Elizabeth Goodspeed

Elizabeth Goodspeed

@goodspeed.bsky.social

Independent designer, writer, trend spotter, & casual archivist (she/her)

2K followers45 following104 posts

Elizabeth Goodspeed reposted

Elizabeth Goodspeed reposted

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Elizabeth Goodspeed@goodspeed.bsky.social

How did a municipal grocery store become the design world’s hottest RFP? My newest @its-nice-that.bsky.social column is about Zohran Mamdani’s NYC Groceries, prestige under populism, and what civic branding can learn from meat market signage 🛒 www.itsnicethat.com/articles/eli...

Elizabeth Goodspeed reposted

Elizabeth Goodspeed reposted

“If the goal is to prove something wasn’t made by AI, faking ‘realness’ on a computer doesn’t really get us anywhere new. […] What’s being described as an ‘analogue revival’ is less a material shift than a semiotic one.”👇

Elizabeth Goodspeed@goodspeed.bsky.social

My first @its-nice-that.bsky.social column of the year is about faking imperfection (fauxbi-sabi) and what it means to have a resurgence of analog aesthetics without analog tools 📷 www.itsnicethat.com/articles/eli...

Thank you to Works But Makes Noises for having me on their podcast! Topics discussed include: what design school doesn’t teach, my scanner, archives versus mood boards, folk packaging, trend reports vs. in–out lists, and writing as a way of thinking → podcasts.apple.com/us/podcast/s...

podcasts.apple.comSpecial Guest Elizabeth Goodspeed on Design Education, Experimental Branding, Weird References, and Archiving EverythingPodcast Episode · Works But Makes Noises · 01/26/2026 · 1h 5m

We watched John Carpenter's "They Live" recently and I'm gobsmacked that no one has recommended it to me before. Twilight Zone if it included a 10 minute wrestling scene and more people getting drop-kicked out of windows. And, of course, SO much Futura. Perfect movie, 10/10.

Elizabeth Goodspeed reposted

“the United States is a lot more generous to corporations than it is to people” I’ve written about why I’m an S-corp as a freelancer, but this is the distillation of it all We find safety and security in numbers…and as corporations

Elizabeth Goodspeed@goodspeed.bsky.social

How many designers does it take to be a studio? I wrote about how "studio" has shifted from structural descriptor to signal; shorthand for how a practice wants to be read. But as "studio" stops signaling size + authority, do mythologies around growth collapse too? www.itsnicethat.com/articles/eli...

I collaborated with CMYK and Angela Kirkwood on the redesign of cult classic game Magical Athlete! I worked on the brand identity, art direction, and all the graphic design for components like cards & tokens. Now ask me how much math I had to do to make an evenly spaced game board with 31 spaces...

How many designers does it take to be a studio? I wrote about how "studio" has shifted from structural descriptor to signal; shorthand for how a practice wants to be read. But as "studio" stops signaling size + authority, do mythologies around growth collapse too? www.itsnicethat.com/articles/eli...

itsnicethat.comElizabeth Goodspeed on how many designers it takes to make a studioThe question of what counts as a “studio” – and what you call one – reveals the industry’s ongoing tension around identity, ambition and scale.

I wrote about the changing typographic landscape of Sunset Strip as seen through Ed Ruscha’s photos of the street from 1965-2007. Published on Sunset Over Sunset, a new website from @gettymuseum.bsky.social that explores different stories of urban LA history 🪧 www.sunsetoversunset.org/stories/signs

sunsetoversunset.orgSunset Over SunsetExplore the histories of Los Angeles's iconic Sunset Boulevard through the photographs of artist Ed Ruscha.

Brand designers love the control, originality and ownership of making their own fonts. But how is custom type reshaping the culture and economy of type design itself? I wrote about why so many design studios are creating fonts and what it means for the rest of us! www.itsnicethat.com/articles/eli...

itsnicethat.comElizabeth Goodspeed on why design studios are making fontsCustom type has become branding’s newest obsession, promising control, originality, and ownership – but its rapid rise is reshaping the culture and economy of type design itself.