Kylmä Koira | The Chilly Dog

Kylmä Koira | The Chilly Dog

@thechillydog.com

Textile and fiber artist, upcycled poppana and tapestry rag rug weaver, knitting teacher, pattern designer and slow, sustainable living enthusiast. 🏠 North Alabama ❤️🇫🇮 www.thechillydog.com

341 followers161 following365 posts

Weaving this motif was a little trickier than I anticipated, but it opened my eyes to new ways of drafting preliminary concepts and translating them on the loom. It also gave me an opportunity to explore color value.

Final preparations are underway for my exhibition, "The Nature of Rag Rug Weaving", as I attach D-rings to all the hanging clamps. The exhibit opens at the Carnegie Visual Arts Center on October 27, 2026.

As a poppana weaver who favors upcycled fabrics I try to be mindful of the waste generated by my practice. I save a lot of fabric strips that are leftover or too short to work into other projects. Fusing the random little patches of color together on the loom is brightening my day. #FiberArt #Happy

Couldn't help but think of this when the exhaust hose on my studio's portable AC unit split apart. After an hour of fruitless searching, I'm pretty sure the part is irreplaceable. 😖🥵

Nicolas Hénin@nicolashenin.net

Nice campaign by the Norwegian Consumer Council about the declining lifespan of products. Enjoy!

Sorting the bits from my scrap buckets this morning because I don't know what else to do. I've spent most of the last 2 years thinking about and weaving pieces for my upcoming art exhibit. Now that preparations are mostly complete, I don't know what's next. It feels a bit like empty nest syndrome.

It's photo shoot day as I prep my inventory list. My first solo exhibit, "The Nature of Rag Rug Weaving", opens six weeks from today at the Carnegie Visual Arts Center in Decatur, AL. I'm so excited to share my handwoven art with the community!

Studio life... Finally got my thrift store sheets organized on proper shelving. Now I need to figure out how to keep my bits of leftover poppana strips tidy until I'm ready to weave a rag rug with them. 🤔 #FiberArt #upcycled

I have to wedge a doorstop under Grandpa's rug loom when I weave so it doesn't walk across the floor. I replaced my boring plastic one with this ADORABLE 😍, cast iron mouse doorstop that I got at the antique store last week. What little thing is making you happy today?

I don't enjoy the Alabama humidity this time of year, but I sure love picking bouquets from all the stuff growing in our yard. The gladiolus popped up unexpectedly last summer and I think they're my favorite. ❤️💐 #bloomscrolling

You might be surprised to learn that nearly a third of the hands-on time I spend creating a handwoven art piece happens away from the loom. Hand stitching the hanging sleeve on the back of my weaving is one of the final steps in the process.

Here's a peek at what's currently on the loom. This week I've been weaving a piece called "Growing Seasons". Like most of my work, it's handwoven with poppana (bias-cut fabric strips) hand cut from thrifted bed sheets, curtains and/or tablecloths. #BlueSkyArtShow #Growth #FiberArt

Of course this clever project happened in Finland! History, upcycling, design, innovation and knitting at its best! ❤️🇫🇮

Colossal@thisiscolossal.com

This wood-fiber dress was made from a 17th-century shipwreck ⛵ 🧶 www.thisiscolossal.com/2026/05/aalt...

Kylmä Koira | The Chilly Dog reposted

Several months ago, when I was experiencing a bout of dissatisfaction and restlessness related to the work in my studio, my friend Darcy recommended the book "Wintering" by Katherine May. It was a title my library carried, but there was a LONG waiting list. I added my name and a couple weeks ago […]

thechillydog.comA Change of SeasonSeveral months ago, when I was experiencing a bout of dissatisfaction and restlessness related to the work in my studio, my friend Darcy recommended the book "Wintering" by Katherine May. It was a title my library carried, but there was a LONG waiting list. I added my name and a couple weeks ago was finally able to check it out. The book beautifully put into words how I felt and what I was experiencing during that uncertain time. Going into my metaphorical winter, I knew my season for creating knitting tutorials had pretty much run its course. No matter how much energy and effort I put into my work, nothing was growing. Not my pattern sales, not my readership/viewership and certainly not my enjoyment of the process. I hated climbing the stairs to my studio because most of my time would be spent in front of a screen producing content that may or may not reach a welcoming audience. I felt stagnant and used up by the endless churn to appease "the algorithm", especially knowing that everything I wrote, photographed or filmed and publicly shared would likely be scraped and used to train AI models without my consent. At that point, I had already begun rag rug weaving. With the additional incentive of a collaborative handwoven exhibit already on the calendar for late 2026, thanks to my friend Emily, it was easier to set my knitting aside and become better acquainted with my weaving materials and tools. As much as I love the idea of traditional rag rug weaving, I knew there was something more I could do or express in my weaving. I just didn't know what or how. I spent my nearly year-long "winter" studying the work of other weavers, learning about my heritage, and doing a lot of experimentation at the loom hoping to mesh it all together and emerge with a fresh voice and clear purpose. Happily, I had already finished my wintering season in the studio before I picked up the book. Now I can hardly wait to go up the stairs every morning to start my weaving practice. My study and experimentation on the loom, which initially felt slow and unproductive, helped me understand how to choose and use upcycled fabric to "talk" about aspects of nature, reflections and the passage of time through geometry, symmetry and layers of color. This combination of materials, concepts and minimalist design elements deeply resonates within me. Looking around my studio today, with only a few months before the exhibit... There's a fresh piece in progress on Grandpa's loom. Two large handwoven pieces are drying on the front porch after being washed and multiple smaller pieces are on the railing behind my desk ready for other finishing work. To my relief, the season has changed and I'm excited to begin searching for galleries interested in selling my works as soon as my exhibit preparations are complete.

One thing I really enjoy about being an art weaver is it allows me the space to examine and study a concept (repeatedly if necessary) until I am fully satisfied with the relationship of design elements used to express my ideas. I'm no longer a slave to the masses, constantly churning out content.

Kylmä Koira | The Chilly Dog reposted