The Rumpus

The Rumpus

@therumpus.net

Independent since 2009. Read The Rumpus Magazine. Become a Member. Receive Letters in the Mail from Authors. Join a dynamic, global community. http://linktr.ee/The_Rumpus2.1

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"A memory of a memory is both less precise and more / true— that is just the way molecules are. Nothing is like it used to be." From "Recall," new poetry by Rob Macaisa Colgate. ➡️ buff.ly/vaGwvdE

"What does it take to put a person on screen, and what’s left of them once you have?" From "Lesbian Simulators and an AI Thatcher," Notes from TIFF by writer and film critic Elissa Suh. ➡️ buff.ly/opFIAq4

“...it is just as important to call out the ways women perpetuate patriarchy without realizing it, as it is to hold all men accountable for their actions.” This week's installment of Girl on Girl has Rebecca Woolf asking about the women who help fan the flames of misogyny. ➡️ buff.ly/e8hX0e3

"These days, all I do is backslide. Tell me: What system is safe to believe in? All my beliefs turn on me, exposing their underbelly while I try to look away." From "Backslider," a new essay by Brandon Thurman. ➡️ buff.ly/5SLUdzv

"Oh my god my god, how I love you, / have always loved you, / with purpose as wide as horizon—" From "Birth, Home," one of three new poems by Michal 'MJ' Jones. Read all three poems now at buff.ly/VJpTZIr

"The main thing I learn about speaking as a woman is that you can never do it correctly. No matter what you do, there will always be someone to cut you off at the throat." From "castration: a love song," a new essay by Sofie Riley. ➡️ buff.ly/7HbrpRd

The Rumpus reposted

We’re delighted that @rebeccamakkai.bsky.social—Pulitzer Prize and National Book Award finalist, bestselling author, and Chicago superstar—will be our #AWP27 keynote speaker. Heartfelt thanks to #AWP27 premier sponsor, @therumpus.net & Roxane Gay Books! conference.awpwriter.org/keynote2027....

conference.awpwriter.orgKeynoteRebecca Makkai is the author of the New York Times-bestselling I Have Some Questions For You as well as four other works of fiction. Her novel The Great Believers was one of the New York Times’ Best…

"Court jesters used to have their cheeks cut. This permanent smile made it easier to perform even when you didn’t feel like it." From "Who Will Save the Artists," a new culture essay by Candice Thompson. ➡️ buff.ly/eEMM4iX

"My best advice about publishing—and writing—is to keep trying." Each week in our FREE newsletter, debut authors like Madeleine Moss demystify the publishing process by discussing the path to publication for their books. Enter your email at the bottom of our homepage to subscribe: buff.ly/YkMtGcY

"We want stories that shapeshift and evolve. Stories that take us out of our known realities and lift us into worlds unknown." In this week's Member newsletter, fiction editor G Rivera shares what exactly editors look for when screening submissions. Subscribe now: buff.ly/eT6BuvV

"She gasped when she felt the bird’s feet wrap around her spine and bear down, tightly gripping her. A shiver ran through her body when it unfurled its wings." Prolong the obligations of Monday with this week's Sunday Scaries: "Bird Mama" by M.C. Schmidt. ➡️ buff.ly/mF84Av1

"Unlike museums that preserve the original period furnishings of historic figures, The Freud Museum Vienna preserves evidence of Nazi crimes." From "The Small, Sad Freud Museum in Vienna," Charity Hume discusses visiting the Freud Museum in Vienna. ➡️ buff.ly/3XIe7q5

"You are not afraid of death; you are afraid of being left behind. Of watching the people you love finding peace without you." From "Homecoming," new fiction by Kelly Murashige. ➡️ buff.ly/YAxGBH8

"Neurodivergence. Not as accusation, but recognition. Difference, not defect." Fall in Love Mid-Sentence: Atiqah Ghazali-alKashif addresses never having fallen in love at first sight, neurodivergence in women, sapiosexuality, and her hunger for knowledge. buff.ly/0TxXRmt

"I learned to hide how I felt, learned how language and poetry might fashion a wall to hide behind." Award-winning culture writer and author @nikostratis.com discusses her love for Pavement, poetic subterfuge, and the terror of feeling too much. ➡️ buff.ly/wyQ3p6r

"He became an easy ally, my best friend, especially in the face of other kids who ridiculed us, who ridiculed me." From "Red Bowl," new fiction by Ogbodo Somtochukwu. ➡️ buff.ly/U66fV77

"I think the world needs happy stories and books about hopeful dreamers." In this week's free newsletter, P. Paramita chats about the publication of her pro wrestling meets culinary novel Appetite. Subscribe to our weekly newsletter at the bottom of our homepage: buff.ly/dtBT23U

"I scan the whole yard and driveway for appendages, any missing bits of man, until finally there is something. It’s not him, though. It’s the cats." From the newest installment of Sunday Scaries: "Little Cat People" by Belicia Rhea. ➡️ buff.ly/zkEXO3q

"It was easy to blame our mothers...They’d shown us how to make mistakes. And we studied those mistakes. Oh god, did we study." From "Our Mothers," new fiction by Amy Silverberg. ➡️ buff.ly/Z3c4Uzo

"To be a prey animal then is to survive a litany of trials: tests of error, and of gentleness. To live with terror passed down in the blood." From "Transparent Horses," new poetry by Izzy Toy Rettke. ➡️ buff.ly/Y6AnXZH

"There’s a scratch of electricity behind my eyes, that familiar vertiginous sway, but I don’t disappear. I stay right here in the snow, moving toward the light, caught in an orbit that tugs me into the woods." From "Liturgy of Teeth," new fiction by Joshua Allen Sorrells. ➡️ buff.ly/at1kVmE

"My prized lump, my eldest-born, / what wouldn’t I do for it? Love it or try / desperately to fix it, the same difference." From "Cyst with Teeth," one of two new poems by Angelica Whitehorne. ➡️ buff.ly/NEvGrut

"she’d / dry-heaved in the parking lot / so many people / so many people / she said mama’s fine and / unbuckled her children" From "El Paso Walmart in Two Parts," new poetry by Samantha Strong Murphey. ➡️ buff.ly/wf4IVlw

"Quizás es, incluso, lo más mexicano de mi escritura: esta relación con el humor y con el humor negro. La irreverencia." Comunidad y escritura: una conversación con Laia Jufresa, escrito por Katherine Tilghman. Lee la conversación: buff.ly/7Dds1GC

“I wonder if the rules around motherhood are harder to see because they don’t look like rules. They sound like your own voice." The correspondence between our two favorite letter writers continues this week with Monica's letter "We Expect Too Much from Mothers." ➡️ buff.ly/Hk7125D

"My mom mourned all her children, their watermarked class photos pasted on our fridge and in her wallet, but I was the one who remained." From "Elmo" by Amina Washington, winner of the 2026 Brooklyn Caribbean Literary Festival Elizabeth Nunez Caribbean-American Writer’s Prize. ➡️ buff.ly/GqtMznx

"Ideology is easy to reject. The question of what women should want, and which path will deliver it, is harder to untangle..." "Damned if You Do: On Caro Claire Burke’s Yesteryear" by Erin Caldwell Antler. ➡️ buff.ly/HpGWCse