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Excellent write up on cost/benefit for artists at increasingly-pricy shows. One of the reasons that I, and so many others, so esteem HeroesCon, is that they curate and comp tables for a LOT of artists, including "new" artists. My first "real" table was at Heroes... www.comicsbeat.com/is-artist-al...

comicsbeat.comIs Artist Alley even sustainable any more?It's more expensive than ever to set up in artist alley or at a comics show - and here are some of the numbers

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Definitely noticed this at rose city comic con. These shows aren’t about books. I can sell 3x as many books in 1/3 the time at a book festival. And tables are free!

Also: I highly reccomend the Boise comic arts festival and the Bigfoot children’s book festival if you want to hit the pnw for outlaws apprentice promotion

This whole thing is half the reason I mainly do shows I can drive to and stay home. Sure they are smaller and I certainly make less than maybe a huge show would net me, but my overhead is basically nothing but the table so the profit margin is higher.

Thanks, Ragon! Hardly thought-out, I'm afraid, but it's worth weighing why books are rarer than other offerings (not to say that other stuff is worth less, I can get a book at a shop but I can only get a print or shirt or whatever from the artist themselves)

...twenty years ago this upcoming summer. I had a book in the works, but had only done minis and anthologies at that point. I still have readers (many of whom have become friends) who I met tabling at that first show. A show that size is not one whose table I'd've been able to afford at that point.

There's definitely a "shows are a business" with a lot of conventions, and sustainability absolutely matters. But, as mentioned in the article, what GENERALLY sells isn't books, but prints and other ephemera (my hands-down bestseller is a set of Appalachian Folk Monster cards). And when shows...

I make ephemera for fun (and have generally turned what I do for fun into regular Patreon offerings), and if I do a couple of new prints a year then it is a big year. Comics are and continue to be my main artistic output, but at shows? You wouldn't know it!

I knew I was an odd man out at fan shows like eccc, I do spots for comics rarely but work in games and TTRPG zones. This also means most of my job work I can’t reprint or sell, so I’m there with ephemera and prints. It has been really interesting over the past 10y to see the merch really take hold

And that sort of key is nearly unavailable any longer. Which is sad, and which is why supporting these mid-size, (or smaller) independently run shows is important.