Hammer House of Steven Horry

Hammer House of Steven Horry

@stevenhorry.bsky.social

Music & comics & art & so on. linktr.ee/stevenhorry

162 followers108 following1K posts

Hammer House of Steven Horry reposted

Blog update: In August 1988, S'Express returned to the top of the NME Indie Charts with "Superfly Guy". It's been overshadowed by its predecessor since, but - hear me out on this - is it perhaps actually the better single? indienumber1s.blogspot.com/2026/10/121-...

indienumber1s.blogspot.com121. S'Express - Superfly Guy (Rhythm King)All the singles to top the NME Indie Charts since its launch in 1981, complete with an overview of the other music in the charts each week.

I am three mixes away from handing in the soundtrack. THREE!! Out of 51 separate music cues. And I’ve only screamed at James once. I should get a medal. I get a medal, right?

It's almost time to enter the village... On Fri 30th October our surreal point and click adventure is finally released on Steam, GOG and itch.io. Sleepytime Village is a dark, hand-drawn point & click adventure about family, dreams & escape. Wishlist today! 👇 store.steampowered.com/app/1918850/...

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Hammer House of Steven Horry reposted

In today's "quick reads"...

Official Charts@officialcharts.bsky.social

On This Day in 1996, Deep Blue Something's iconic hit Breakfast at Tiffany's reached Number 1 on the Official Singles Chart! 😋 Check out the group's full chart discography here: https://www.officialcharts.com/artist/1505/deep-blue-something/

Me, complaining over the last couple of weeks: are all album releases reissues nowadays?! Surely all the reissues have been done now?! Me, this morning: Omg Rubber Soul 2026 mix is amazing the clarity the detail the oh god I’m the problem.

Looking forward to reading the hell out of this later.

David Bryant@23daves.bsky.social

Blog update: The Timelords aka The KLF reached number one in both the national and NME Indie Charts with "Doctorin' The Tardis". It's a track you could write off as a cheeky novelty hit, except unlike most novelty discs, it's proven enduring to many of us. indienumber1s.blogspot.com/2026/09/117-...

Hammer House of Steven Horry reposted

Replying to @jonnymorris.bsky.social

Reminds me of the Blake's 7 script that said something like "The space station was magnificent", and Dear Dear Vere scribbled next it "Best not to say that, dear. Chances are it won't be.".

Good read, this. Some of my happiest memories are of living in the back of a van on tour, but the lows were epic. One thing I’m glad we did was stop at places to break up the journeys between shows and to do touristy things. Good for the old sanity, but even with that there were moments of madness.

Drowned in Sound@index.www.drownedinsound.org.ap.brid.gy

Emma Wilkes asks - if one of the biggest popstars in the world is struggling, what must it be like for everyone else?

