Love Your Classical Music Geek

Love Your Classical Music Geek

@loveinner.bsky.social

Classical music obsessive. 🏳️‍🌈

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New acquisition. I realised only recently, when I stumbled across this box, that the only Solti Strauss opera recording I have is Die Frau Ohne Schatten. I see reviews of the others are variable in some quarters, but I’ll decide for myself! Solti complete Decca Strauss Opera Recordings on 15 discs.

#NowSpinning Bruch’s Second Violin Concerto, a work I do not know. Fortunately Perlman seems to know it rather well! How interesting to hear it’s first movement almost pick up where the First left off. A bit of recycling isn’t necessarily a bad thing.

#NowSpinning Android Nelsons with Mahler Symphony No.1. The quiet opening was fine, but when the cellos play the first statement of the main tune there is a really horrible affectation right at the end of the first line. I hope things improve.

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…it’s not especially distinctive. Sadly the finale felt like a play through for me, with the most interesting things coming from the sheer splendour of this orchestra in full flood rather than anything interpretive. So…

#NowSpinning Android Nelsons with Mahler Symphony No.1. The quiet opening was fine, but when the cellos play the first statement of the main tune there is a really horrible affectation right at the end of the first line. I hope things improve.

The cellos softly introduce the main exposition theme at rehearsal Figure 4, marked ‘Immer sehr gemächlich’ (Always very leisurely/easygoing). Mahler meticulously wrote specific instructions to keep the tempo moving steadily. Nelsons does the opposite in a few places. ‘Nicht..

…schleppen’ (Do not drag) appears in the score and quite clearly isn’t how Nelson’s read it. Sure I am dwelling on that single point, but I think it matters. The second movement is pretty dull and fairly rigid for the main ländler. I didn’t dislike the third movement, though…

#NowSpinning Strauss Also Sprach Zarathustra in Karajan’s digital recording. I have tended to prefer his earlier versions, but I am very happy to be hearing this again. Karajan was a fine Straussian and this recordings holds up the high standards, regardless of comparisons with earlier efforts.

#NowSpinning Mahler Symphony No.2 with Rattle in Bavaria. Against a backdrop of divided opinion I always really enjoyed his 1987 CBSO version, even if it feels a touch slow. I never really warmed to the Berlin remake, though. So where will I end up with this one?

#NowSpinning Pappano’s Vaughan Williams Sea Symphony. It took a short while to get used to the slightly anaemic choral sound, as recorded, but the orchestra and soloists are caught with impressive clarity and definition. It’s important to keep this work moving and Pappano does just that.

#NowSpinning this new version of Bantock’s Hebridean Symphony. As works, I much prefer the Celtic Symphony and Omar Khayyam, but this is a very nice disc. For me, the fanfares in the closing minutes are a touch silly, but there is a lot to like in the work.

#NowSpinning Karajan’s digital Liszt Les Preludes, as part of this slightly odd compendium of works. This was actually the very, very first Karajan recording I ever heard. My Dad had it on a slightly different compilation, which I played to death at university.

#NowSpinning Mariss Jansons with Mahler’s Fifth. This conductor has managed to record Mahler with a few great orchestras. I always come away feeling the players are the reason for success rather than any particular insight. I’m afraid this Fifth is all about fabulous playing and little else

#Nowspinning some late-night Brahms with Sir Colin Davis in Bavaria. I am somewhat struck by the colossal weight of this performance. Perhaps some detail is lost, but it feels grand and imposing. I must say this is one performance I think I will return to.

#NowSpinning Mozart Piano Concerto No.23. I must say the slow movement is particularly sublime here. The autumnal shading is to die for, in the orchestra as well as with the piano. An absolutely exquisite moment of poise and introspection.

#NowSpinning Morton Gould’s Fall River Legend. This is totally new to me. It’s apparently based on the trial of Lizzie Borden, but instead of a not guilty verdict - as in reality - Borden goes to the gallows. Apparently the choreographer, Agnes de Mille, believed Borden was guilty.

