filmlinc.bsky.social

Austrian director Sandra Wollner’s atmospheric, constantly surprising new film EVERYTIME screens at FLC November 6-12 ahead of returning for a theatrical run in February 2027. Don't miss one of the year's best films! 🎟️: filmlinc.org/everytime

164, 472 frames, meticulously restored for the first time ever... 🙏 Heaven help us: our 35mm 🎞️ presentation of Ken Russell's THE DEVILS returns this Friday, October 30-November 5! 🎟️ are now on sale: filmlinc.org/devils

"I believe that this is a question that we must all ask ourselves as creators of narratives: what are our attitudes and ethics when we deal with and portray other people’s lives?" Lee Chang-dong on POSSIBLE LOVE and power imbalances of labor & filmmaking.

On this week’s episode of the Film Comment Podcast, Contributing Editor Inney Prakash and Assistant Editor Michael Blair join Editors Devika Girish and Clinton Krute to talk YOUR MOTHER YOUR MOTHER YOUR MOTHER, DIGGER, and YOU CAN SEE EVERYTHING.

On the latest episode of FLC Luminaries, director Lee Chang-dong discusses his extraordinary new film POSSIBLE LOVE, a selection of #NYFF64 that is now playing daily at FLC! Watch the episode at filmlinc.org/luminaries See POSSIBLE LOVE at FLC. View showtimes and secure 🎟️ at filmlinc.org/love

a movie about a documentarian and subject blurring the lines between reality and fiction, exposing the hypocrisies in our media ecosystem and capitalist hellscape?? sounds familiar…

"An absorbing, humane drama with a lacerating political edge." - Manohla Dargis Lee Chang-dong's POSSIBLE LOVE is now a @nytimes.com Critic's Pick! Get 🎟️ to the #NYFF64 selection, opening in our theaters tomorrow: filmlinc.org/love

"FATHERLAND is suffused with its characters’ longing, with desires that they express and others they can’t." - Manohla Dargis Now a @nytimes.com Critic's Pick, Paweł Pawlikowski's FATHERLAND opens at FLC tomorrow! Get 🎟️ to the #NYFF64 selection: filmlinc.org/fatherland

👿 The freaks have spoken: due to immense popular demand, we're excited to reveal that our 35mm 🎞️ presentation of Ken Russell's THE DEVILS will return October 30-November 5! Oliver Reed invades the Walter Reade one final time... 🎟️ are now on sale: filmlinc.org/devils

Wrapping up my coverage of this year's NYFF (@filmlinc.bsky.social) with a review of Suicide Note for @hyperallergic.com

watched THE DEVILS (restored version) in 35mm @filmlinc.bsky.social and it absolutely blew me away. of course it's turned up to 11 and completely insane, but it's also a sad and profound film. and it's one of the few films about religious faith that totally works even if you're not at all religious.

🇰🇷 Winner of the Silver Lion at the 2026 Venice Film Festival and South Korea’s entry for Best International Feature Film at the 2027 Academy Awards, Lee Chang-dong’s masterpiece POSSIBLE LOVE opens this Friday at FLC! Get 🎟️ to the #NYFF64 selection: filmlinc.org/love

👁️ Why would we deceive you? Watch/listen to our #NYFF64 Q&A with YOU CAN SEE EVERYTHING filmmakers Nathan Fielder and Lance Oppenheim! Lock in: filmlinc.org/nyff2026/daily/nathan-fielder-and-lance-oppenheim-on-you-can-see-everything-and-documenting-elizabeth-holmes

Oscar-nominated director Paweł Pawlikowski won Best Director at the Cannes Film Festival earlier this year for FATHERLAND, the filmmaker's most potent film yet (and starring Sandra Hüller and Hanns Zischler). An #NYFF64 selection, FATHERLAND opens this Friday! 🎟️: filmlinc.org/fatherland

My @filmlinc.bsky.social NYFF coverage continues with a look at the great Pelechian restorations for @hyperallergic.com

🎟️: filmlinc.org/devils

Participants in this year’s Film at Lincoln Center (@filmlinc.bsky.social) Critics Academy take over the Film Comment podcast as they discuss highlights from The New York Film Festival's Currents Program 5: The Material Ghost.