drownedinsound.orgBurnout is not brat: Charli xcx’s struggles with touring are just the tip of the icebergBeing a 365 touring girl is not the way Charli xcx wants to live her life. Upon confirming the dates for the UK and US legs of the tour supporting her new album _Music, Fashion, Film_ , fans in the comments lined up to express – with differing levels of politeness – the disappointment they felt that she wasn’t playing nearer for them. In the UK and Europe, she’s only playing six shows next January, in Dublin, Glasgow, Manchester, London, Paris and Amsterdam. Interestingly, for that run, she’s never on stage two nights in a row. “I know there’s a lot of frustration in the comments about the fact that I am not doing lots of dates. I am really sorry if you feel disappointed but I have to honor my truth as an artist: touring is really emotionally and physically hard for me,” Charli admitted in the Instagram comments later. “I am not looking for sympathy and I have a huge amount of respect for artists who can handle it at an intense, lengthy and high octane level, but I am just not one of those human beings and I never have been,” she continued. “I’m sorry if you feel I am letting you down; I really am. Perhaps one day I will be built for the kind of touring you expect from me but right now I am not. If you’re coming to a show I hope you have fun and enjoy it, and I will try my best to stay in a healthy and positive mindset and enjoy it too.” She’s not been the only one to speak up about the toll touring can take either. Harry Styles cited that preserving his wellbeing was a factor in him pivoting towards residency shows for his Together, Together touring cycle: “I think there's something in this that allows me to stay in my life while I'm doing it,” he reasoned, “and therefore allows me to take care of myself better, which I think makes me better at doing the thing.” He also wanted to make life easier for his touring crew, who now had families back home. The transparency, of course, is admirable. It’s crucial, even, especially if the general public has only a fuzzy perception of exactly what the life of a touring artist looks like, which can mean that misinformation and parasocial hysteria creeps in. There’s no one universal picture, but it goes without saying that the 22-23 hours of the day when an artist isn’t performing aren’t exactly all cushy. At the same time, the conversation is being led of late by the biggest touring artists in the world. While their emotional and physical difficulties are, of course, extremely real, they make these points from a place of privilege. They’ll be sleeping in hotel rooms instead of vans or floors, they’ll have a greater level of comfort and artists of that level may also be able to bring their partners or families with them. To some extent, they can buy back some bandwidth, if finances are less of a problem and it means they can space out shows some more. Not every artist can play residencies like Styles, or like Ariana Grande, who also recently played a residency at The O2, and the other drawback is they shift the costs from artist to fan, given they have to travel further (and rack up greater emissions) and potentially find overnight accommodation. Charli’s perspective does, however, represent a tip-of-the-iceberg situation. If she’s struggling at the astronomical level she’s at, then what about the artists further down the pecking order? What about the crew members, managers, merch sellers and other members of a touring party who will feel these struggles just as acutely? Travelling is draining, it’s harder to stay healthy – and flying is also particularly taxing for the voice – and the conditions are far from luxurious. “At this small level, it’s a blessing when you find a decent meal,” explains Linda Battilani of Halflives. “I get genuinely excited knowing there’s catering or a decent buyout sum to get something proper to eat without spending our own money, or just having a clean and warm shower. It means accepting living as if you literally are a homeless person sometimes, because you’d do everything just to play your shows. It has happened more than once that we’d come back from a 3-week tour where more than one of us lost a few kilograms. of the time, it’s hard to even break even, and it’s very easy to end a tour in the red.” Music might be loud, it doesn’t mean your head will go quiet. Life rolls on in the background, and I’ve seen musicians in various capacities discuss the strangeness of processing everything from bereavement to their own recent suicide attempt while still having to tour. It becomes even more testing during festival season, with hours-long drives and border checks separating shows, with limited time to set up and play. For some artists, all of that is compounded by the added complications that can come with disability, chronic illness, neurodivergence or all of the above. “As a late-diagnosed autistic person with the dynamic duo of depression and anxiety under their belt, a lot of my struggles with touring are intrinsically linked with said conditions,” explains Conjurer’s Dani Nightingale, who spoke to us last year around the release of the band’s album Unself. “Things like a diminished social battery, the stress of travel, the overwhelm of a gig environment, the pressure of performing, and the unique situation of unpredictability being the only predictable thing about tour can all contribute to unpleasant and damaging occurrences such as meltdowns or shutdowns. “That said, I don’t think it’s unreasonable to assume that most people would struggle with these things, regardless of neurotype,” they continue. “Even if you’re nomadic, falling asleep in one country and waking up in a completely different one can throw you for a loop when it happens day after day. Even if you love the hustle and bustle of it all, it’s not the holiday that a lot of people think it is; it’s essentially another job, commonly underpaid or unpaid, for longer than usual hours and often in suboptimal conditions.” For a small-to-medium touring artist, the demands are even more relentless. There have been times I’ve seen certain bands’ touring schedules and wondered how they’d survive it. Worse still, thanks to soaring costs, merch cuts and everything in between, these tours are money sinks. On a recent episode of music business podcast The Money Trench, booking agent Alex Bruford estimated that a tour to audiences of even 1,000-2,000 a night could make a loss of £30,000. As with any profession, the less you earn, the harder you work. “It’s so hard physically, financially and mentally. Less shows means better performances so I get why she’s doing it,” says Nina Saedi, frontwoman of prog-doom band Lowen. “If there was more support for musicians and the arts by the government and we had a more European model in places like the UK and America for smaller artists then the live scene would be so different - and a lot more profitable for everyone involved.” Fortunately, a couple of major artists have stepped in to help. Olivia Rodrigo is known for providing free therapy to her whole touring party, while Radiohead’s Philip Selway is supporting a new project called the Pay It Forward Fund, set up by Tamsin Embleton and the Music Industry Therapist Collective, to provide mental health support for musicians and crews on smaller tours. “You’re expected to get your head down and get on with it, but it can mean times when you’re not necessarily looking after yourself physically and you can feel very isolated,” Selway wrote in The Guardian last week. “There’s an emotional and geographical displacement in moving from place to place and living on top of each other. There’s the sound check, the gig, meeting people afterwards, anxiety that some people guiding you may not have your best interests at heart. You can feel really vulnerable, and there’s no way of getting off that roundabout until you get home. It’s difficult to talk about because nobody wants to rock the boat, and other people might be going through the same thing, so you don’t want to burden them.” These initiatives, of course, can be invaluable, especially in an industry where almost a third of those involved in it report experiencing poor mental wellbeing, which is especially acute for those at the start of their careers). Chiefly, however, this is a systemic problem. With the current precarity and poor financial return of the music industry, this is a system where we all lose, whether on stage, backstage or watching the stage. Talk might be valuable, but it cannot resurface the foundations of an industry that has been broken for a long, long time. It’s the love of the game that keeps artists piling into their van time after time. “Being in a band like ours and doing it on a pot noodle sized budget is unglamorous – there’s nothing rock ‘n’ roll about ‘rock ‘n’ roll’,” says Matt Sutton of industrial band Tayne. “It can feel like a grind for sure when you’ve got such small fees coming in to barely pay the logistics of it all. You really have to love it to do it, which I absolutely do. It’s one of the craziest adventures I’ve ever experienced.” “Much has been said about performing live being like a drug, an unbeatable high, and it’s absolutely true in all the best and worst ways,” Nightingale adds. “It’s a rush like no other but it comes at a cost, sometimes against our better judgement and at the expense of our health. The balancing act of following your dreams, going out on the road for weeks or months on end, trying to break through and make ends meet, all while keeping on top of your commitments and relationships back home is a damn tricky one that can have devastating consequences. People succumbing to addiction, having partners leave them, burning out, falling out of love with something you’ve spent your whole life chasing, and the financial issues that can come with all of that is enough to put any sane person off this lifestyle. Yet we risk it all anyway.” Some of this might be part of the territory, but the resounding feeling must be that there has to be a better way for people to do what they love. Enjoy this? Please consider upgrading to support our independent journalism Learn more

