tiny crow

tiny crow

@tinycroww.bsky.social

| 27 | she/they | blogger and video editor focused on 1960s-1970s media, primarily animation and film. History, analysis, and lots of little birdies

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tiny crow
@tinycroww.bsky.social

‼️COMING SOON, APRIL 17‼️A brand-new Sakuga MAD reel on a decidedly underrated talent: Bob Richardson. Witness perhaps some of the most realized and lively animation during an era of American animation known for the exact opposite. Look forward to it!!~

tiny crow
@tinycroww.bsky.social

‼️OUT NOW‼️The Bob Richardson reel is officially live!! In a time of malaise and budget crunch, Richardson's animation rises above the rest by incorporating a devout sense of fun and lively action. Hope y'all enjoy it!!~ youtu.be/wTm7DSAhakk

tiny crow
@tinycroww.bsky.social

‼️NEW VIDEO‼️COMING MARCH 20!! After a three year hiatus, I'm pleased to announce I'll be releasing a BRAND-NEW Sakuga MAD reel on Disney/Chuck Jones/Hanna-Barbera animator George Nicholas. Please look forward to it!!~

tiny crow
@tinycroww.bsky.social

A true love letter five years in the making! Showcasing footage from his beginning at Walter Lantz, his Disney achievements, all the way to his final works with Chuck Jones. Witness the evolution of one of the most unsung comedic animators.

tiny crow
@tinycroww.bsky.social

Hey! Did you know I have a letterboxd? Follow me there to learn my thoughts on what I’m watching or shame me for the movies I haven’t seen yet. I’ve been very active on it lately so give a look if you’re curious boxd.it/3KskX

tiny crow
@tinycroww.bsky.social

Forget Singin' in the Rain*! More animators should 1969's "Sweet Charity" to understand communicating personality, rhythm and inventive staging. Shirley MacLaine, brightly dancing to director Bob Fosse's flawless choreography, brings out a truly magical moment for movie musicals. Highly recommended!

tiny crow
@tinycroww.bsky.social

Richard Williams' animated credits sequence for the Richard Lester adaptation of "A Funny Thing Happened on the Way to the Forum" (1966). Brilliantly rendered to encapsulate the aged beauty of Roman mosaic art, fitting the accurate to life comedic identity of Lester's Rome: beauty caked with sleaze

tiny crow
@tinycroww.bsky.social

Williams, an otherwise capable artist, was always a sloppy director for his constant ability to never finish films on time. Damning his professional career for the next three decades. Yet, his commercial works for film and ad agencies remind you when it was finished he could turn in solid stuff.

tiny crow
@tinycroww.bsky.social

The beauty of commentary tracks is experiencing new perspectives and important historical context that enrichens your appreciation of the greatest works of cinematic art. Oppositely, it's enjoyable listening to an academic roast for trash that doesn't deserve a second glace. Such as...

tiny crow
@tinycroww.bsky.social

Major takeaway: Never stop producing commentary tracks. Even the worst schlock deserves expert analysis and deconstruction. I want to hear trusted sources dissect even the most loathsome drive-in filler.

tiny crow
@tinycroww.bsky.social

Benny Carter's isolated score for Faith & John Hubley's "Urbanissimo" (1966). Carter captures the destructive waste of urban industrialism using a bright hot swinging jazz ensemble. Gentle swing mixed with violent hardbop, playing into the film's effortless political satire. Have a listen!!

tiny crow
@tinycroww.bsky.social

The Hubley difference is crediting every musician apart of the ensemble. Here is every player with their instrumented provided -Maynard Ferguson (trumpet) -Shelly Manne (drums) -Harry Edison (trumpet) -Ray Brown (bass) -Pete Jolly (piano) ...and of course, Benny Carter on saxophone

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