Simon Spanton

Simon Spanton

@simonguy.bsky.social

"I strongly feel that this is an insult to life itself." Wandering. Wondering. Freelance SFFH editor. Commissioning for The Broken Binding. Living in Edinburgh. Views my own and independent of my employers. Photos my own unless otherwise etc.

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"There were old sofas and mattresses, more than were needed. There were dozens of orange boxes as well, standing in corners and brimming over with books and magazines, all of them saved from dustbins and rubbish heaps. It was a Borrible paradise."

As well as the previously mentioned LOTR reading by @abigailnussbaum.bsky.social, Roseanna has also been doing her own excellent reading. Which, stupidly, I am even more behind on, but here's the latest. Where there is much sadness.

Roseanna Pendlebury@chloroformtea.bsky.social

Tolkien-posting continues with the penultimate section of The Return of the King. Mostly this is me griping about the Faramir/Éowyn scenes and then being desperately sad about *waves hands generally at the whole book*.

Childhood trauma, you say?

Count Trashula@trashmobminis.bsky.social

But is Wildwood too mature for my childre-SILENCE YOU COWARD! We grew up on movies where a baby dinosaur wept over the corpse of his dead mother and a swamp drowned a live horse. We watched these movies at every sleepover. Has your bloodline degraded so much in a single generation?!

The really quite impractical and insanely ugly/beautiful "warty fungus" 1970s pottery decanter and goblet set that used to belong to my mum and dad and which I completely adore. (And if you think that's quite impractical and insanely ugly/beautiful wait until you see the matching coffee set.)

I am late catching up with the latest installment of Abigail's Tolkien Reread but it is another excellent entry. Treebeard!

Abigail Nussbaum@abigailnussbaum.bsky.social

The Great Tolkien Reread encounters "Treebeard" today. In this essay, I argue that Treebeard is a second pass at the same ideas that went into Tom Bombadil, and that his success is rooted in the character's fundamental sense of tragedy. wrongquestions.blogspot.com/2026/10/the-...

"The dying Cosimo, at the second when the anchor rope passed near him, gave one of those leaps he used so often to do in his youth, gripped the rope, with his feet on the anchor and his body in a hunch, and so we saw him fly away, taken by the wind, scarce braking the course of the balloon..."

This incredible creature.

@s4r4h-l@s4r4h-l.bsky.social

#MacroMonday with my new love ! This creature is a leaf tailed gecko from #BirminghamWildlifeConservationPark He uses the frilly edges that run right round it's body to suction to glass in this case and leaves/trees in the wild, he was around 8 inches nose to tail! Beautiful! @macrohour.bsky.social

"He looked at the beast they were speaking of, a sphinx who prowled up and down on the beach in front of the hotel terrace where they were all sitting under a bamboo awning. Champagne and white grapes in a crystal bowl were on the table. Enamel sea and sky stretched out to the horizon..."

"The vision that comes to all the makers of the world, before they make a new thing, whether it be a song, or a sword, or a chalk-cut horse, half a hillside high." The genius of Rosemary Sutcliff.

"Oh the poor tired rain, still dripping. A very wet man walks, not quite not skipping. Sings to himself, determined to preserve his Sense of gaiety in spite of circumstances." From "The Song and Dance Man" by Alice Oswald

"He shot Roy Baty; the big man's corpse lashed about, toppled like an over-stacked collection of separate brittle entities; it smashed into the kitchen table and carried dishes and flatware down with it. Reflex circuits in the corpse made it twitch and flutter, but it had died. Rick ignored it."

"This time I must not blot a line. No revision, no second thoughts. Down it shall go. Already I am terrified. I have none of the tools of my trade. No row of pencils, no pencil sharpener, no drink. The standing jump."

"He had no future. He disdained it. He was a force. His thoughts caressed the images of ruin and destruction. He walked frail, insignificant, shabby, miserable - and terrible in the simplicity of his idea calling madness and despair to the regeneration of the world. Nobody looked at him."

"Whoso pulleth out this sword of this stone and anvil, is rightwise king born of all this empty quarry with its old nuclear bunker and lots of old huts."

"As she kept walking she noticed classrooms filled with strange things; one contained a dust storm, another a dying landscape lit by a large, red sun. One classroom appeared to be a storeroom of a shop. Bundles wrapped in brown paper lay silently on the shelves besides piles of sparkling geodes..."

"And as if in answer there came from far away another note. Horns, horns, horns. In dark Mindolluin's sides they dimly echoed. Great horns of the North wildly blowing. Rohan had come at last."

"And on this board were frightful swords and knives that are made in a great cavern by swinking demons out of white flames that they fix in the horns of buffalos and stags that there abound marvellously."

"Those were the broad days! Time was when I could walk and sing all day and hear no more than the echo of my own voice in the hollow hills. The woods were like the woods of Lothlórien, only thicker, stronger, younger. And the smell of the air! I used to spend a week just breathing."

"Then another clear voice, as young and as ancient as Spring, like the song of a glad water flowing down into the night from a bright morning in the hills, came falling like silver to meet them..."

OH HELLO.

Bookish Scifi & Fantasy@bookishsff.bsky.social

A new Susanna Clarke is almost here... a long-lost chapter in the lore of Jonathan Strange and Mr Norrell, The Bishop of Durham Attempts to Surrender the City is an illustrated short story set in 12thC Durham with a vexed bargain between the city's bishop and the fairy host... Can't wait! #SFF 🪐📚💙

When I lived in London I used to keep a note of every cormorant I saw as I cycled along the canal to work, now I live in Edinburgh and I keep a note of every curlew I see on the pitches I walk past with the dog. Life comes at you slow.

"Clinging to my position, witnessing the seasonal migrations, I must try to content myself with the perception that love and truth have no wings, but are resident like me here, practising their sub-song quietly in the face of the bitterest of winters." From Retirement by R.S. Thomas