Feel like Nintendo criticism is way more anemic and basic with GKCs requiring downloads a concept that existed on other consoles already and like pricing issues when everything else gets more expensive. Yeah Mario Tennis should not be $80, but I’ve had that hater energy for way longer.
Where were you people when Project Rainfall let NoA know jrpgs are cool? When Reggie said Nintendo doesn’t work with “garage developers” in terms of indie? When Nintendo took like 40% of ad revenue? How Project M like disappeared from public space and like Smash circuits getting taken out back?
Like I’m just saying like it’s fine that now people are starting to hate corporations more and more on the daily, but I feel like this all could have been happening around the mid 2000’s or at least after 2008.
So the rolling list of reasons why S3 stages are cramped are:
-Squid roll/surge spots may create skill gaps in the playerbase knowledge and create broken map positions.
-Addressing S2 having long areas and flanks contributing to special spam and little combat.
-k 52 gal.
Anything else I’m missing?
According to all known laws of balance, there is no way that a .52 gal should be free. It’s short range, “ink hungry”, and should die to midlines. The gal, of course, is free anyways. Because gals don't care what humans think is impossible in terms of buffs to it and nerfs to all else.
Shower thought level idea: The Callie/Marie splatfest not matching up with the lore the themes are ancient human messages from space received by a fax machine could be explained as a corruption of the word calamari.
On one hand, imagine hypernova and robot armor in 3D if they decide that there’s gonna simulations of other locales in the new Kirby game. But also, what if pyribbit in 3d?
Maybe if copyright law/capitalism wasn’t so draconian right now, I think people would be more chill with remakes as like the new generation playing around with old things like that Romeo + Juliet 1996 movie where they made it a crime drama. But you know, not limited to the original company.
Early copies of Super Mario Sunshine had several bugs, including a fatal memory leak that would not only cause the Chucksters to throw Mario into our dimension, but it would, more importantly, IRREPARABLY BREAK the GameCube. This was patched in subsequent copies.
If raiders has dlc, I need enemies that utilize knockback to disrupt player movement and others that teleport/are fast and have homing projectiles because otherwise airborne builds are a little too easy to pilot in the late-game.
I think it’s refreshing Deep Cut hasn’t let interpersonal drama and insecurities cause a major conflict compared to any other idol group. It’s a nice contrast of how their rough personalities at most results in S3 story inconveniences and music tracks.
I think it would be awesome and/or funny if Octo brush became a hybrid slayer/support with its patch direction as this is the second time its ink efficiency got better in s3. This will specifically help my weapon pool that includes roller and decav for covering more map modes.
i personally thought it was obvious to everyone that no player, no matter the offense, should return RIGHT after their ban.
that's just common courtesy to give extra time afterwards, to show that you left to grow, and not just because you were banned. that's why i disagree-
I've said it before, but I sincerely think we need a mindset shift so that being part of the splat community is seen as a privilege, not a right. You don't get to play in tournaments run by volunteers for free if you're going to be a racist blowfly. Readmittance has to be truly earned, not assumed.
The amount of professionalism it takes for a black person to have to commentate a Jackpot set then a set with a racist player. Ill never get why dapple thinks its acceptable to never acknowledge problematic people in their tourneys and why were all just okay with platforming racists again.
niggas disappear for a year without much of word, come back and niggas be confused why youre on edge when your last impression of them was "#WhitePower" and "Free Israel" LOL! LOL! like whatever man
The amount of professionalism it takes for a black person to have to commentate a Jackpot set then a set with a racist player. Ill never get why dapple thinks its acceptable to never acknowledge problematic people in their tourneys and why were all just okay with platforming racists again.
I need to start boosting black voices again in Splatoon comp, but I have to work on not being a coward and call out bigoted people having a token friend say they gotten better in dms/irl interactions I will never see to justify coming back instead of making a statement with humility. (1/2).
Like I'm Asian. I should have less to lose and more to gain over doing something like that. I have to remind myself that I have to protect the voices around me getting silenced because then who will be there when my voice is threatened. (2/2).
I think people discussing “super star bias” about Sakurai also should talk about the Gooey shaped elephant in the room and not just Magolor and Susie. His only involvement in the dark matter trilogy was voice acting DDD in 64.