In my book I argue that IP fandoms are a crucial part of the economic model of the current media monopoly landscape, as fan campaigns drive down the value of creative labor via harassment and disposability, scare artists from taking risks with IP, and give execs a direct fan base all their own
I think a lot could be said about how fandoms are very much structured to be consumerist without any critical analysis of capitalist production, and how this is the logical end result of that.