Doug Dillaman

Doug Dillaman

@dillamonster.bsky.social

Film/tv editor (Black Sheeps, Mind Menders, much more) Other kind of film editor (Art Collector magazine) Filmmaker (Gut Instinct, Jake, more) Musician (The Sea Plus) Podcaster (Ludicrously Specific) US born, NZ home.

753 followers345 following3.9K posts

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"You've never seen anything like it - but you should." - Graeme Tuckett "A one-of-a-kind, epic, eye-popping experiment." - Terror-Fi Film Festival "A true labour of archival love." - Ant Timpson "I should NOT have had the edible before this." - David (Letterboxd user) GUT INSTINCT. Out now.

ondemand.arovideo.co.nzAroVision: Gut InstinctA unique dystopian sci-fi mockumentary from NZ filmmaker Doug Dillaman, cleverly assembled from repurposed archive materials.

All remaining tickets for Iron Maiden (with Megadeth opening!) on Sunday in Auckland now only $69. If you're even remotely inclined to enjoy them, it will be amazing post-election catharsis, one way or the other. (This tour is greatest hits from the first eight albums. Perfect for casual fans.)

In other heavy music NZ news, my sympathies to Wellington La Dispute fans who will miss out tonight after their flight was re-routed to Christchurch. Consolation: you get to see Stuff use the word "post-hardcore" in a breaking news alert.

Doug Dillaman reposted

FAMILY GO TO THE BAD HOUSE (2026) trailer drop A feature length horror supercut about a family of three who move into a haunted house. releasing 1st October 2026 email familygotothebadhouse at gmail dot com for auto-reply link to the film

For those of you who follow me because I sometimes champion extraordinarily stupid, poorly made, extraordinarily fun films. May I present: LLAMAGEDDON (2015, Dewin). This sequence, summarized in four frames, should clearly indicate whether this film is for you (if somehow you're not sure).

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Most of LLAMAGEDDON, in the tradition of gathering your friends to make a horror film, involves a bunch of young people gathered at a farmhouse for a night of drinking and - apart from one mass death - getting picked off one by one. The amount of fun had making this hums from the screen.

For those of you who follow me because I sometimes champion extraordinarily stupid, poorly made, extraordinarily fun films. May I present: LLAMAGEDDON (2015, Dewin). This sequence, summarized in four frames, should clearly indicate whether this film is for you (if somehow you're not sure).

Thrilled to hear the Wellington premiere went well. Auckland, come out Wednesday night to Reading Cinemas New Lynn for your first chance to discover the goopy fun of BLACK SHEEPS, with @jonathanking.bsky.social in attendance for Q&A! readingcinemas.co.nz/cinemas/Lynn...

readingcinemas.co.nzMovie Information | Tickets | ShowtimesVisit Angelika film centre online for movie tickets, theater locations, showtimes, trailers, gift cards and more. Join the Reel Club to access fantastic competitons and special member offers. Reading ...
Bisho@angbisho.bsky.social

Just got home from the Black Sheeps premiere at Terror-fi fest. It's so good! So funny and gory and silly. And I'm so proud of @jonathanking.bsky.social and @dillamonster.bsky.social . It just felt like lovely Welly horror community vibes and my face hurts from smiling.

I haven't seen either, and I'm sure I'm oversimplifying, but I'm really quite pleased and surprised that the documentary that seems to *ask* you what to think about its nefarious tech world subject vastly outperformed the one that *tells* you what to think.

Peter Labuza@labuzamovies.com

There's apparently a conspiracy theory that the Musk doc is being buried by its new owner (a guy who has done anti-Musk work & financially backs ProPublica) since it got removed from a bunch of theaters but I think the more obvious answer is that it expanded too much and no one went.

I quit Twitter so I wouldn't have to put up with Musk, can't imagine subjecting myself to a four hour doc about him. I already resent the amount of space he takes up in my brain!

Just saw DRILLER KILLER for the first time and it wasn't really my bag (it aggressively captures a level of irritation that would drive a person insane) but I would gladly own a shirt with the opening frames

Doug Dillaman reposted

We’re still buzzing about Audition by pip adam winning the Ursula K. Le Guin Prize, and we will be for quite a while. Take it as a sign to read or re-read pip's work!! To help with that, for a limited time you can buy Audition together with pip’s latest novel, Kluge, for $50 on our website.

