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Think of it, if it wasn't for that producer secretly, without permission, adding rock instrumentation to the Sound of Silence, the world would never have benefited from the enormous body of work by Paul Simon to follow. All because of a hugely inappropriate move. What's the lesson to be learned?

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That reworking, remixing and sampling are all valid artistic expressions, and that it's possibly OK to work on another person's work, as long as you don't pervert the heart of the art.