Very excited to announce that Soho Electronic festival will be happening again in about one month's time, with performances from Nik Colk Void, Agnes Haus, Howlround, and various others, plus, most importantly, me. tickets from Dice dice.fm/event/3o8pbv...
Robert Barry
Robert Barry
@monsterbobby.bsky.social
Freelance writer (The Wire, Tribune, Art Review, Mubi Notebook, &c.). Musicker (Far Rainbow, The Pipettes). Reviews Editor at The Quietus. Author of The Music of the Future (Repeater, 2017), Object Lessons: Compact Disc (Bloomsbury, 2020). Idiot.
2.2K followers1.2K following625 posts
www.theguardian.com/books/2026/o... wait. what happens if Rooney says she's gonna give Chris Haughton and Nicola Davies' royalties to PA? And then some more authors pledge to give their royalties to Haughton and Davies in solidarity? Sod stockpiling food and water, I'm gonna start stockpiling books.
last time my mum came to one of my gigs she said afterwards, “i liked it when it ended”.
“Sometimes I have this barometer through the music I make where I never want to be too far out that my mom can’t enjoy it.” Don’t miss Sam Bradley’s interview with banjoist Allison de Groot and mulit-instrumentalist/producer Rich Ruth on The Tonearm:
Robert Barry reposted
‘For all the melancholy of the themes, the Turner Prize in 2026 feels more alive than it has in years, animated by the pleasures of stuff, buoyed by a sense of wonder at the world.’ Robert Barry reviews a display of work by the shortlisted artists.
There is a new issue of The Wire out now and I have contributed reviews of Oslo's Ultima Festival, a book by Jacob Smith about New Age music plus a profile of Concentric Group, an artists' record label forged at the Bauhaus.
The Wire 513 is out now! Featuring Matthew Shipp on the cover, plus interviews with Edward George, Tears|Ov, Gigi Masin, Nick Nicely, Tiiva, Bruno Silva, Liz Harris’s Invisible Jukebox, plus the history of prepared piano, and much more. Order your copy here: thewire.co.uk/shop/
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‘Mendieta is rarely thought of as a “media artist”, in the mould of Nam June Paik or Trevor Paglen, but whether drawing on paper made of tree bark or shooting on 16mm film, the physicality of different materials is at the forefront of her work.’ Robert Barry on Ana Mendieta at Tate Modern.
read an Eric Ambler book recently and got really nostalgic for a time when you could just decide to go to a place and get on a train and go to that place without spending weeks planning and booking things in advance. weird how the instantaneity of the net has actually made spontaneous travel harder.
Last week I was Eupen in the east of Belgium, watching people make sounds out of ceramics, kilims and burning microphones. Read my report on Meakusma Festival @thequietus.com here thequietus.com/quietus-revi...
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Ok so for once I don't actually have any writing in the new issue of The Wire. BUT you should STILL BUY IT. Because *even without me* it remains – somehow, incredibly – a fantastic magazine.
The Wire 512 is out now! Featuring Mike Watt on the cover, plus an Aphex Twin primer, Kaja Draksler, a You and Me Festival report, Truck Violence, Finn Loxbo, Pamela Z’s Invisible Jukebox, and much more. Order your copy here: thewire.co.uk/shop/
Kinda fascinating that the guy behind this mad 45 year-old record of ARP synths and eerie ritualistic chanting finneganswake.bandcamp.com/album/silances is also the author of a comprehensive index of the seminars of Jacques Lacan www.lacanonline.com/2011/01/henr...
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I really love Joni Mitchell's records, but for years I avoided ever listening to Blue out of some sort of instinctive aversion. Now, much later and much more familiar with Blue, any time I do hear one of the songs from that album I can't help but think, shit, I was right all along! That album sucks!
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Heads up that I'm putting on another basement party next month to celebrate my being a year older www.brunswickpub.co.uk/event-detail...
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For this month's @bandcamp.com Tape Label Report, I caught up with the good folks behind Bloxham Tapes. Read it, if you like: daily.bandcamp.com/tape-label-r... @alisoncotton.bsky.social @obsidianshard.bsky.social @lukedrozd.bsky.social
It's new issue of The Wire time! This month, I interviewed reclusive mystery man of Portuguese electronic music, Nuno Canavarro and reviewed a festival of sound art in the suburbs of Copenhagen on the hottest day in Danish history.
The Wire 511 is out now! Featuring Space Afrika on the cover, plus Nuno Canavarro, Lucy Liyou, Jad Atoui, Rump State, Primitive Percussion Youth Orchestra, Darla Quintana, Jennifer Herrema’s Invisible Jukebox, and much more. Pick up your copy here: thewire.co.uk/shop/
wrote about apes, blockchains, protocols and music for @artreview.bsky.social artreview.com/the-blockcha...
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I reviewed Oliver Beer's recent show at Ropac, London, for @artreview.bsky.social artreview.com/oliver-beer-...
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apparently it’s 20 years to the day since me and a bunch of pals from brighton released an album that changed our lives (and maybe a few other people’s too). so, for old times sake, let’s all pull some shapes youtu.be/HbnVNZe2D_0
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Dear Hearts, If you don't already, please think about dropping a few quid a month on a Quietus subscription during the last day of the 1/3 off sale. And if you can't afford it, maybe give us a 'reskeet' instead! Thx! thequietus.com/subscribers/
Wrote a little bit about some of the records by Fluxus-affiliated artists and composers in my collection for @thequietus.com 's subscribers thequietus.com/subscriber-a...
Wrote a few little bits for @thequietus.com Albums of the Year So Far chart about recent albums by Juni Habel and Bergrún Snæbjörnsdóttir. But who made the top spot? Only one way to find out, pop pickers! thequietus.com/tq-charts/al...