book of London Falling. I read Radden Keefe’s collection on rogues, which is excellent, but this longer investigation is enthralling: from a murder/suicide to the exile of Ugandan Asians, the brinks mat robbery and A Long Good Friday.

Not sure why Robert Jenrick is being interviewed on the BBC about Burnham’s speech (he’s not the principal opposition yet) but it is, as they say, a car crash. Absolute fud.

So, apart from the 30-odd minutes, including the entire final chase scene, which I can’t properly judge because the subtitles failed (thanks Everyman, good to know the expensive seat was worth it !) this was tremendous fun. Definite Spielbergian vibes in the camerawork with gonzo humour added.

Jon@jongordon.bsky.social

Off to see this (surprisingly long) movie

Propulsive and a tremendous build up to the appearance of the jankily amusing cgi monsters. The solidity of the action (on foot, horse and car) and the well filmed destruction more the effect of the monster work better than it should. But Fassbinder as a monster? dumbest thing I’ve seen this year!

A brutal film about a brutalised man in a brutalised world. Stagey, intense and fragmentary, as befits a man whose personality has been fractured and shrunk into a rotten husk. A film of 3 conversations, each one an opportunity for Johnson to talk but the nearest he gets to peace is through violence

Jon@jongordon.bsky.social

Watching tonight, from 1973

Also, God, new towns are shit. I was brought up with one and the brutalist town planning was all too familiar. Is it any wonder I left at 18 and never went back?

Watching the second series of Spaced. Best thing Edgar Wright has ever done probably. Might be the nostalgia.

Looked fantastic, albeit in the smallest of the filmhouse screens. Icy and cool in a specifically French way with the discontent at the heart of the bourgeois family a matter of glances and tiny moments. A couple of great scenes and a perfect ending within a slow burn ironic thriller

Jon@jongordon.bsky.social

Today’s film at the cinema.

I really enjoyed De Gaulle (Part 1). It is light and breezy with a lot more fun and humour than you might expect, especially in the first half. The relationship between De Gaulle and Churchill is entertainingly dramatised and the actors do a good job of bringing their characters to life.

Jon@jongordon.bsky.social

Sitting down for:

De Gaulle is a slightly ridiculous figure, proud and pompous. But Abkarian allows us to see the struggle and a touch of fear in his eyes. As the film goes on it becomes more moving and the central theme: the need for passion alongside reason when making decisions in wartime come to the fore.

I thought the film looked good and the final battle at Bir Hakeim is brilliantly realised. It has an old fashioned sweep that brings to mind older war movies. Impressive.

Dog Stars was a lot better than the reviews suggested. And we are one step closer to a new genre. The upbeat survivalist post apocalyptic film. I’m already planning for a world of folk songs, dog companions, solo flights through verdant wonderlands and meeting Margaret Qualley on her homestead.

Loved this. So much more fun and sexy than I saw the TV Glow. Gillian Anderson is Norma Desmond but Gen X and still beautiful.

Jon@jongordon.bsky.social

Next up on my cinematic double bill

Loved this. Question. Why do families set in the 80s seem more like real families? Is it nostalgia? Maybe the Spielberg effect? Whatever. I thought the family dynamics were spot on. Funny, scary, moving. Hathaway is making a case to be my new favourite actor this year: she’s great here!

Jon@jongordon.bsky.social

Heading to the cinema for some dino action

I travelled to London from Edinburgh on the previous hottest day of the year and now I am in Birmingham on the new hottest day of the year. Never leaving Scotland again.