And then Season 5… 1. The Enemy of the World 2. The Wheel in Space 3. The Web of Fear 4. The Tomb of the Cybermen 5. The Abominable Snowmen 6. The Ice Warriors 7. Fury from the Deep Bit of a grind doing this one in order. Would happily never watch another base experience a siege ever again.

Hammer House of Steven Horry@stevenhorry.bsky.social

Didn’t do season 4 and I’ve just finished 5 so…Season 4: 1. The Evil of the Daleks 2. The Tenth Planet 3. The Underwater Menace 4. The Macra Terror 5. The Power of the Daleks 6. The Moonbase 7. The Faceless Ones 8. The Smugglers 9. The Highlanders (Look, The Underwater Menace is a lot of fun.)

Didn’t do season 4 and I’ve just finished 5 so…Season 4: 1. The Evil of the Daleks 2. The Tenth Planet 3. The Underwater Menace 4. The Macra Terror 5. The Power of the Daleks 6. The Moonbase 7. The Faceless Ones 8. The Smugglers 9. The Highlanders (Look, The Underwater Menace is a lot of fun.)

Hammer House of Steven Horry@stevenhorry.bsky.social

Doctor Who Season 3 watch finished last night with an absolute banger, so RANKINGS! 1. The Myth Makers 2. The War Machines 3. The Gunfighters 4. The Daleks’ Master Plan 5. The Massacre 6. Mission to the Unknown 7. The Celestial Toymaker 8. The Savages 9. The Ark 10. Galaxy 4

Hammer House of Steven Horry reposted

One last push for this first issue. Free to read, and there are free and £1.00 tiers for future issues. Give it a go. If you like films. If you don’t, probably best not bothering. Unless you have more money than sense. Which @ £1.00 is unlikely.

Midday Matinées@middaymatinees.bsky.social

First post is up, and it’s what - if anything - we should consider the First Film. It should be in subscribers inboxes now and is free to read at the site as a taste of what we’ll be doing for anyone who wants to subscribe. www.patreon.com/cw/MiddayMat...

Cracking write up of a phenomenal single. Watching S’Express performances from the late 80s is seeing an act that looks like *the* most fun to be in of all time, and that joy spreads out of the records. That run of three singles - and the parent album - are terrific.

David Bryant@23daves.bsky.social

Blog update: "Theme From S'Express" was the second number one in the NME Indie Charts to also reach number one in the national charts. Inclusivity was at its heart - it cared not for cool cuts, and whether you were in a club or at home, it sought to thrill your feet into moving.

Related note: one of my favourite pop pauses is the “maybe you’ll call me…or maybe you won’t. Oh” bit of this. youtu.be/GiZHmwzNAqE?...

youtu.beThe Dandy Warhols - You Were The Last HighYouTube video by TheDandyWarholsVEVO
Hammer House of Steven Horry@stevenhorry.bsky.social

Catching up on TOTP Story of… docs and MY KINGDOM FOR A COPY OF THAT SUIT. youtu.be/lr1Gc4Z66Ao?...

Quite exciting to see an album I produced a couple of tracks for on this list! A pleasing midweek surprise. Big congrats to @kentonhall.bsky.social ! Amazing.

