Carson Winter

Carson Winter

@carsonwinter.bsky.social

Author, punker, raw nerve. PORTRAITS OF DECAY out now. Co-host of the Dead Languages Podcast. Social media at CHM. https://linktr.ee/CarsonWinter

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SURPRISE RELEASE! THE CORPSE PRIEST is out today! This is a strange beast of a novella, a bloody cocktail of sword & sorcery, Ligottian pessimism, and cosmic horror. I’m going to talk a little about how this release came to be, inspirations, and more—SO PREPARE FOR A THREAD!!!

Been doing the 7 stories/7 days challenge. Day 3 completed. Day 1: Welcome to the Death Planet Gorgamesh (2021 words) Day 2: The Orgy Was Great, But (994 words) Day 3: You Are Eligible For Existential Annihilation Assistance Services (345 words) Feel free to throw me some prompts! 4 more days!

No quite finished, but shaping up to be one of my fav reads of the year.

Keith Rosson@keithrosson.bsky.social

CRONE has been out for a month as of today. You folks have SHOWN UP for this novel, and I thank you for it so much. Continually amazed I get to do this, thank you for giving these books a shot.

Carson Winter reposted

See you in two days at the Bloodcurdling Book Bash! It's also my birthday weekend, so everyone is legally required to come to our booth and buy a Cursed Morsels book.

Cursed Morsels@cursedmorsels.bsky.social

Twin Cities folks: we'll see you at the Bloodcurdling Book Bash in about a week and a half! Come meet some horror authors and publishers, pick up some creepy books, pet some puppies (no, seriously), and get your tarot read. Snag a ticket here for cheap: www.eventbrite.com/e/bloodcurdl...

We need YOU to submit a drabble. Top 3 winners get some DLP merch. Theme this year is corrupt writing organizations/groups.

Dead Languages Podcast@deadlanguagespod.bsky.social

It's time to send us your drabbles Word limit: 100 Due: Oct 18th Theme: corrupt writing associations Prizes: 1 -3rd places will get merch Winners will have their drabbles read on the podcast forms.gle/U2fvkBrsnbyP...

Carson Winter reposted

What's your greatest attribute and weakness as a writer right now? I feel like I need to work on challenging myself more. But I'm very happy with my work ethic and productivity. What about you?

Short fiction is as fundamental to horror as one word paragraphs and dream sequences. This was a great collection—check it out.

D. Matthew Urban@breathinghead.bsky.social

Storygraph giveaway! Now's your chance to meet everyone's favorites: the obliteration consultant, the clawed and fanged saint, the grandmother with a stinger and the one without, the children who play fire's music...all the stars are here!

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Every page is filled with quotable language that begs to be read closely. And just as its themes are heady, complex, and appropriately gargantuan, so are its genre mix. Is it a horror novel? A fantasy? Literary? Weird fiction?

The argument could be made for all, and many more. What it does so effectively though is in the gestalt of its influences, crafting an ambitious narrative from the spare parts of postmodernism and pulp fiction. Highly recommended.

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ANGEL DOWN places itself within a grand tradition of violence, bloodshed, and war stories—standing alongside THE ODYSSEY, BEOWULF. etc.—which combined with its speculative elements, elevates a grounded historical event into modern myth.

But its the poetic center that provides the novel with an antediluvian rhythm that hints at a foundational darkness at the center of humanity. With each “and,” it’s a return to the cycle (of love, violence, ignorance, greed) and no matter where we left off previously, we are doomed to continue.

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And there is that, of course. But what surprised me was actually how Kraus’ stylistic constraint shaped the text. On the page, each paragraph is separated into a block—mimicking stanzas—and each new block begins with the word “and.”

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From the first page though, I noticed that the one-sentence conceit did more than provide a gimmick, but shaped the text and my perception of it. I had expected the book’s single sentence conceit to provide a stream of consciousness, action-heavy take on a weird central concept.

I imagined something that would primarily capture forward-momentum—soldiers trapped in a conflict, constantly being pushed forward by the great engine of human violence. That sort of thing.

It’s a gloriously ambitious, muscularly stylish speculative war novel that conjures comparison to BLOOD MERIDIAN and SLAUGHTERHOUSE-FIVE, and like those it tells a real, human story that pulls from the breadth of the literary (and genre) toolbox to communicate its intent.

What really struck me about ANGEL DOWN though was how its initial pitch does a disservice to its execution. For those who don’t know, this is the Pulitzer prize-winning novel about WWI soldiers finding an angel on the battlefield, told breathlessly in one single, 285 page sentence.

Rewatched THE DARK HALF last night and I have to say it might top my list of Stephen King adaptations. It's not an elevated classic like THE SHINING, but it does exactly what it sets out to do, totally unashamed of its genre leanings. An author's story... about an EVIL AUTHOR!

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THE DARK HALF also manages to touch on some recurring anxieties of King in interesting ways. There's the literary vs pulp stuff that also runs through MISERY, but here we have an actual personification of the proverbial pulpist—George Stark.

Rewatched THE DARK HALF last night and I have to say it might top my list of Stephen King adaptations. It's not an elevated classic like THE SHINING, but it does exactly what it sets out to do, totally unashamed of its genre leanings. An author's story... about an EVIL AUTHOR!

The funniest part for me, as an author, is to see the vision of a writer's life I grew up with—now with adult eyes. The idea of someone blackmailing me about any of my books, let alone my identity, is the pinnacle of absurdity.

I'd forgotten though how surreal and nightmarish it can be at certain points, led by Hutton's dual performance which oscillates from a warm, introspective creative to a strutting, slithering psychopath. There's a continued sense that this dude is having the time of his fucking life.

Which is insane considering this project was 100% community based. No slush, no acceptances, no rejections, no press. Anyone who dug the original story was welcome to participate. This is your sign to do something cool because you can.

Dan LK, WXXT Morning Show Host@2ndlevelbard.bsky.social

I thiank that, by a *narrow* margin, this one edges out The Grimscribe's Puppets as the top Ligotti tribute antho, maybe because the singular focus brought in such an interesting array of perspectives on its theme story.

Carson Winter reposted

I thiank that, by a *narrow* margin, this one edges out The Grimscribe's Puppets as the top Ligotti tribute antho, maybe because the singular focus brought in such an interesting array of perspectives on its theme story.

Joe Koch@horrorsong.blog

A reminder that a few brilliant friends & I did a completely free Ligotti tribute anthology. Download free to read my story "Jar Of Arms" and other fine scribblings. dl.bookfunnel.com/zum1k2dg9b

Carson Winter reposted

Unstoppable barbarian mainlines Ligotti's Conspiracy Against the Human Race, now it's everyone else's problem

Carson Winter reposted

Publication day! 🥳🎉🙌 My collection "After You Were Lost" was published by WATG Press today. It's a collection that means a lot to me, and I'm excited that people will finally get to read it. All of the 23 flash and micro stories within deal with grief in different ways. Something I know much about.

Pleased to be apart of this collection, edited by CM Muller. I’ve already been hearing some great things about the stories held within. Excited to curl up and experience some night terrors.