Shelly Blake-Plock

Shelly Blake-Plock

@shellyblakeplock.com

Writing horror fiction, making music, building weird things. Oh, and baseball. And open source. Also, I've lived in a haunted house for 23 years, which is fun.

892 followers2.3K following813 posts

Title: What We Learned About Werewolves By Shelly Turns out silver bullets don’t work. The End #HorrorWritersChat

Alexander Hay@alexanderhay.myatproto.social

Every story has an ending, but horror doesn't always have happy ones. Q4: What sort of very short (mouse-sized?) story can you write which has a sting in the tale? #HorrorWritersChat

I’m not always sure who the monster is. Sometimes it’s one of the characters. Other times, it’s me. #HorrorWritersChat

Alexander Hay@alexanderhay.myatproto.social

Right, you 'orrible little (James) Herberts. El Gato de Ulthar is hot on your furry little heels, and you're lunch if they get you. Are you a Mrs. Frisby, a Matthias or just plain taking the Mickey? Q3: What do you define as a monster in your horror, and how do you make it work? #HorrorWritersChat

I think that horror is a form of dialogue within literature. And what is grotesque in a story is just one of many rhetorical tactics the writer can deploy in an ongoing argument with the variety of voices and echoes that call from pages, quiet library stacks, bookstores, & tombs. #HorrorWritersChat

Alexander Hay@alexanderhay.myatproto.social

What is a human world to a little mouse but horror? Q2: How do you make your horror stories horrible? Is it detail, emotion, pathos, fear or even comedy? Or something else? How do YOU make the punters quiver? #HorrorWritersChat

In the before-times, I was Shelly, from Maryland and spent less time thinking about chesse than I spent working on an historical fiction serial killer story set in Baltimore in 1891. Nowadays, I don’t know, but I’ve suddenly become distrustful of cats. #HorrorWritersChat

Alexander Hay@alexanderhay.myatproto.social

Good morrow, my dear little vermin. It's the weekly Horror Writers Chat! This week, I will be taking you down a rabbit hole, or to precise, into a mouse hole. Soo-ooo-ooo... Q1: Introduce yourselves, gorge on that Stinking Bishop, and tell us what sort of fiction you write. #HorrorWritersChat

Been working on a Linked Data project the last two weeks. It’s a glossary for digital learning terminology. Looking for feedback. Glossary is here: www.i2idl.org/glossary Developer portal is here: id.i2idl.org/developers Still in prototype. Architecture is purposefully lightweight at this stage.

id.i2idl.orgDeveloper Resources | I2IDL Glossary of Digital LearningIntegrate the I2IDL Glossary of Digital Learning with MCP, REST, Linked Data, SPARQL, and the Knowledge Graph Explorer.

Shelly Blake-Plock reposted

You blink again, hands twisted in the air. War echoes faintly across the frozen copse. There he is; under this slanted shroud. A mist between leaden raindrops. Waiting. Have you answered the questions? Got something to share? Promote below & share each others' posts! #HorrorWritersChat

I was working on a short story where eyeballs were both impossible to destroy and also remained connected to the mind even when the rest of the body was gone. The setting was a battlefield littered with eyeballs. #HorrorWritersChat

Gree_@greethewriter.bsky.social

A shudder jolts through your body. You look at him. His last tears roll down his muddy cheeks. He is dead. Take your answers to questions 2 & 3, and pitch us a horror story about a war from a perspective you would consider the most frightening! #HorrorWritersChat

I tend not to think of any fiction as reality, at least at the line level. So, I’m perfectly fine letting thing blur together. Sort of like how you can think of multiple things at the same time… do math while a song is playing in your head and a vision of childhood flashes by. #HorrorWritersChat

Gree_@greethewriter.bsky.social

His cries are smothered by explosions and screams. You're just an assistant. Your eyes dart for the doctor. Where is she? How- War permeates between horror genres. What of it would you make supernatural? Or would you keep it grounded in reality? #HorrorWritersChat

I wrote a cumulative battle scene in a manuscript called Vanishing Fact. In the end, two survivors walked a landscape littered with corpses. One has gone blind and asks the other to lie to her about what she sees. And her friend lies and describes the ways things were before. #HorrorWritersChat

Gree_@greethewriter.bsky.social

His shivering, tear-dimmed eyes stare at you. At that red cross plastered over your chest. You can't breathe. He's your first. Wars scar soldiers' souls forever. How would you explore that in a psychological horror about war? The loss of self, the flashbacks, or something else? #HorrorWritersChat

Shelly from Maryland. Finishing up a serial killer novel set in 1891 Baltimore. Boulder vs. Las Vegas gets my vote. #HorrorWritersChat

Gree_@greethewriter.bsky.social

And there you are again. With a blink, flames scythe across the copse, now a deep trench. Explosions rattle your skull, blurring your vision. Your hand is heavy. With his head. Again. Tell us who you are, what do you write, and what is your favourite depiction of war in horror? #HorrorWritersChat

There are moments in writing a book that destroy you as the writer. And I don’t think you ever fully heal. Do it enough and you end up looking like you broke your arms and legs several times over and never once had the bones set properly.

