JPB

JPB

@jpb.bsky.social

Novelist (RELENTLESS MELT out now from Melville House) // likes books, colors, shapes, noise // takes notes, makes zines // aging gracefully // to be found in the Greater Boston/Chicago metro region

2.4K followers2K following19.6K posts

new music tuesday! here's a new EP. two tracks: a shorter, prettier one, and a longer, harsher one. both feature guitar samples contributed by the poet Eric Burger. EP title and track titles come from a list of phrases Eric and I drafted collaboratively 20+ years ago www.subvert.fm/personriver/...

📚 43. RENDEZVOUS WITH RAMA by Arthur C. Clarke. The pleasure of this is all engineering: it's clear that Clarke set himself to imagining how a spacefaring megastructure might be constructed, and the narrative proceeds by watching a team puzzle through how to understand/navigate Clarke's solution(s)

JPB@jpb.bsky.social

📚 41/42. 52 vols. 3 & 4 by Johns, Morrison, Rucka, Waid, Giffen & co. Wrapping up a delve into DC continuity that began earlier this year

(so I suppose the pleasure is at least partly "reverse engineering.") Honestly, the whole enterprise almost has the fun of a mystery—trying to match wits against Clarke and hypothesize answers to the questions raised by Rama's mysterious features before he gets to the reveal

📚 41/42. 52 vols. 3 & 4 by Johns, Morrison, Rucka, Waid, Giffen & co. Wrapping up a delve into DC continuity that began earlier this year

JPB@jpb.bsky.social

📚 40. AFFINITIES: ON ART AND FASCINATION by Brian Dillon. Dillon, one of the greatest prose stylists working today, wanders through 300-odd years of visual culture, contributing short essays on individual works that attract his eye, with special attention paid to 20th century photography

(first two volumes logged here, apologies for misspelling Mark Waid's name)

JPB@jpb.bsky.social

📚 31/32. 52 vols. 1 & 2 by Johns, Morrison, Rucka, Wade, Giffen & co. I'm not too familiar with DC continuity, having largely grown up in the Marvel camp. Figured reading this maximalist epic about a year in the life of minor-league characters would be a good way to start filling in some of the gaps

Correct x1000

Rafa Sales Ross@rafiews.com

I’m not a political journalist, so was gladly surprised at the community I found here last night. To Americans anxious about the upcoming elections, a key thing we learned in Brazil that might help you: DO NOT engage with the far-right online. Don’t share rage bait. Amplify your people. Ignore them.

a good album from earlier this year that I suspect still needs a little help to find its people. glad to see this piece out there

The Tonearm@thetonearm.com

On 'Sunbeam Of No Illusion', Ben Seretan and John Thayer find melody where ambient music usually forgets to look, treating amplified mistakes, grass-bundle drumsticks, and borrowed sustain as the raw material of a minimalist document of place. The Minimalist Gospel of Ben Seretan and John Thayer:

This has the flavor of a front organization in a Cronenberg film

Erika Hall@erikahall.bsky.social

Today I'll be disassociating into 1970s newspaper ads.

yes... yes

The Brattle Theatre@brattletheatre.bsky.social

When it debuted in 1989, BEGOTTEN fascinated and shocked those who witnessed it, becoming one of the must-see films of the 1990s. E. Elias Merhige’s mind-blowing cult film returns to the screen in a new 4K restoration, Nov 5–8 at The Brattle. brattlefilm.org/movies/begotten/

time for a new issue of COLOUR INTO FOCUS, edited by @allisonanne.com and myself // now available for pre-order // Boston-area folks, take note: we will be debuting this at the Boston Art Book Fair, three short weeks away!

NONMACHINABLE@nonmachinable.com

We're thrilled to share that the fourth issue of COLOUR INTO FOCUS: QUEER + TRANS COLLAGE is now available for preorder at shop.nonmachinable.com! A collection of artwork & writing around the theme of PLEASURE/DESIRE, it features work from 31 artists & cover art from Chloe Luisa Piñero!

