THE PR FACTORY reposted
Ali Ercivan tells a fairytale in Fatih Akın's GHOST SONG, a film that proves how Akın grew up and became a master of his craft while preserving his core strength: authentic emotion and passion #74SSIFF buff.ly/PFgodxd
THE PR FACTORY
@theprfactory.bsky.social
A gang of female publicists fighting to get attention for films they love in the jungle of film festivals www.theprfactory.com
141 followers218 following193 posts
THE PR FACTORY reposted
Ali Ercivan tells a fairytale in Fatih Akın's GHOST SONG, a film that proves how Akın grew up and became a master of his craft while preserving his core strength: authentic emotion and passion #74SSIFF buff.ly/PFgodxd
THE PR FACTORY reposted
The Special Jury Prize at San Sebastian goes to... Ah Biao's Border! This is our verdict of the Hong Kong drama: dmovies.org/2026/09/23/b...
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SAN SEBASTIÁN | "Border" du Chinois Ah Biao : un drame teinté de film noir dont l’âpreté immersive fait des merveilles. En compétition. Critique lepolyester.com/critique-bor...
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I attempt to deal with things that frighten me and things that make me sad, because this is a way of controlling my own fears' - Marlene Emilie Lyngstad on tackling the taboo subject of paedophilia in Cute www.eyeforfilm.co.uk/feature/2026... #74SSIFF #FilmSky
THE PR FACTORY reposted
THE PR FACTORY reposted
'The story revolving around the two kids is so pure and innocent so you can use it as a mirror to reflect on your own heart' - Lu Po-Shun chats to us about children's perspective in Will You Still Be My Friend www.eyeforfilm.co.uk/feature/2026... #74SSIFF #FilmSky🎬
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Mostra 2026 – Orizzonti : I figli della scimmia (The Children of the Monkey) de Tommaso Landucci – du fils rêvé à celui qui est là j-mag.ch/mostra-2026-...
THE PR FACTORY reposted
THE PR FACTORY reposted
Four restless migrants in Mumbai grapple with forbidden desires and lost futures in 'Lovers in the Blue Night,' from Anuparna Roy.
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Critique : Un peu avant minuit Venise 2026 - Compétition Nicolas Pariser tisse une déambulation pleine de charme et d’arrière-pensées politiques, centré sur un homme dans le miroir et la prise de conscience de son passé. cineuropa.org/fr/newsdetai...
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Algo más del Festival de Venecia: Crítica de “Un peu avant minuit” (“One Minute to Midnight”), película del francés Nicolas Pariser con Melvil Poupaud, Chiara Mastroianni y Anaïs Demoustier. Estreno mundial en la Competencia Oficial por el León de Oro. 👇👇 www.otroscines.com/post/festiva...
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San Sebastian Film Festival to Open With Fatih Akin’s ‘Ghost Song’
A Female Sniper Battles ISIS in First Teaser for Venice Title ‘No Paradise if You Are Killed by a Woman’ (EXCLUSIVE) variety.com/2026/film/gl...
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"I really wanted to push this whole thing to the extreme, nearly to the philosophical" - Dimitri Planchon and Jean-Paul Guigue discuss Blaise www.eyeforfilm.co.uk/feature/2026... #Cannes #filmsky 🎬
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Directors Dimitri Planchon and Jean-Paul Guigue take us behind the scenes of their highly stylized cringe comedy, 'Blaise.' #Blaise #CannesFilmFestival #AnnecyFestival #DimitriPlanchon #JeanPaulGuigue
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« Strikingly original and extremely funny » BLAISE review in SCREEN #blaise #animation #annecy2026 www.screendaily.com/reviews/blai...
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So yeah, Julián is the film I couldn't wait to rave about. Up there with Wolfwalkers among Cartoon Saloon's best work, and might be their most important. Wrote some thoughts on Letterboxd, and will have an interview with director Louise Bagnall up on Reactor soon. letterboxd.com/rubi/film/ju...
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Exclusive BTS: Colored pencils, magic markers, and a Brooklyn summer. Ahead of Julián's Annecy premiere, Louise Bagnall explains how Cartoon Saloon transformed Jessica Love's picture book into a feature with its own visual identity. www.cartoonbrew.com/feature-film...
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"I think we all can also relate to that feeling of looking for a place where you can be yourself. That’s very much what Julián’s journey is all about." - we chat to Louise Bagnall about animation Julián, which will premiere at Annecy Festival www.eyeforfilm.co.uk/feature/2026... #FilmSky🎬 #Annecy
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Director Louise Bagnall discusses her new Cartoon Saloon movie Julian, ahead of its premiere at Annecy next week. #julian #annecyfestival #cartoonsaloon #louisebagnall #julianisamermaid
First clip for JULIÁN ✨https://deadline.com/2026/06/cartoon-saloon-annecy-julian-acquisition-france-clip-1236953632/ #julian #annecy2026 #cartoonsaloon @cartoonsaloon.bsky.social
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We had the opportunity to speak with 🇦🇷 Federico Luis - For the Opponents - the Palme d'Or short winner at this year's Cannes! https://bit.ly/4uIQdk8
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Festival de Cannes 2026: El argentino Federico Luis ganó la Palma de Oro al Mejor Cortometraje por “Para los contrincantes” www.otroscines.com/post/festiva...
