Tim Smalley

Tim Smalley

@timsmalley.co.uk

Full-time photographer based in Herts, UK. Back in the woods after surviving a near-death encounter with #sepsis in 2024. Posting about mindful photography and photographing your local area. ๐Ÿ‘‰ Free woodland photography tips: https://e.timsm.uk

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Hey, my name is Tim. I'm a recovering tech entrepreneur now working as a full-time photographer based in Herts, UK. I specialise in woodland & nature photography. I left tech in 2017 & had a breakdown shortly afterwards, which nearly led me to take my own life. ๐Ÿงต(1/6) #introduction #photography

Autumn in the woods comes with a fear I feel every year: that the colour will peak and fall in the gap between one visit and the next, and that I will miss it for another whole year. There is a lot of anticipation in the season. There is some anxiety in it too. Read the essay

The pale bark is the brightest thing here, and it isn't even trying. Everything else has gone to gold and rust. Epping Forest.

Fog is incredible, but you do not need it. Mist is far more common in autumn. Rain is often my favourite thing to be out in. And a flat, overcast morning hands you steady light all day. So there is no need to wait only for fog. Read the post

When has a wood hit its peak? There is no substitute for boots on the ground, but the patterns help. Higher, exposed woods turn first, more secluded ones later. The window I aim for is the last week of October into the first week of November. Read the post

Two trunks from one root, standing on a floor of fallen yellow. The dark quarry face behind does the rest. Bolehill Quarry.

Even the boulders are green here, under a moss that doesn't miss much. Golden leaves above, fallen ones below. Padley Gorge.

Ask most photographers when autumn peaks and they will say late October. In Hertfordshire it often comes later, and not every wood turns at once. One is glowing in the third week; the next still green; another already down to bare branches. Read the essay

On an autumn workshop day, clients ask me how to photograph the season. When does a wood peak? Which conditions? Which filters? Do you need a macro lens for fungi? My new post answers them, the way I answer them in the field. Read the post

Orange mist, and one old tree standing in the middle of it, holding its ground and its whole canopy. Somewhere in Hertfordshire.

There are two crafts in woodland photography. One is the camera, which gets nearly all the attention. The other is quieter: the slow knowing of a wood, its trees and its calendar. It is that quieter craft my new essay is about. Read the essay

Out in the rust-coloured bracken, two old pollards stand side by side, each on its own base, with a third set back behind. Epping Forest.

When a woodland photo disappoints you, the easy answer is a better camera, a sharper lens, the right settings, a better day, a better wood. Every one is a thing you can buy or chase. For years I reached for them too. The problem was somewhere else. Read the essay

When most photographers pack up, I unpack. Rain saturates everything. Colours deepen. In a heavy downpour, the forest makes its own weather. The woodland breathes. The conditions donโ€™t determine whether I go. I go. Rain gives the forest what clear skies never can. timsmalley.co.uk

It has been a while, a lot longer than I expected. I was very ill in 2024 and recovery is never a straight line. For me, it's been a series of winters. The practice has continued through all of it and I am back out in the woods. I write about this in my weekly letters here: pages.timsmalley.co.uk

The early morning sunlight filters through the branches of two characterful oak trees adorned with orange and yellow autumn leaves, casting a warm, dappled pattern across a tranquil forest glade Read more ๐Ÿ‘‰ https://e.timsm.uk/h7UNo1 #PhotographyTips #EditingTips #WoodlandPhotography

Instead, I ask simple questions: โ€œWhat if I moved a few steps?โ€ or โ€œWhat if I waited for the light to shift?โ€ These tiny moments of exploration often unlock more intuitive photography decisions. Read more ๐Ÿ‘‰ https://e.timsm.uk/hAUWR2 #ForestPhotosForever #CreativeNaturePhotography

Why it Matters: Small positional changes can dramatically improve your woodland photography compositions, allowing you to discover fresh perspectives and create cleaner, more engaging images Read more ๐Ÿ‘‰ https://e.timsm.uk/HkgaKk #SimplifyChaos #CreateStunning #BeginnerPhotographyTips

Winter fog with the bare structure of the woodland fully revealed, and the possibility of hoar frost at the woodland edge. Read the full article: How to Photograph Woodland in Fog, and Come Home With Something Different โ–ธ https://e.timsm.uk/cTb6Sj #PhotographWoodland #FieldTestedTechniques

If youโ€™re looking for even more actionable advice to elevate your skills, download my free guide, Taming The Chaos: The Key to Better Woodland Photography Compositions. Read more ๐Ÿ‘‰ https://e.timsm.uk/HkgaKk #SimplifyChaos #CreateStunning #BeginnerPhotographyTips

The image feels punchy without being over-contrasty as this has been added after RAW preparation and I'be been able to maintain a much more neutral colour across the image. Read more ๐Ÿ‘‰ https://e.timsm.uk/EQYbUe #NaturalLookingImages #EditingTechniques #RecoversShadowDetails

After years of photographing woodland in fog across all four seasons, in bluebell woods in spring, in the heavy stillness of a summer morning, in the hoar frosts and low cloud of winter, I have come to understand why. Read the full article โ–ธ https://e.timsm.uk/cTb6Sj #PhotographWoodland

This guide is designed to provide practical, beginner-friendly tips to help you tame the chaos, harness the power of light, and refine your approach to woodland photography composition. Read more ๐Ÿ‘‰ https://e.timsm.uk/HkgaKk #SimplifyChaos #CreateStunning #BeginnerPhotographyTips

By simplifying chaotic scenes, mastering light, telling stories, creating depth, and refining compositions through movement, you can unlock the full potential of your forest images Read more ๐Ÿ‘‰ https://e.timsm.uk/HkgaKk #SimplifyChaos #CreateStunning #BeginnerPhotographyTips

Reaching for the wide-angle lens in fog is one of the most common mistakes I see photographers make, and it features in my guide to common woodland photography mistakes for good reason. Read more ๐Ÿ‘‰ https://e.timsm.uk/cTb6Sj #PhotographWoodland #FieldTestedTechniques #CameraSettings

If you happen to find yourself out on one of those mornings when the fog is really just low cloud with ambition, it is worth reading my thoughts on woodland photography in the rain as a lot of the same gear and compositional principles apply. Read the full article โ–ธ https://e.timsm.uk/cTb6Sj

To get closer to a clean starting point, apply four full-image tone curves using Lightroomโ€™s masking tools Read the full article: The 3-Step Woodland Photo Editing Workflow That Simplified My Post-Processing โ–ธ https://e.timsm.uk/EQYbUe #NaturalLookingImages #EditingTechniques