ukjarry.bsky.social

ukjarry.bsky.social

@ukjarry.bsky.social

Just another Matthew on the internet

138 followers47 following673 posts

Reading The Bedsitting Room script ( Spike Milligan and John Antrobus, 1963/1970) after Ken Tynan's essay "The Royal Smut-Hound" (1966) shows that all the requested alterations and censorship were accepted. Somewhere there must be the original...

ukjarry.bsky.social reposted

My favorite summary of Phillip K. Dick is from the BBC arena documentary about him where they interview a guy at a pet store who is like “Phillip K. Dick was so poor he ate horse meat here” and then Thomas Disch chimes in to talk about what a self-mythologizing drama queen he was.

The appearance of "Silly old twat" in "All Things Bright and Beautiful" (Keith Waterhouse and Willis Hall, 1962) is a surprise given the multiple times I've read Ken Tynan's zippy essay "The Royal Smut-Hound" about the Lord Chamberlain's nit-picking and over-weening theatre censorship

"The young and the beautiful make their own arrangements. In the nature of things we must expect to serve the old and the unappetizing." - Simon Raven, Close of Play a nicely turned line Google AI Overview informs me is Waugh - or Isherwood - or Poirot - or Miss Marple. Hoorah for AI

Or Cleese - or Pym - or Muriel Spark. It even attributes it to specific characters in specific novels - like the most unprepared student busking some answer for every question on the exam.

Last 20 minutes of Bad Apples is basically The Ones Who Walk Away from Omelas but everyone in the PTA agrees the kid in the punishment pit is a real shit who deserves it all - which is great bitter comedy

I am now afflicted by the idea of a version of Seven Days to Noon (1950) where Barry Jones threatens London with a stolen nuclear weapon because he just wants to see a Pearl Carr and Teddy Johnson concert

Anne Billson@annebillson.bsky.social

THE MAN WHO STOLE THE SUN: Kazuhiko Hasegawa's masterpiece stars Kenji Sawada (aka pop singer "Julie") as a mild-mannered science teacher who builds an atom bomb in his flat and threatens to use it unless the Rolling Stones are allowed to play Tokyo.

PETER DICKINSON - Murder in the Manor - 1991 lecture after much personal history about realities of Big Houses (costs of running, number of "invisible" servants), economics meets social myth to explain the archetype of the body in the library

I like to think that barely comprehensible as this is now, when I look at it in the future it will have matured into the finest impenetrable gibberish: "3th"? Really? "Immaculate"? Like PauI Eddington? Few would call me "warm blooded" 100? When somewhere there's a textbook denigrating my cadences

Ancient Gaul's Eye View Of Britain - From Our Own Correspondent, Paris The Times 19 Oct, 1966 explaining the recent popularity of Asterix includes these comments from René Goscinny

I couldn't figure why S. Clay Wilson work seemed so familiar 15 years ago, but today's tributes to John Blanche fantasy and sf gaming illustrations from White Dwarf, Sorcery! Warhammer when I was 9-13 are obviously what I was trying to recall for form, detail, colour, violence

70 years too late some incidental humour relating to reviews of Anglo-Saxon Attitudes by Angus Wilson (1956), missing from Margaret Drabble's breeze block of a Wilson biography. The emotional literateur Elvira Portway in the book is based on Sonia Orwell. (1)

Cyril Connolly reviewed AAS for the Sunday Times. Sonia had been Connolly's editorial assistant at Horizon. In his review, there is a denial that anyone could ever behave anything like Elvira Portway. A kindly misdirection by CC (2)

The Times Literary Supplement had an anonymous review. 20% of its full broadsheet page coverage given to defense of Elvira Portway as the novel's liveliest appealing character It was by Julian MacLaren-Ross who had a decades-long crazed passion for Sonia, transferring that loyalty to this depiction

Much of Before She Met Me ( Julian Barnes 1983 ) is very funny Here an overly-precise attention to semantics and the changing of social attitudes in which this characer feels slightly left behind captures an era between David Nobbs and Amis:

The last 10-15 years of conservative writing has delivered some terrible straining prose, habits of style now institutionalised in Grokipedia. A drive-by shooting of an explanation from Ruth Rendell in "A Demon in My View":

#hhgg Was Marvin the Paranoid Android in The Hitchhiker's Guide to the Galaxy gay? Would he have been happier out of the closet? Well, not quite… But Douglas Adams did say Marvin was inspired by comedy writer Andrew Marshall’s worst sullen behaviour and in a 2 Oct 1983 NME interview:

This from Charles Beaumont's "The Heavies - A retrospective appreciation of filmdom's black-hearted bad guys" (Playboy, Feb 1965) perfectly encapsulates the villainous western stereotypes in BLAZING SADDLES

Theodore Sturgeon 26 February 1918 – 8 May 1985 Over 15 years ago I wrote (and wrote and wrote – approx. 30,000 words) on Sturgeon’s life, struggles, marriages, novels, stories, reviews, scripts, teaching, criticism, ghost-writing, writer’s block and so much else. Some excerpts:

View full thread

Theodore Sturgeon 26 February 1918 – 8 May 1985 Over 15 years ago I wrote (and wrote and wrote – approx. 30,000 words) on Sturgeon’s life, struggles, marriages, novels, stories, reviews, scripts, teaching, criticism, ghost-writing, writer’s block and so much else. Some excerpts:

View full thread

Theodore Sturgeon 26 February 1918 – 8 May 1985 Over 15 years ago I wrote (and wrote and wrote – approx. 30,000 words) on Sturgeon’s life, struggles, marriages, novels, stories, reviews, scripts, teaching, criticism, ghost-writing, writer’s block and so much else. Some excerpts:

View full thread

Theodore Sturgeon 26 February 1918 – 8 May 1985 Over 15 years ago I wrote (and wrote and wrote – approx. 30,000 words) on Sturgeon’s life, struggles, marriages, novels, stories, reviews, scripts, teaching, criticism, ghost-writing, writer’s block and so much else. Some excerpts:

Bradley Denton - Buddy Holly is alive and well on Ganymede - 1991 A Charles Portis-influenced odyssey less gonzo sf than deeply-rooted chronicle of Boomer coming of age and aging. An appealing colloquial humorous tone (ala Howard Waldrop). The intro to a great fundamentalists bust-up over rock/pop: