The Film Stage

The Film Stage

@thefilmstage.com

Your spotlight on cinema since 2008.

7.1K followers465 following2.5K posts

The Film Stage reposted

Fantastic interview with Nigel Galt, editor of Eyes Wide Shut. Among other insights, he debunks the nonsense about the "missing 20 minutes," that Stanley Kubrick was killed for exposing the Illuminati, etc. etc. etc. The movie is literally about a secret society. You don't need 20 more minutes.

The Film Stage@thefilmstage.com

One of Stanley Kubrick's closest collaborators reveals new details on the making of Eyes Wide Shut in an exclusive interview for @criterion.bsky.social's release of the new restoration. Read the conversation: thefilmstage.com/that-cut-is-...

"I hope for young filmmakers, they see it’s a process and an evolution, that you don’t just show up one day as a fully-formed, experienced person." We talk with Sofia Coppola about revisiting Marie Antoinette 20 years later:

thefilmstage.com“It’s Cringy For Me to See Myself”: Sofia Coppola on Making Marie AntoinetteIn April 2024, Sofia Coppola lost her mother, Eleanor. The “cool” (as Sofia describes her), anchoral matriarch of the Coppola family was as proud a mother as she was a wife, her husband Francis and da...

The Film Stage reposted

Village Rockstars 2 is as beautifully shot as any Malick film. Highly recommended. Hope she makes a third because this is Apu Trilogy level filmmaking.

The Film Stage@thefilmstage.com

"As long as a film can depict those emotions, those universal feelings, as long as we are connecting, we’ll be good. As long as AI and other elements don’t control us, control our emotions, we will be okay." Rima Das talks with @danieleagan.bsky.social at the 2026 Busan International Film Festival:

"As long as a film can depict those emotions, those universal feelings, as long as we are connecting, we’ll be good. As long as AI and other elements don’t control us, control our emotions, we will be okay." Rima Das talks with @danieleagan.bsky.social at the 2026 Busan International Film Festival:

thefilmstage.comRima Das on Staying Independent and Making Art In a Patriarchal SocietyThe fiercely independent Rima Das built a unique career path in motion pictures. Starting with Village Rockstars in 2017, she has directed intensely personal films that explore her upbringing in rural...

The Film Stage reposted

My annual feature tracking the films getting awards-qualifying runs is up. This will be updated through December. If you are a distributor and your run is not listed here, get in touch.

The Film Stage reposted

Spoke with writer-director Noah Segan back at Sundance about his sterling debut The Only Living Pickpocket in New York. We talked about his favorite NYC movies, the importance of B&H Dairy, and Turturro's dancing for @thefilmstage.com

The Film Stage@thefilmstage.com

"I don’t want to lose the city that we have. I don’t want to lose the objects that we have. I want to protect the things that are real." The Only Living Pickpocket in New York's Noah Segan talks with @thekentman.bsky.social about crafting his emotional crime drama: thefilmstage.com/i-dont-want-...

Olivia Wilde's #TheInvite on HBO Max, the new 4K restoration of Sofia Coppola's #MarieAntoinette and the shorts of Mark Jenkin on MUBI, the Ethan Hawke-led #TheWeight on digital, and more. Explore our streaming picks of the week:

thefilmstage.comNew to Streaming: The Invite, The Weight, Marie Antoinette & MoreEach week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. The Invite (Olivia Wilde) ...

The Film Stage reposted

Me and Big John, chatting about his legendary career 🙌🏻

Letterboxd@letterboxd.social

As his tense, tender crime drama The Only Living Pickpocket in New York hits theaters, John Turturro tells Dan Mecca about improving with age, accepting radical change and doing it his way across his 46-year career. Read more on Journal: https://boxd.it/3rs

The Film Stage reposted

#PossibleLove is another novelistic gem from Lee Chang-dong, the kind of richly detailed and intricately scripted yarn in which themes of class, sex, and sociology are always on the table to be picked at. Read our Critic's Pick review as the film opens in theaters: thefilmstage.com/venice-revie...

The Film Stage reposted

The Film Stage reposted

My annual guide on where to catch up with the essential films of the year. Happy watching!

The Film Stage reposted

"The thing that I found so baffling is that certain factions of the Kubrick audience seem to think that Criterion can just take these films and just do whatever they please to them. And that is absolutely not the case." Read our deep dive with the producer of Criterion's The Complete Kubrick:

thefilmstage.com“He Wanted the Films to Survive”: Michael Chaiken on Assembling Criterion’s The Complete KubrickNo single home-video release this year, by any remotely comparable margin, generated greater waves than Criterion's The Complete Kubrick—celebrations of a filmmaker, debates over pricing, and (for the...

The Film Stage reposted

At a time when people are flocking to theaters for docs like YCSE and History of Concrete, I hope this truly special film doesn't get left behind. It's got energy, personality and is for anyone who cares about culture or interested in a cocktail party where everyone is more interesting than you.

The Film Stage@thefilmstage.com

William and David Greaves’ unearthed cinematic treasure Once Upon a Time in Harlem is an immersive and masterfully rendered documentary that presents a living, breathing oral history of the Harlem Renaissance. Read @thekentman.bsky.social's Critic's Pick review: thefilmstage.com/sundance-rev...

"Symbiopsychotaxiplasm gave us the license to do whatever we wanted." David Greaves talks about bringing Once Upon a Time in Harlem to life, memories of working with his father, and learning more about a foundational era of Black history:

thefilmstage.com“I Couldn’t See Anybody Else Doing This”: David Greaves on Bringing Once Upon a Time in Harlem to LifeIn 1972, legendary director William Greaves set out to record history. With the help of Jean Hutson and Regina Andrews, two librarians at the Schomburg Center of Research in Black Culture, he threw a ...