Doug Dillaman reposted

They're baaaaaaaack! And now that they've premiered at Sitges, they're coming home! BLACK SHEEPS hits Aotearoa screens soon: * Terror-Fi festival hosts premieres in Wgtn, Chch, AK - info @ terrorfifest.com * Halloween weekend sneaks in cinemas across the motu * General release from 12 November

For your weekend reading!

Doug Dillaman@dillamonster.bsky.social

I have a small contribution to this collection (two articles on Auckland Writer's festival, interviews with Briar March and Chris Pryor & Miriam Smith, as well as an interview of me by Tim Wong circa JAKE), but that is honestly the smallest fragment of why I want everyone to know this is back.

Looks like I'll be the only one giving Jenna Ortega Skandies points for KLARA AND THE SUN. I'm glad I saw it with no attachment to the source material, an awareness of savage reviews, and knowing it plays better as a YA-level summer film instead of as "weighty literary adaptation"/Oscar bait.

Kiwi institution/music site Under the Radar is ending its ticketing service because it thinks its technical side isn't up to the increased hacking threats of 2026. Which is probably accurate, but incredibly dispiriting.

Anyone know what NZ features are due in 2027? GOD BLESS YOU MR. KOPU (already screened at fests), THE DOG SHOW, WHEN DARKNESS LOVES US and GOLLUM (if that counts) are the only ones on my radar

Once every six years both countries where I have citizenship have elections at similar times. This year, they're within days of each other - but it's unclear how long NZ will take to work out a coalition government, and whether the US will accept the democratic result it seems headed towards.

Doug Dillaman reposted

It's absolutely impossible to express how much this means and how unbelievable it seems.

Ursula K. Le Guin@ursulakleguin.com

Congratulations to Pip Adam, recipient of the 2026 Ursula K. Le Guin Prize for Fiction for Audition!

Right in the middle of a big discussion about the porous boundaries of truth and fiction in cinema, Sacha Baron Cohen shows up as an actor interacting with real people and Lee Chang-Dong releases a fiction film about documentary ethics. I feel like the simulation is doing a film seminar for us all.

My Halloween season has already felt uncommonly light on horror, and now I've realised my best chance to see TENDER LOVING CARE is an October 31 screening. (My only horror so far this October is THE DREAMING. Two if you count WHALEFALL. Three if you count NAZA.)

That said, I have DRILLER KILLER, CRAWLERS, and BLACK SHEEPS booked for the next week, and am seated to watch THE DEVILS (if that counts, will report back). (Saw THE DEVILS in a movie marathon context ages ago and I honestly only remember a *lot* of screaming.)

Went on a side quest investigating the software that makes AI menu illustrations (one of just many things it does, it transpires) and found this testimonial and something is very wrong with humanity

The thing I always think about with Richard Riehle - apart from his iconic turn in OFFICE SPACE - is that he did Christian time-travel movie TIME CHANGER and Larry Clark's KEN PARK back to back. Haven't seen PARK but he fully commits in TIME CHANGER. Just an absolute pro.

I have a small contribution to this collection (two articles on Auckland Writer's festival, interviews with Briar March and Chris Pryor & Miriam Smith, as well as an interview of me by Tim Wong circa JAKE), but that is honestly the smallest fragment of why I want everyone to know this is back.

Brannavan Gnanalingam@brannavan.bsky.social

I cut my writing teeth writing for the Lumière Reader, and I’m thrilled that 100 of its articles have come back online (Tim Wong is a hero). lumiere.net.nz/archives/ I genuinely think it was some of the best writing about the arts in Aotearoa and I’m super proud to have been part of it

Tim Wong, with the sturdy support of Brannavan Gnanalingam and Alexander Bisley, brought some of the best arts writing this country's ever seen to the table. AND he made one of the two key films on Kiwi cinema. He never got the praise (or funding!) he deserved at the time. I hope he gets it now.

Quincy Tyler Bernstine is the "where have I been?" discovery of the year. FURIOUS (a show I had to be forced to watch; law enforcement show fatigue) would have been compelling with a serviceable performance in that role, but she makes every last micro-reaction riveting (and often hysterical).

I'm very wary about what a second season will bring, but at this point I'm committed as long as Bernstine is there. Also great to see Cory Finley direct the finale.

Unconvinced that Bluesky can hold its tongue about YOU CAN SEE EVERYTHING until it premieres in NZ on 12 Nov, to the point where I'm wondering what the collateral damage of muting "everything" is.