Stopped by the site central to the book I’m writing. It’s a historical mystery that takes place in Baltimore in 1891. The central location is a bar/dancehall called Osceola Hall.

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Second is from walking out the front door onto Lexington. Third is the ground floor of the War Memorial building which has occupied the site since the early 1920s and the fourth shows the scale of the big hall.

Stopped by the site central to the book I’m writing. It’s a historical mystery that takes place in Baltimore in 1891. The central location is a bar/dancehall called Osceola Hall.

For most of the 19th century, the real Hall stood at Gay and Lexington across the plaza from City Hall on what was known as Gamblers Block. First pic is near where the front window would have been on Gay Street.

Never heard as many radio commercials for adult diapers as I have since when the postseason started and I started listening to WTMJ radio calls of the Milwaukee Brewers. ⚾️🧷

Shelly Blake-Plock reposted

#HorrorWritersChat Encore: "We hope you have enjoyed the show..." That was fun. Tell us in the Comments on THIS post what you're promoting on the road right now, putting the answers into this post with the hashtag: #HorrorWritersChat

Screenplay: A collection of three-minute scenarios of people suffering: from minor indignities like getting pooped on by a bird to more, um, substantial matters like giant spiders getting loose in an elevator trapped between floors. Between each scenario: Napalm Death - You Suffer #HorrorWritersChat

James Ryan@jamesryan.bsky.social

#HorrorWritersChat Question Four: “Lay down all thoughts Surrender to the void It is shining…” Conversely, what would the plot be for a horror story from you based on a particular piece of music?

The Book: Twenty Seven The Pitch: Dead rock stars, all of whom died at the age of 27, come back as zombies and attack the corporate headquarters of Spotify. #HorrorWritersChat

James Ryan@jamesryan.bsky.social

#HorrorWritersChat Question Three: “No matter how he tried, he could not break free And the worms ate into his brain…” Pitch me a story where you pair up a musician of your choice in a horror tale of your choosing.

I’ve got people singing to themselves as they wander dark alleys, humming to remember a tune while drinking at the pub. A bandstand where brass bands & string ensembles play, and plenty of mentions of operas, musicals... Character’s opinions on music help make them legible. #HorrorWritersChat

James Ryan@jamesryan.bsky.social

#HorrorWritersChat Question Two: “Big black shape with eyes of fire Telling people their desire…” Does music play a part in your horror writing, and if so, how do you use it in the story?

Shelly, from Maryland. Currently finishing up a serial killer novel set in Baltimore in 1891. I tend to use music functionally when writing. So, for example, I’ll listen to the same music my characters would listen to. Gets me into their headspace. #HorrorWritersChat

James Ryan@jamesryan.bsky.social

#HorrorWriteresChat Question One: “All the best freaks are here Please stop staring at me…” This week, we’re asking about the music of the night, the songs on Lestat’s playlist, and all that jazz… Introduce yourself, the horror you write, and your favorite music to listen to.

Shelly Blake-Plock reposted

Tomorrow, 11 AM in LA, 1 PM in Memphis and New Orleans, 2 PM in New York, 7 PM in the UK: This week's #HorrorWritersChat Join us for 4 questions, a chat, and some self-promo at the end:

Shelly Blake-Plock reposted

Thanks for joining us for the first (fictional) Horror Writers Chat Conference! Once you’ve answered the questions and interacted, share your promo with the hashtag #HorrorWritersChat IN THE COMMENTS on this post. Travel safely and don’t forget to keep in touch. Until next time...keep it spooky.

All of the people on #HorrorWritersChat, of course.

Mary Wyrd (she/her)@marywyrd.bsky.social

It’s the FOURTH and FINAL DAY of the (fictional) Horror Writers Chat Conference. It’s award time, and ** drumroll ** you’ve won an award! Speech!! Speech!! Q4: #HorrorWritersChat - Who do you thank for helping you get this far in your horror writing career?

“Hey Bram, while you’re here, could you sign my neck?” #HorrorWritersChat

Mary Wyrd (she/her)@marywyrd.bsky.social

DAY THREE of the (fictional) Horror Writers Chat Conference. It's time to set out your wares. Your books, your merch...but who is this sitting next to you? Q3: #HorrorWritersChat - Which Horror Writer (living or dead) would you share an author table with? Why?