God Is In The TV Zine@godisinthetvzine.bsky.social

#NeutronPrize 2026 shortlist feat @boardsofcanada.bsky.social @dearyband.bsky.social @gruffrhys.bsky.social #JalenNgonda @kentonhall.bsky.social @lifebanduk.bsky.social #Lizlawrence #Modernwoman #maryinthejunkyard @slimecitymusic.bsky.social& more! www.godisinthetvzine.co.uk/2026/08/18/n...

Can’t wait!

Jon Dies At The End@accordingtojond.bsky.social

Next Wednesday I'm giving my 'what was filmed at Highgate Cemetery' talk online. As much about what it's like for a cemetery to be a location as the filming itself. But there's lots of cool and rare clips!

What I love about this book is that I’ve read it a couple of times and each time it’s resonated in a very different way. Whilst I’m not ready to accept it was that long ago, happy 20th!

Kieron Gillen@kierongillen.bsky.social

It's only now I remember today is the 20th anniversary of this coming out. There's not really words, though I'm sure I'll find a few thousand for the newsletter. "We are twice as far from Rue Britannia as Rue Britannia was from Britpop" is certainly a thought. The other is: thank you, McK.

Went and re-read this because it was A Big Deal at the time and I have vaguely happy memories of it as such. Cor! Early 90s comics were overwrought AF, weren’t they? So many captions, so much OTT dialogue. Not a naturalistic line in the entire story. Not much subtlety, but…

Tom Ewing@tomewing.bsky.social

#EventsDearBoy #45 FATAL ATTRACTIONS (1993, Marvel) The X-Men’s contribution to the year of Peak Events, a curiously structured crossover where every title gets a giant Magneto-themed issue but there’s a lot going on in between - it’s more five linked stories across six issues and reads choppily

…the central moment of Wolvie getting the adamantium yanked out is still visceral, shocking and a big moment, and Wolverine #75 is a banger of a single issue. Marvellously tense, huge melodrama and a real page-turner. It’s SO 90s. The Merenghi subtext quote was rarely far from my thoughts.

The first time I ever heard this song was on the radio through a tinny, crapped out little radio that was mildly distorted and it *still* sounded like the greatest. Absolutely blasted out. What a song.

Jon Arnold@jonarnold.bsky.social

#TheN0ughtie5 Day 47 You ready? 4. CRAZY IN LOVE by BEYONCÉ ft JÄY-Z (2003) (11 pts) Jay as hypeman, Chi-lites as fanfare and Bey still has the presence to blow them all away. You can hear her ascend to superstardom over four thrilling minutes. www.youtube.com/watch?v=Viwt...

Relatable

fesshole 🧻@fesshole.bsky.social

When dinner is ready my wife insists the kids turn off the TV, even if it's just a minute left of Paw Patrol. I HATE leaving things unfinished, so after bedtime I can't help but watch that final minute to make sure Mayor Humdinger's prize vegetable competition gets back on track.

Can’t WAIT to get my grubby little mitts on this from @parthenoid.bsky.social ! One of the best writers and human beings on one of their specialist subjects. Hurrah!

The Sian from Atlantis@parthenoid.bsky.social

Atlantis Through Time drips today. My book about the cultural and esoteric history of the Atlantis myth offers something to skeptics and believers alike, since it looks at an aspect of the Atlantis story no one else has. www.crossedcrowbooks.com/shop-crossed...

Loved it at the time. I’d quite like to do a full Krakoa re-read at some point, cos it was mostly a lot of fun and got me reading literally all the X-books for the first time in decades.

Tom Ewing@tomewing.bsky.social

#EventsDearBoy XXV. X OF SWORDS (Marvel, 2020) As part of its general itch to do things that hadn't been done in mainstream comics, the X-Men's Krakoa era featured a string of unusual events, first of which was this wildly extended (and fairly divisive) fantasy romp

Genuinely one of my favourite New Order singles fwiw.

David Bryant@23daves.bsky.social

Blog update: The first NME Indie Chart Number One of 1988 was New Order's "Touched By The Hand Of God" - a continuation of their brilliant run of singles so far, or their first misstep? You be the judge. indienumber1s.blogspot.com/2026/07/108-...

🎵 And on the day when the teacher asked us "What do you want to be when you grow up?" You stood up and said, "What I want doesn't get" 🎶 Yeah, Orlando totally getting my vote.

Peoples Pop Polls: BLACK POP 1986-1989@peoples-pop-polls.bsky.social

#PPP96 GROUP 14 1 TREMBLING BLUE STARS! www.youtube.com/watch?v=qif0... 2 THE ALOOF! www.youtube.com/watch?v=intY... 3 HIS NAME IS ALIVE! www.youtube.com/watch?v=wtnk... 4 ORLANDO! www.youtube.com/watch?v=6RJh... Vote! docs.google.com/forms/d/e/1F...