Keith Knight

Keith Knight

@keithjknight.bsky.social

Retired. Rejoiner. VdGG & Peter Hammill. Gigs, films, SF. Bath City FC and Somerset CCC. Reading Pepys’ diary daily.

389 followers644 following1.6K posts

Quite brilliant. A joy to read.

Peter Ross@peteralanross.bsky.social

Daniel Gray's match reports are a marvel – and this one is especially good. Honestly, @sport.theguardian.com should commission him to write this sort of stuff about some of the English teams. People would love to read it. www.nutmegfc.co.uk/p/the-slow-m...

It’s 25 years since Jeffrey Lewis first played in London and I’ve been with him for most of the way. This wonderful gig with the Voltage at the QEH starts with the History of the Development of Punk on the New York Lower East Side 1950-1975 and doesn’t let up. Many great new songs. A joy.

#LFF26 - THE DREAMED ADVENTURE (odd title) doesn’t reach the heights of Valeria Grisebach’s last film, WESTERN, but is compelling in its lengthy (and sometimes baggy) account of criminality on the Bulgarian / Turkish border. From the non-professional cast, lead Yana Radeva inevitably stands out.

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#LFF2026 GODZILLA MINUS ZERO is hugely impressive, and a step up even from its fine predecessor. As a monster film it’s brilliant (such heft) but it also works as a film about trauma, grief and post-war Japan. Takashi Yamazaki is quite the talent. See it on the biggest screen possible.

#LFF2026 ALL OF A SUDDEN - Ryūsuke Hamaguchi gives us a 196 minute film about end of life care in a Paris nursing home and it’s the most engrossing and moving experience. Starting like a fictional Frederick Wiseman film, it morphs into a story about a friendship between two women, one terminally ill

#LFF26 - THE DREAMED ADVENTURE (odd title) doesn’t reach the heights of Valeria Grisebach’s last film, WESTERN, but is compelling in its lengthy (and sometimes baggy) account of criminality on the Bulgarian / Turkish border. From the non-professional cast, lead Yana Radeva inevitably stands out.

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#LFF2026 Sandra Hüller’s ROSE has fought in the Thirty Years’ War as a man and goes to claim the land of a friend who died, hoodwinking the villagers. But she has to take a wife - and a baby is expected. Markus Schleinzer films in ascetic b&w and Hüller makes it work.

#LFF2026 Taika Waititi’s KLARA AND THE SUN got savaged overnight but I thought it a reasonable stab at adapting the Ishiguro novel if you are him. It loses the subtlety in favour of broader strokes some of which - eg the party - are poor - but I can see it being potentially popular.

#LFF26 - THE DREAMED ADVENTURE (odd title) doesn’t reach the heights of Valeria Grisebach’s last film, WESTERN, but is compelling in its lengthy (and sometimes baggy) account of criminality on the Bulgarian / Turkish border. From the non-professional cast, lead Yana Radeva inevitably stands out.

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#LFF2026 THE DEVILS confirms that it is Ken Russell’s best work in this highly welcome uncut version finally showing after 55 years. It’s still an unrelenting, gruelling experience (in a good way) rooted by Oliver Reed and Vanessa Redgrave but with greatness across the crew. Murray Melvin!

#LFF2026 THE BELOVED is the second excellent Javier Bardem performance of the Festival, playing a film director who invites his estranged daughter (Victoria Luengo) to star in his new film. Filmed mostly in alarming close-up by Rodrigo Sorogoyen, let’s say old wounds are reopened.

What a great interview with Richard Sinclair for anyone interested in the Canterbury scene.

It's Psychedelic Baby Magazine@psychedelicbabymag.com

From Caravan to Hatfield and the North and Camel, Richard Sinclair has quite a few stories to tell. A wonderful conversation with Dereck Higgins about the music, the people and the memories from those years. www.psychedelicbabymag.com/2026/10/rich...

#LFF26 - THE DREAMED ADVENTURE (odd title) doesn’t reach the heights of Valeria Grisebach’s last film, WESTERN, but is compelling in its lengthy (and sometimes baggy) account of criminality on the Bulgarian / Turkish border. From the non-professional cast, lead Yana Radeva inevitably stands out.

