Art by Emily K

Art by Emily K

@museum.of.emilyk.art

I have my own museum, I'm a Very Serious Artist. Portfolio: https://emilyk.art Commissions open. If I see that you use Ai slop “art,” you get blocked. Support my work: 🎨 https://patreon.com/emilyk 👉🏼One time donations: https://ko-fi.com/artbyemilyk

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Tomorrow on my Patreon, I publish my latest zine, one which will probably make half the people who read it very angry and the other half telling me this or that thing I got incorrect, because I was trying to tackle a massive subject in 8 sections of a letter-size page. Well, we'll see!

It’s quite upsetting honestly. And recently, fake Gen Ai “New Yorker” cartoons have made the rounds to the consternation of the artists they’re ripping off.

Brian Nicholson@briannicholson.bsky.social

If I was a freelance New Yorker illustrator, learning the art director was really good at using Claude would be a red flag

Read more at the Patreon link, which is public. The original poster was so striking to me because it is one of historic Hebrew national pride made up of colors and symbols used to express modern Palestinian national pride. I knew I had to make something out of it.

Art by Emily K reposted

New Illustration for the Patrons: “Local Watermelon” I found a Mandate Palestine era poster from the 1930’s encouraging people to “buy Hebrew watermelons,” ones produced by the kibbutzim. My interpretation of it scraps the original Hebrew for verses from Zechariah. www.patreon.com/emilyk/posts...

patreon.comNew Illustration: אבטיח ארצי / Local Watermelon | Emily KIn recent years, the watermelon has come to symbolize the struggle of the Palestinian people to achieve self determination and safety in the

New Illustration for the Patrons: “Local Watermelon” I found a Mandate Palestine era poster from the 1930’s encouraging people to “buy Hebrew watermelons,” ones produced by the kibbutzim. My interpretation of it scraps the original Hebrew for verses from Zechariah. www.patreon.com/emilyk/posts...

patreon.comNew Illustration: אבטיח ארצי / Local Watermelon | Emily KIn recent years, the watermelon has come to symbolize the struggle of the Palestinian people to achieve self determination and safety in the
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Women in political spaces, like women in EVERY space considered "serious," are often overlooked, devalued, and mocked. But they have shown to be the most stalwart, reliable workers on the ground - especially retirees, but definitely those who are not slotted in with the "Youths."

"Evelyn Normielib" is a meme for a reason. Renee Good was a minivan mom. Judith herself was a widow - not some young femme fatale. Her act demoralized the other side. That's what will win - turnout on our side coupled with a demoralized opposing side.

A little bit of background, although please do click through to the post: I hesitated to lean into the "No Kings" branding, for lack of a better term. But they have put forth the largest pro-democracy protests in American history, and I wanted symbolism that reflected people from across the nation…

…They also use colors that are quite striking and non-partisan. Maybe the more radical folks in my audience balk at the idea of using an organization that has so many "Liberals" (as opposed to "Leftists"), but the fact is these people are moving mountains, largely thanks to women on the ground.

This work is the first in a while that incorporates Yiddish, specifically from the song "Working Women." The Yiddish language has been tokenized in a disturbing way in the years since Oct 7, as a language that, unlike spoken Hebrew, is untouched by "Israel's ethno-supremacy" or whatever.

All Jewish languages are manifestations of ethnic solidarity and there is no "pure, non-problematic" piece of modern Jewish history you can latch onto. We are a complex people, like every other people on earth.

Art by Emily K reposted

From my “Ner Tamid” Series, this illustration is of a Holocaust-era Jewish partisan. She holds a lulav rather than a rifle, but there is a grenade rather than an etrog (citron). The words say “Let us not go like sheep to the slaughter!” And “We will outlive them”. Available as a print.

Chag Sukkot Sameach! Time for my annual airing of "A Charlie Baron Sukkot"

Art by Emily K@museum.of.emilyk.art

A Charlie Baron Sukkot This comic is based on a friend's COVID sukkah building experience. He had very little to work with, and when he posted a photo, people said it looked like "Charlie Brown's sukkah." A kind rabbi reassured him, and I used his comment in the speech near the end.

L'Shana Tovah - When the shofar sounds, it sounds for justice.

Art by Emily K@museum.of.emilyk.art

New calligraphic work: "On Resisting ICE and the DHS" This one is complex enough that I am providing a key to how it's structured, similar to those keys you see that show how a Talmud page is divided up. See the alt for the explanation.

Since this person disabled replies etc I’m not gonna share their identity but I think what they wrote is spot on. I would t be shocked to find out Cleves’s Tech VP husband said “comics make bank at the movies, where’s YOUR piece?” Without knowing those same creators die penniless.

Never mind that nobody is making movies based on comics about complex women’s lives, let alone lesbians, let alone with a big budget. If Walden gets a modest option fee that’d probably be the best she could hope for, and Cleves is owed NONE of that.

Art by Emily K reposted

something interesting in the Cleves/Walden debacle is the pervasive assumption that comics are a) necessarily an inferior, derivative form that can't be credited with the diligence of research or scholarship, and b) so vastly popular and lucrative that "real writing" must be protected from them

Barry has read both Cleves and Walden's books, and afaik, is the only person weighing in who has done this. I've read all of Walden's but only bits of Cleves, but I'd easily recommend either, depending on what you seek. Walden's is a comic w/ fictionalizations; Cleves' is purely text and fact.

Barry Deutsch@barrydeutsch.bsky.social

This has come up again in conversation this week, so I thought it might be worthwhile to examine the specific claims made by Cleves against Walden. Cleves accuses Walden of taking, without credit: 1) Title. 2) Cover. 3) Four story events. Let's tale a look.

I read SPX’s statement on their inability to participate in the Marriott boycott and I think it’s a sound one. Anybody upset about will be taking a nihilist route, one that literally leads to SPX’s destruction.

It is the most obviously Ai thing that ever Ai'ed. It's like they're daring everyone to call them out

Faith Erin Hicks@faitherinhicks.bsky.social

Ugh. My provincial writers' federation used A*I for the cover of their magazine, but when I tried to go to the website to see the new cover (and an apology I assume!!!!) all I got was a 404.

There is conflicting information regarding this slide, and I just want to say this: If the ATLA arts team uses ChatGPT for RESEARCH, of all things, that is such a sad degradation of their process. They hired an actual martial artist to design their bending styles--

Rick@combattlerrickv.exportaud.io

I dont know if this is brazen or it has just become so normalized that people who use the stuff don't see it anymore but the text that opens the final paragraph on the right on the big slides for your sdcc presentation is WILD

--and a master calligrapher to make a lot of their Chinese title work. One point of mockery of the Shyamalan movie was that in one part they eschewed actual Chinese characters for nonsense symbols. This is a world that cares so deeply about its connection to IRL historic Asian cultures.

The fact that to research Asian cultures they'd use a hallucinating plagiarism robot created by white people is a disappointment to say the least. Talk about being shortsighted. I deeply hope there is something I'm missing, or that this was a slide placed in the presentation by mistake or something.