Txabier Etxeberri

So, I wanted to see if I was correctly remembering something and I went to the #VTR CORE book. It was... vague and I remember a bit more detailed information, so I went for the Bloodlines book (The Legendary), which in turn got me to open both The Hidden and The Chosen and... I spent the weekend in

Anyway, it was a line that was not allowed to replicate the success the #oWoD line had even though it was in many ways superior both mechanically and lore-wise (mainly because it was consistent even when it branched out (Slasher, Thousand Years of Night, Legacies of the Sublime) or when it diverged

So, I wanted to see if I was correctly remembering something and I went to the #VTR CORE book. It was... vague and I remember a bit more detailed information, so I went for the Bloodlines book (The Legendary), which in turn got me to open both The Hidden and The Chosen and... I spent the weekend in

with hidden jewels like Slasher (for #HunterTheVigil) or the whole #NightHorrors subset of sourcebooks. The Lancea Sanctum and Ordo Dracul are prime examples of useful and well-executed faction books and almost all of the #MageTheAwakening like being "state of the art" in terms of execution, scope,

So, I wanted to see if I was correctly remembering something and I went to the #VTR CORE book. It was... vague and I remember a bit more detailed information, so I went for the Bloodlines book (The Legendary), which in turn got me to open both The Hidden and The Chosen and... I spent the weekend in

remained an example of high quality and tight focus, without any metaplot overdone bullshit and a feeling of loss and disenfranchisement throughout that made it magical. The world was weird and atrocious and surprising, again. Old tricks were wasted on the new dogs, who had their own way of doing

So, I wanted to see if I was correctly remembering something and I went to the #VTR CORE book. It was... vague and I remember a bit more detailed information, so I went for the Bloodlines book (The Legendary), which in turn got me to open both The Hidden and The Chosen and... I spent the weekend in

mild contemplation—with pauses to go out for Tundro's 3 daily walks and grabbing a bite for myself—about the overall consistency and good quality most of the books in the #ChroniclesofDakness line actually were. Vampire and Werewolf were maligned by the toxic fandom throwing a tantrum because they

Well color me nicely comforted after finding out "Savage Hunt of King Stakh" by Uladzimir Karatkievič is actually a great read, unlike the movie that kind of misses some of the major points of the REAL drama between the characters by working too damn hard to set the "proper ambience." The author did

TV show (think ep116 onwards until ep210, when the true legendary status of the show actually began,) presenting the situation in very dense and rather unconvincingly-delivered way via dialogue fit for theatre, not the screen (IKYK.) My point is: the movie is a rarity and not "bad," but not great,

Well color me nicely comforted after finding out "Savage Hunt of King Stakh" by Uladzimir Karatkievič is actually a great read, unlike the movie that kind of misses some of the major points of the REAL drama between the characters by working too damn hard to set the "proper ambience." The author did

1984 everyone had forgotten about it because big time sci-fi and horror movies started popping up like mushrooms, so those movies hailing from behind the crumbling Iron Curtain? Nobody seemed to care about it anymore. With "Savage Hunt" is a bit understandable as its pacing is really slow, the sets

Well color me nicely comforted after finding out "Savage Hunt of King Stakh" by Uladzimir Karatkievič is actually a great read, unlike the movie that kind of misses some of the major points of the REAL drama between the characters by working too damn hard to set the "proper ambience." The author did

Good wee hours of the morning, to you. I'm Txabier and my latest horror book is about three sisters, necromancy and why it's bad to surprise mom with revenant former lovers (and fathers to each one of the sisters,) set in a fictional XIX Century (semirural) México. It aims to revolt and rejoice.