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This is what I mean when I worry about how history gets warped: this @npr.org piece by @scottgreenstone.bsky.social is gonna circulate, & it makes some not-quite-right assertions about the history of the form. That’s typical (like the emphasis on D&D), but the citations are what get me.

npr.orgIt started with friends at home. Now Dungeons & Dragons is in its stadium era.In the past decade or so, actors and comedians have adopted D&D as a performance medium. Podcasts and web series have expanded into stadium tours – and fueled growing interest in the game more broadly...

It’s mostly a local Seattle live show piece that got picked up, but what feels weird is that it links to a random blog, & goes to the effort of citing an academic book (one I’m in, for the record), but it’s @shellyjones.bsky.social Watch Us Roll that would give him the better origins. Minor whinge.

What’s interesting to me is that D&D gets framed here as the driver and the focus (unlike other recent mainstream pieces on CR & D20 that focus on the productions themselves) — and honestly our extant scholarship hasn’t really corrected that in easily-citable ways.

To be fair: it’s… fine. And God knows give NPR & affiliates your eyeballs. Just the usual specter that folks who write about games & game-related stuff face, as Gita Jackson has noted (and I’ll teach day one)

aftermath.siteThe New Games Journalism, Same As The Old Games Journalism - AftermathWhy does one of the editors of the new anthology Critical Hits from Graywolf Press seem to think that there is no home for writing about video games from the personal, emotional perspective?

And since this is recirculating folks should read Jonaya Kemper’s thread. The same folks now known for online Actual Play participated in offline performed play that goes back decades (& continues). A lot of influences on modern digital AP are slant — this is very clear & direct.

Jonaya Kemper@violetriotgames.bsky.social

This is bang on. I'd like to continue to point out that "Dungeon Master" a live improvisational stage show was created by a Black man named Bruce A. Young in Chicago in 1983. He brought it to LA where it continued to be performed well into 2017. What's important is who was in the audience and cast.

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