Part two of our special edition of the Film Comment podcast featuring participants in this year’s Film at Lincoln Center (@filmlinc.bsky.social) Critics Academy includes highlights from the New York Film Festival's Spotlight Shorts and New York Shorts programs.

"As richly drawn and intricately crafted as any feature this year, and a surefire contender for best of 2026 honors." - @nschager.bsky.social of @thedailybeast.bsky.social An #NYFF64 selection, Lee Chang-dong's POSSIBLE LOVE opens at FLC next Friday, October 23! 🎟️: filmlinc.org/possiblelove

Time to party like it's the summer of 1972: an #NYFF64 selection, William Greaves & David Greaves' ONCE UPON A TIME IN HARLEM opens at FLC this Friday! See this breathtaking miracle of a movie, now nominated for five Critics Choice Documentary Awards. 🎟️: filmlinc.org/harlem

At the 64th New York Film Festival, Damon Albarn with Brooklyn Youth Chorus and Mike Smith perform The Saddest Song from Luca Guadagnino's ARTIFICIAL ahead of the world premiere of the film, which features an original score and songs by Albarn. #NYFF64

bringing unsuspecting non-cinephile friends to see this 😈

Our Fall 2026 issue is now live, with a cover story by Melissa Anderson on Ryûsuke Hamaguchi’s “All of a Sudden”!

Our digital issue includes features, interviews, reviews, podcasts, and comprehensive coverage of the New York Film Festival. Subscribe now at filmcomment.com/subscribe!

one of my favorite movies ever—here's a good one from @abebeame.bsky.social on the restoration, the source material, and the history: www.gq.com/story/the-de...

Don't miss THE DEVILS on a newly restored 35mm print beginning Friday: filmlinc.org/devils Listen to a never-before-published 2010 conversation with Ken Russell and Vanessa Redgrave on the making of THE DEVILS: filmlinc.org/nyff2026/daily/ken-russell-vanessa-redgrave-and-mark-kermode-on-the-devils

Love Ava DuVernay. Look forward to seeing this.

"This is a moment where it's critical for us to understand the arc of history, the challenges we face, but also the opportunities that are embedded in the 14th if we can preserve it." Stacey Abrams, Ava DuVernay & more of the team behind 14th on their #NYFF64 World Premiere.

Watch Ryûsuke Hamaguchi discuss his cinematic pleasures and filmmaking process in the 2026 Amos Vogel Lecture at #NYFF64: filmlinc.org/nyff2026/daily/ryusuke-hamaguchi-discusses-his-filmmaking-process-in-2026-amos-vogel-lecture

Rooney Mara and Kate Mara discuss the experience of working with Werner Herzog on BUCKING FASTARD on the #NYFF64 red carpet.

Rami Malek, Ira Sachs, Mauricio Zacharias, and Luther Ford discuss the passionate process of making THE MAN I LOVE on the #NYFF64 red carpet.

At the #NYFF64 world premiere of 14th, Sherrilyn Ifill, founding director of the 14th Amendment Center for Law and Democracy, discusses the "monumental effort" of examining the importance of the amendment in a documentary.

"What is a life? A live is not what you have lived." Albert Serra discusses the poetry of Ingrid Caven at the #NYFF64 premiere of SIXTEEN MOMENTS OF MY LIFE.

Listen to a never-before-published conversation with Ken Russell and Vanessa Redgrave on the making of THE DEVILS from our 2010 director retrospective, followed by a discussion with Mark Kermode from #NYFF64: filmlinc.org/nyff2026/daily/ken-russell-vanessa-redgrave-and-mark-kermode-on-the-devils

Rami Malek discusses the relationships in THE MAN I LOVE and how the film is a reminder to enjoy the finite time that life offers. #NYFF64

I wrote about My Undesirable Friends, a portrait of a nation's nosedive into fascism that is gripping, unsettling, and scarily relatable.

My final trailer for this year's New York Film Festival presented by @filmlinc.bsky.social is out! What an amazing year! Thank you for coming and please enjoy this tribute, it'd mean the world to me if you watched (And catch it all weekend long at the fest!) #NYFF64