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In his final Cannes dispatch, Ben Kenigsberg writes about the final Competition film, THE DREAMED ADVENTURE, as well as TOO MANY BEASTS, WOMEN ON TRIAL, & CHE GUEVARA: THE LAST COMPANIONS:
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👁️🗨️ #Cannes2026 "It's impressive how coherent the story is despite having extremely limited archival footage and photos; the film is truly carried on the backs of the ex-guerrillas' accounts." - Read the review of Christophe Dimitri Réveille's doc Che Guevara: The Last Companions: cineuropa.org/491784
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Replying to @lwlies.com
8. Lila Pinnell's Shana revolves around a stunning, unselfconscious central turn by actor Eva Huault who plays the spoiled moll of a small-time drug dealer. Review by @daveyjenkins.bsky.social. lwlies.com/cannes-film-...
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“These films might be bolder than any picture that played in competition, and more indelible than many films that’ll play at other festivals this year,” writes @812filmreviews.com about EVERYTIME, BEM’IMANA, & TITANIC OCEAN in his final Cannes dispatch:
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Cannes 2026 Interview: TITANIC OCEAN Director Konstantina Kotzamani on How Personal Experience Inspired Her Dreamlike Debut
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Marc van de Klashorst finds an oasis in the midst of war in Sara Ishaq's THE STATION, engaging and feminist portrait of sisterhood in restrictive societies that shows that Ishaq has a bright future in narrative film #Cannes2026 buff.ly/qhhKGw1
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‘The Station’ Review - Sara Ishaq Skillfully Blends The Familial & The Political In Powerful Narrative Debut geekvibesnation.com/the-station-...
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THE PR FACTORY reposted
Cannes 2026: 'Flesh and Fuel' - This Gay Trucker Romance is a Delight
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THE PR FACTORY reposted
Covered some premieres out of Cannes this weekend, including SHANA, THE STATION, FLESH AND FUEL, and BLAISE. Reviews here: bit.ly/3POMyC3
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‘Flesh And Fuel’ Review – A Poignant Love Story Arising From A Life On The Open Road [Cannes 2026] geekvibesnation.com/flesh-and-fu...
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Replying to @ninjaworrier.bsky.social
And back over @eyeforfilm.bsky.social I spoke to talented French star Alexis Manenti about the two, very different, films he had in #Cannes this year - Flesh And Fuel and Too Many Beasts www.eyeforfilm.co.uk/feature/2026... pic below is from Too Many Beasts
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Review: Orange Flavoured Wedding #Cannes2026 Première Christophe Honoré immerses himself in the unrestrained and tumultuous atmosphere of a working-class wedding, where emotions intertwine and clash in a sombre family portrait. cineuropa.org/en/newsdetai...
THE PR FACTORY reposted
THE PR FACTORY reposted
Walter Neto takes a look at Gessica Généus' MARIE MADELEINE, a film about the power of friendship and the possibility of finding meaning through human connection in an increasingly fractured world #Cannes2026 buff.ly/mEqePxC
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La metamorfosis. Trailer para 𝘛𝘪𝘵𝘢𝘯𝘪𝘤 𝘖𝘤𝘦𝘢𝘯 de 𝗞𝗼𝗻𝘀𝘁𝗮𝗻𝘁𝗶𝗻𝗮 𝗞𝗼𝘁𝘇𝗮𝗺𝗮𝗻𝗶, que pasó por Un certain regard de #Cannes2026 www.cinemaldito.com/la-metamorfo...
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Cannes 2026: Everytime, Ben’Imana, Titanic Ocean - by Robert Daniels www.rogerebert.com/festivals/ca...
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Replying to @ninjaworrier.bsky.social
OK, some more #Cannes bits an pieces. I chatted to the director of Titanic Ocean about the remarkable world of professional mermaids that she uses as the backdrop for her coming-of-age film www.eyeforfilm.co.uk/feature/2026... #FilmSky #Cannes2026
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This is a brave, no-holds-barred, elegant piece of filmmaking fits its subject matter perfectly! 🤩🧜♀️ Read Will Stottor's review of TITANIC OCEAN from #Cannes! ⭐️⭐️⭐️⭐️ #Cannes2026 #TitanicOcean #mermaid loudandclearreviews.com/titanic-ocea...
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Festival de Cannes 2026: Crítica de “Titanic Ocean”, película de Konstantina Kotzamani (Un Certain Regard) www.otroscines.com/post/festiva...
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"Sirens are supposed to be mythical creatures that have this amazing voice...So I thought it was nice to speak about how you find your voice as a girl" - Konstantina Kotzamani on Titanic Ocean www.eyeforfilm.co.uk/feature/2026... #Cannes #filmsky 🎬🧜♀️
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Review: 9 Temples to Heaven #Cannes2026 Directors’ Fortnight Following in the wake of a family on a mystical odyssey riddled with complications, Sompot Chidgasornpongse offers up a highly sophisticated feature film about the ritualised ties of life. cineuropa.org/en/newsdetai...
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Replying to @andrewpope.bsky.social
Sompot Chidgasornpongse’s quietly funny, meditative, sometimes faltering fiction debut, 9 TEMPLES TO HEAVEN, comes over like his mentor Apichatpong Weerasethakul meets Little Miss Sunshine – and if that sounds like your idea of bliss, you’ll be in heaven. My review, from Cannes:
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Festival de Cannes 2026: Critica de “9 Temples to Heaven”, película del tailandés Sompot Chidgasornpongse producida por Apichatpong Weerasethakul. Estreno mundial en la Quincena de Cineastas. ✍️ @dmbatlle, desde Cannes www.otroscines.com/post/festiva... #Cannes #Cannes2026 #Cannes79