#NowSpinning some very fresh and characterful Ravel from Robert Trevino and his Basque players. This is music making to really open the ears and the mind. The Orchestra is very refined, yet somehow edgy at the same time.

#NowSpinning the high spot in an otherwise pretty disappointing Rachmaninoff series. Dutoit’s recordings of the three Symphonies were generally dull and half-hearted. But he finds autumnal warmth and dramatic sweep in The Bells. The strings are incredible in first minutes of the second movement.

Well, this is a good deal better than the Symphonies. The Philadelphia strings are very much the sumptuous, romantically-sweeping bunch they normally are. These soprano is rather fluttery, but there’s a lot to love here.

Good to know this box is coming later on in November! It’s really the only corner of his discography left to cover. Some of the Concertgebouw recordings in here are exceptional, including the Sleeping Beauty and Nutcracker. Can’t wait.

#NowSpinning Mozart Piano Concerto No.25 with Alicia de Larrocha and Colin Davis. I’ve really enjoyed these discs so far - 9, 20 and 21 already done - and can only lament that it didn’t turn into a full set with this particular partnership. All of these musicians are fabulous Mozartians.

#NowSpinning a true classic. There are clearly other great Mahler 9s, but this one remains an extraordinary testament to the relationship between conductor and orchestra. As it happens, the live performance took place 44 years ago today. Of course, earlier in the month…

…Karajan had unilaterally appointed Sabine Meyer as principal clarinet and this was to lead to an uprising within the orchestra during the remainder of 1982. Yet the Karajan Berlin partnership still had great discs to come, even if he increasingly moved to Vienna to record.

#NowSpinning Jurowski’s Firebird from this live disc of Stravinsky. We were so fortunate to have this marvellous conductor in London and discs like this remind me why. The crisp clarity of articulation is a wonder unto itself, but Jurowski brings an inner life to the music and really makes it dance.

It’s annoying it has taken me so long to actually listen to this recording. With superb sound and crisply assured orchestral playing Jurowski is able to set the score out with terrific detail, poise, and energy. A cracker for sure.

#NowSpinning Sibelius’s Suite from the music he wrote for Maeterlinck’s Pelléas et Mélisande. Wonderful music, for sure, but I’m not sure this is Karajan’s Sibelius at its best. Immediate comparisons with Petri Sakari on Chandos reveal how much more inner life the music can have.

#NowSpinning Berlioz Symohonie Fantastique with Ormandy in Philadelphia. Well the cover certainly makes reference to the drug-induced content of the work. Let’s see if Ormandy found the trippier corners of the score.

#NowSpinning the two Grieg Peer Gynt Suites, in Karajan’s last-of-many recordings in Berlin. One of those moments where all his previous versions seem better. It’s amazing how easy it is to undermine the drama of the Mountain King by playing it too fast from the start!

#NowSpinning Johann Strauss’s Die Fledermaus, with Ormandy and some very interesting soloists and the Metropolitan Opera Association. I hardly know this work so I’m following with the vocal score, which helpfully has English and German printed together. Clever!

#NowSpinning Strauss’s Suite from Der Rosenkavalier, with Doráti in Minneapolis. Through the mono years box it was obvious that Doráti was shaping this orchestra into something very distinctive. As we emerge into the stereo era, the benefits of that development are clear!

#NowSpinning Mussorgsky in Ravel’s clothing, with Zubin Mehta in New York. Recorded in November 1979, at this point Mehta had only been at the helm of this orchestra for a year or so, but band and baton seem to have been in lock step.

#NowSpinning Solti’s 1975 Chicago Also Sprach Zarathustra. So far, very impressive. This magnificent band did, of course, record this music incredibly well with Reiner and they have to take at least a good whack of the credit here. The playing is spectacularly virtuosic.