MMaP Research Centre

MMaP Research Centre

@mmap.bsky.social

MMaP is the Research Centre for the Study of Music, Media, and Place at Memorial University. Publisher of Music Research Annual and the Back-on-Track Audio Publication Series.

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Join us for an evening of folk songs and stories, drawing on the rich traditions of Newfoundland and Labrador. Tickets are $25 ($20 students) and are available at the door or in advance via info@singsonginc.ca.

Join us for an evening of folk songs and stories, drawing on the rich traditions of Newfoundland and Labrador. Tickets are $25 ($20 students) and are available at the door or in advance via info@singsonginc.ca.

Join us for an evening of folk songs and stories, drawing on the rich traditions of Newfoundland and Labrador. Tickets are $25 ($20 students) and are available at the door or in advance via info@singsonginc.ca.

Join us for an evening of folk songs and stories, drawing on the rich traditions of Newfoundland and Labrador. Tickets are $25 ($20 students) and are available at the door or in advance via info@singsonginc.ca.

Join us for an evening of folk songs and stories, drawing on the rich traditions of Newfoundland and Labrador. Tickets are $25 ($20 students) and are available at the door or in advance via info@singsonginc.ca.

Congratulations to MA student (Ethnomusicology) Linus Glaesemer on being co-awarded the 2025 Student Paper Prize from the @Canadian Society for Traditional Music for his paper "Quiet Labor: Beatmakers, Vernacular Theory, and the Politics of Inaudibility,” presented at the 2025 Virtual Conference!

Congratulations to #MUNEthnomusicology student Andrina Cockerham of her presentation "Sounding Climate Care: Music, Protest, and Belonging in St. John's Climate Movements" at the 2026 Equity, Diversity, inclusion, and Anti-Racism Conference Memorial University!


Check out the new website Axesfortheallies.ca! This bilingual website features in-depth discussions of the contributions made by Newfoundland and Labradorian wood workers during wartime. Featuring songs, stories, archival materials, timelines and learning materials for educational use.

Meet #MUNEthnomusicology student Reid Orphan! Reid research video game music, gamelan, and Newfoundland folk music. He is also a composer for the work-in-progress Skyrim mod Esroniet: Domain of Lost Unity, where he specializes in integrating East and Southeast Asian musical traditions.

Congratulations to Professor Emerita Dr. Beverley Diamond and her co-editor Dr. Jonathan P.J. Stock on winning the Ellen Koskoff Edited Volume Prize from the Society for Ethnomusicology for The Routledge Companion to Ethics and Research in Ethnomusicology, published in 2024!

Meet #MUNEthnomusicology student Kate McCann! Kate hails from New England, graduating from Bennington College in 2014 with a BA in music and anthropology. In addition to writing her own songs, Kate is active in folk music communities. Kate's research focuses on sea shanties and ballad singing.

Congratulations to #MUNEthnomusicology Glenn Patterson for successfully defending his PhD thesis! Supervisor: Bev Diamond (Music) Committee Members: Meghan Forsyth (Music) and Jillian Gould (folklore) Internal Examiner: Luis Achondo (Music) Exam Chair: Scott MacLaughlan (Math)

This summer, #MunEthnomusicology student Andrina worked as the events assistant for Neighbourhood Dance works, helping to launch St. John's very first Vertical Dance Week. Andrina is continuing to work with NDW for their upcoming Festival of New Dance. Keep up the good work, Andrina!

MA student in ethnomusicology Linus Glaesemer is conducting his summer research in Bamberg, Germany, focusing on 1980s’ nostalgia and revivalist aesthetics in the contemporary Neue Neue Dutsche Welle (New New German Wave) scene. Way to go, Linus!

The Fonds Jean Trudel is one of the most important collections of traditional instrumental music in Canada and will launch in phases, with the full collection available in 2026. It includes lesser-known musicians, singers, and dancers alongside celebrated figures.

This project is a coproduction of the University of Toronto Scarborough and the UTSC Library Digital Scholarship Unit, the Canadian Museum of History, the Conseil québécois du patrimoine vivant, and the Research Centre for the Study of Music, Media, and Place (MMaP) at Memorial University.

PhD Candidate Edwin Mansook is currently doing his fieldwork on masquerade traditions in Guyana. His participant-action research was recently featured in an article in the Guyana Chronicle. Congratulations, Edwin!

#OHPMCSneakPeek! In "Towards a Phenomenology of Rasa: Theorizing from Ras in Sikh Sabad Kīrtan Practice,"Inderjit N. Kaur analyses the notion of ras (flavour/essence) in performance, exploring the Sabad Kīrtan practice from historical documentation to present-day California's continuous tradition.

MMaP is delighted to announce that #MUNEthnomusicology student Arsalan Pareyal, has been appointed Assistant Professor of Practice in the Department of Comparative Humanities and Interim Director of the Centre for South Asian Music at Habib University in Karachi, Pakistan. Congratulations, Arsalan!

#OHPMCSneakPeek In “Scrape, Brush, Flick: The Phenomenology of Sound,” Katherine Young analyzes the nature of auditory encounters and their impact on our understanding of both the world and ourselves, examining the distinctive ways space appears in perceptual modes of listening and seeing.

#OHPMCSeakPeek! In “Sexed Bodies/(Im)Possible Bodies/Polyphonic Bodies,” Stephen Amico critiques traditional theories of gender that prioritize its discursive dimensions over all of its other aspects.

From May 20 through May 22, 2025, MMaP will host Phenomenology of Music Across the Disciplines, an international conference that will bring together scholars from the broad range of disciplines that draw on phenomenological methods in music research.

Stay tuned for a list of scholars and official program! While this conference will not be live-streamed, recordings of the talks will be available on our Youtube page following this event.

#PHMPCSneakPeek In “The Sound of Movement: Hearing Kathak Dance,” Monica Dalidowicz explores the relationship between movement and sound in Indian Kathak dance, showing how dancers perceive their bodies in motion through auditory cues and emphasizing the role of sound in guiding movement.

#OHMPCSneakPeek In “Playing and Listening: Phenomenological Hermeneutics and Improvisation,” Sharp considers improvisation as central to the relationship between musical experience and social life, arguing that it confronts us with both our finitude and our potential for change.

#OHMPCSneakPeek! In “Facing the Musical Other,” Esther Clinton and Jeremy Wallach suggests new ways of understanding fieldwork in ethnomusicology as an ethical practice of encounter between researchers and research participants.