#LFF2026 - Florian Zeller again proves himself a master of directing interiors in BUNKER but the story of an architect and his wife falling out, although always involving, is irritatingly schematic and ends in unnecessary silliness. Bardem and Cruz bring their A game. Enjoyed Paul Dano’s billionaire

#LFF2026 Marie Kreutzer’s GENTLE MONSTER depicts a woman finding out her husband has been downloading illegal images when the police knock on her door, but despite Lea Seydoux and Laurence Rupp’s best efforts the film never really catches fire. Music score by that fine chanteuse Camille is welcome.

Fantastic night out at Wilton’s Music Hall in the East End - Incendiary: Samuel Pepys in Words and Music. Extracts from the Diary and accompanying music, superbly delivered. The best night I’ve had at the theatre this year.

Keith Knight reposted

Saddened to learn of the death of my dear friend Malcolm Edwards, my first British editor, who in my opinion had no equal in the language. Not only brilliant and deeply kind, but superbly comical as well.

Our Ultion front door lock cylinder fell out as I was opening it this morning and locked us in. The man from the local firm who fitted the door last year has been around - had never seen the problem before but did a bit of professional jiggling and he was able to open the door. New lock fitted.

Keith Knight reposted

Morning all. Schoolboy in his living room posing for the photographer, Pepys Estate, Deptford. Photographer Tony Ray-Jones, 1966. Note the Subbuteo game under the couch and Parsley the lion on the TV.

And now I’ve rewatched KANAL and am pleased to report it’s as great as I remembered - and among the bleakest of WW2 films, perhaps only outstripped by COME AND SEE? Teresa Izewska in one of the great debut performances - but tragically thereafter banned from foreign travel, leading to her suicide.

Keith Knight@keithjknight.bsky.social

Visited the Warsaw Uprising Museum this morning and it reminded me how much I really need to rewatch Wajda’s KANAL.

Peter Hammill - Warsaw 27/10/26 Don’t Tell Me Mirror Images Time to Burn Stranger Still The Descent The Habit of the Broken Heart Yoga Comfortable If I Could Time for a Change Modern The Lie So Much Water (world premiere) That Wasn’t What I Said Four Pails Street Life Again (a capella)

Peter Hammill - Klub Krakow 26/9/26 My Room Curtains Easy to slip away Just Good Friends The Siren Song Comet Shingle Song Last Frame Driven Ophelia Patient A Better Time For a Rainy Day (world premiere) The Mercy A Way Out Traintime Refugees

Booking form for a Laibach gig at the Queen Elizabeth Hall in 1987 found in a book. Send it in with a Stamped Addressed Envelope and a cheque or credit card details (no security code then). £6.

! Wow!

Strange Attractor Press@strangeattractor.bsky.social

“Read The Otherwise and shed a tear for one of cinema's great, long-lost screenplays.” Ben Wheatley The first ever publication of Mark E. Smith's screenplay for a horror film, coauthored with Graham Duff. Buy here strangeattractor.greedbag.com/buy/the-othe...

Keith Knight reposted

I am the very model of a modern day typographer A font take on the tune “Modern Major General” by Gilbert & Sullivan #typography #fonts #graphicdesign

Love how in the last episode of Beef s2 (Netflix) a character in Seoul shouts out of a car to a woman on the street named Hae-mi to distract attention - a clear reference to the woman who goes missing in Lee Chang-dong’s Burning.

Watching the video of Bath City FC’s Supporters Society SGM about the proposed takeover and supporter Ken Loach stands up to make some points, just like he was in one of his own films.

Home, to my John Crowley shelf, wondering how best to honour him.

Keith Knight@keithjknight.bsky.social

I’ve just fired up the Kindle and re-read John Crowley’s great short story about death and memory, ‘Snow’. What a loss.

Keith Knight reposted

John Crowley has died, a much-loved friend & perhaps the most brilliant writer of our time. I recall the sense of immanence I felt upon reading Aegypt nearly 40 years ago, doors opening endlessly in front of me. We are blessed to have lived in his world & to have his work now that's he's left it.

I’ve just fired up the Kindle and re-read John Crowley’s great short story about death and memory, ‘Snow’. What a loss.

Keith Knight@keithjknight.bsky.social

Terrible news. John Crowley has been one of the great writers of my life. Such beautiful prose and storytelling.