Marc Weidenbaum

Marc Weidenbaum

@disquiet.bsky.social

Disquiet.com since 1996: ambient/electronic music, field recordings, sound studies. I moderate the Disquiet Junto community of weekly music projects. I've written for The Wire, Pitchfork and Nature. I publish ThisWeekInSound.disquiet.com. Offline weekends.

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Good morning music can mean something where the clink of a spoon inside a cereal bowl or the whistle of a tea kettle fit right in — and by those measures, Taylor Deupree makes for very good morning music, indeed.

It's 2026. If you're a musician, you should at least have a web page* listing your upcoming performances and your recent and upcoming releases. Bonus points for a newsletter. Gold star for a blog with some ongoing insights into your activities. *Sure also social media, but foremost your own page

Rewatched Michael Mann's Collateral (2004), which really holds up, especially the wall-to-wall soundtrack / score / sound design (which bleed into each other) and the cinematography (endless number of striking images and sequences).

Wow, the new "capture" option in the Obsidian mobile app is fantastic. I never thought I'd remove the Bebop app from my iPhone, but this feature has permanently replaced it. (Also, Bebop was often getting hung up by not syncing through iCloud for some reason.)

I’m on my third attempt at Middlemarch, and I’m fairly certain I’m gonna finish it this time, and for complicated reasons I’m also reading the massive new China Miéville novel, The Rouse, at the exact same time, and there are moments in each book when I could easily be reading the other one.

Music PR after AI: Hey, Marc, I see you published a piece about the cross-section of [X] and [Y] at 8:53pm on April 12, 2018, and your Goodreads says you gave four stars to a book about alien first contact three and a half years ago, so I think you’re going to enjoy our latest …

There’s wisdom in those boards. I’m on too many BBSs to count, and I love the ones that have a little phrase at the top of some threads, which Slack is good at. These become the Oblique Strategies of the given space.

One I’m in has ““There’s probably more efficient ways of doing things, but I am not interested in them” and “If you post a track, consider going back and commenting on the last one or two tracks” and “yeah, i have a whole ecosystem.”

Was expecting a nice quiet day now that the holiday weekend's strafe LARPing has concluded, but instead a massive utility vehicle has been parked out front for two-plus hours, and the resulting heavy-equipment drone is so dense you can almost see it in the air

I saw trumpeter Ambrose Akinmusire lead a trio that featured guitarist Bill Frisell and drummer Herlin Riley, both roughly twice his age, and Akinmusire mentioned having borrowed a friend’s Frisell CDs when he was a kid and having his mind blown.

Frisell just joined the band Big Thief on stage at Red Rocks and recalled having seen Jimi Hendrix and Thelonious Monk play there when he was in high school. Love when these influence byways circle back around.

The price of Nagra reel to reel tape recorders rose so steeply over the past 10 years or so that I'm convinced there's a loose group of six or seven speculators in the area buying these and selling them to each other, round and round, unaware there is no demand beyond their little circuitous bubble.

When I started the Disquiet Junto, it hadn't really occurred to me that the thing could last so long that we'd be revisiting projects a decade later. The Junto turns 15 years old in January, and here we are exploring a project about Steve Reich we did (a "mere") 10 years ago. Time is weird.

Disquiet Junto Project 0771: Phase Incident The Assignment: Celebrate Steve Reich’s 90th birthday. Deadline: Monday, October 12, 2026, 11:59pm (that is: just before midnight) wherever you are. Details: disquiet.com/0771 #disquietjunto

It’s the time of year when there’s almost always an exclamation point next to the weather, but one day it’s extreme heat and the next it’s dense fog. (Bonus points for small craft warnings.)

Yesterday was a darn good day at Hardly Strictly Bluegrass. I'd guessed there'd be festival zombies in seats on high ground and I could arrive for Robert Plant's set just prior to the end of the previous act, Jesse Welles, and read for the hour between the end of one set and the start of the next.

I get to see Los Lobos tomorrow and Robert Plant on Sunday, and a ton of other musicians in between, all free, at the annual Hardly Strictly Bluegrass Festival here in San Francisco, a couple blocks from home. There have been worse weekends for sure.

This week's Disquiet Junto project explores reverb. It is not a coincidence that the project started the day after I toured the massive space that is San Francisco's Grace Cathedral.

I’d say online bulletin board participation is sort of in between email and text messaging, and it’s at its best when it’s closer to email and further from text messaging (i.e., slightly slower pace, little more reflective).