This is not my favorite Greenaway film, but it was my gateway to the rest of his work, and it's not always the easiest film to get access to

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📚 40. AFFINITIES: ON ART AND FASCINATION by Brian Dillon. Dillon, one of the greatest prose stylists working today, wanders through 300-odd years of visual culture, contributing short essays on individual works that attract his eye, with special attention paid to 20th century photography

JPB@jpb.bsky.social

📚 39. MUSKISM: A GUIDE FOR THE PERPLEXED by Quinn Slobodian & Ben Tarnoff. As an obvious key figure for our terrible historical moment, Musk has been well scrutinized by countless commentators, so it's hard to think of who might still be "perplexed." Nice to have one book that sums it all up, though

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—nevertheless, Dillion is a careful observer and a marvelous writer, and it hardly matters that in the end you learn less about any individual photograph or photographer and more about Dillon as a perceiving and discriminating person. In fact, in a way that's the point

What I mean is: that's exactly the quality that distinguishes a set of "personal essays about art" from a set of "pieces of art criticism." As long as you go into this knowing that you'll get the former and not the latter, you'll have a great time

📚 40. AFFINITIES: ON ART AND FASCINATION by Brian Dillon. Dillon, one of the greatest prose stylists working today, wanders through 300-odd years of visual culture, contributing short essays on individual works that attract his eye, with special attention paid to 20th century photography

JPB@jpb.bsky.social

📚 39. MUSKISM: A GUIDE FOR THE PERPLEXED by Quinn Slobodian & Ben Tarnoff. As an obvious key figure for our terrible historical moment, Musk has been well scrutinized by countless commentators, so it's hard to think of who might still be "perplexed." Nice to have one book that sums it all up, though

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But writing on a photograph? It's just you, the image, the photographer, and (arguably) the photographic subject. Writing on a photo at length requires the discipline to have a sustained experience of perceiving (hard) and the ability to report back on that experience via language (harder)

Dillon takes various approaches to the task; they're not all strictly perceptual reports of the kind I'm describing here. He delves a fair amount into biographic writing about the photographer, which allows him to talk about several works in essays ostensibly devoted to just one. But nevertheless—

📚 40. AFFINITIES: ON ART AND FASCINATION by Brian Dillon. Dillon, one of the greatest prose stylists working today, wanders through 300-odd years of visual culture, contributing short essays on individual works that attract his eye, with special attention paid to 20th century photography

JPB@jpb.bsky.social

📚 39. MUSKISM: A GUIDE FOR THE PERPLEXED by Quinn Slobodian & Ben Tarnoff. As an obvious key figure for our terrible historical moment, Musk has been well scrutinized by countless commentators, so it's hard to think of who might still be "perplexed." Nice to have one book that sums it all up, though

A photograph is sort of a terrific challenge for an essayist, because photos can seem to give themselves up all at once (unlike, say, a film, which unfolds through time). Plus most films are made by hundreds of people so you can talk about the performances, the script, the editing, the score...

Correct

Helen Rosner@hels.bsky.social

It is fascistic and misogynistic and honestly also pretty embarrassing to argue that familial relationships should be the moral exception to freedom of association!

JPB reposted

This is a masterclass in effective communication while also not being afraid to point out bigotry for what it is. We should be so lucky to have someone like this in our government.

Abdul El-Sayed@abdulelsayed.bsky.social

This is Tommy. Tommy had a question about my allegiances. Listen to the end to hear about his.

JPB reposted

Very funny that they’re doing this calculated “You need to support DIGGER to support original film!” push the same week the masses are flocking to YOU CAN SEE EVERYTHING and the director’s cut of THE DEVILS.

📚 39. MUSKISM: A GUIDE FOR THE PERPLEXED by Quinn Slobodian & Ben Tarnoff. As an obvious key figure for our terrible historical moment, Musk has been well scrutinized by countless commentators, so it's hard to think of who might still be "perplexed." Nice to have one book that sums it all up, though

JPB@jpb.bsky.social

📚 38. THE WOMAN BENEATH THE SKIN by Barbara Duden. Duden digs into a cache of records from 18th-century Germany in order to do "body history," to understand "the corporeal experience of an epoch [in the past]" and to establish how it differs from our own experience of our bodies today. It gets weird

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MUSKISM can't perform that same grimy type of detective-work, mainly because everything Musk has said & done for a decade has been front-page news. this book works well as a synthesis but there are very few blanks on the map left to be filled in, unless you really are very new to thinking about Musk

📚 39. MUSKISM: A GUIDE FOR THE PERPLEXED by Quinn Slobodian & Ben Tarnoff. As an obvious key figure for our terrible historical moment, Musk has been well scrutinized by countless commentators, so it's hard to think of who might still be "perplexed." Nice to have one book that sums it all up, though

JPB@jpb.bsky.social

📚 38. THE WOMAN BENEATH THE SKIN by Barbara Duden. Duden digs into a cache of records from 18th-century Germany in order to do "body history," to understand "the corporeal experience of an epoch [in the past]" and to establish how it differs from our own experience of our bodies today. It gets weird

I read a different Slobodian book last year (HAYEK'S BASTARDS) and part of its appeal is the way he shines a light on lesser-known right wing operators (Murray Rothbard; Hans-Hermann Hoppe) and clarifies how they lay groundwork for politicians like Pat Buchanan and David Duke (and eventually Trump)