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Two pretty significant milestones for psychedelic poster art culture took shape in 1967—the work of pioneering artist Bonnie MacLean was excluded from both. New thing from me www.dominicumile.com/blog/bonnie-...
Dominic Umile
@dominicumile.com
Writer (Not recently: LA Times, Hyperallergic, Chicago Reader, The Comics Journal). Editor. I hate board games. Brooklyn, NY.
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Two pretty significant milestones for psychedelic poster art culture took shape in 1967—the work of pioneering artist Bonnie MacLean was excluded from both. New thing from me www.dominicumile.com/blog/bonnie-...
American illustrator Bob Pepper’s cover for the 1972 edition of Ray Bradbury’s ‘The October Country’ faroutcompany.com/the-october-... … a lot more Pepper here raggedclaws.com/category/bob...
In addition to Beatrice Keul's allegation in the new report, which was culled from "interviews conducted by the Committee, survivor accounts, FBI records and documents," "two women have claimed they were 13 or 14 when Trump assaulted them" www.miamiherald.com/news/nation-...
The Times included an account from Béatrice Keul in their big Dec 2025 piece on Trump’s often nonconsensual relations with women in association with Epstein. At the time, she told them directly she wasn’t revealing the whole story of what he did due to threats www.nytimes.com/2025/12/18/u...
Dominic Umile reposted
It’s just so appalling and enraging how casual and commonplace this has become. I’m out of words.
RFK: "There's five hundred million Arabs in the world. And yet they don't produce science. They don't win the Nobel Prize. They don't win the Fields Prize. They don't win the Wolf Prize. They don't produce literature."
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"In the 1970s, Peter Fonda and Warren Oates made three films together. This is the one in which they witness a sacrificial murder and are chased across Texas by Satanists in an RV" www.criterion.com/current/post...
From library music composer Alessandro Alessandroni, 'Knell, The Bloody Avenger' is "a gritty, magnetic urban soundscape built on pulsing basslines, wah-wah and electric guitars, hypnotic piano hooks, biting brass, and unexpected melodic flourishes" fourfliesrecords.bandcamp.com/album/knell-...
Exhibition press release berrycampbell.com/exhibitions/...
Also, new at Berry Campbell: A rare look at the work of Elaine de Kooning, whose "reputation has always been complicated by that of her famous husband." The show leans heavily toward "the Abstract Expressionist movement that she was part of, and helped shape" www.nytimes.com/2026/10/26/a...
Trump and his ilk, always out here making sure that attacks on MAGA resonate far and wide. They're solely responsible for this joke having any kind of lifespan. He's probably having tantrums all night about it
Trump is BIG MAD about Obama saying the White House now looks like Saddam opened a Cheesecake Factory: "He's not a smart guy. He's not smart at all ... for you to say it's a Cheesecake Factory, that just shows why you were a lousy president"
Caught the Perle Fine show at @berrycampbell.bsky.social, which celebrates “an important but long-underrecognized artist from the New York School and a woman who stood at the center of Abstract Expressionism” — diverse and deeply interesting work berrycampbell.com/exhibitions/...
Even in light of uncovering contributions from artists like Fine, the pillars of abstraction for so many continue to be men—to the extent that we have gallery shows with Pollock’s paint-spattered artists’ stools, and for some male critics it’s a hill they’ll die on culturedmag.com/article/2026...
Also, new at Berry Campbell: A rare look at the work of Elaine de Kooning, whose "reputation has always been complicated by that of her famous husband." The show leans heavily toward "the Abstract Expressionist movement that she was part of, and helped shape" www.nytimes.com/2026/10/26/a...
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Go catch that ER Band when ya can emilyrobb.bandcamp.com/track/all-ar...
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A fascinating listen, and I hadn’t ever heard Johnny Rivers version of Positively 4th Street (Sweetheart of the Rodeo vibe), so here it is… youtu.be/YR6wtzIUtcs?...
The Peter Hujar show at the Morgan was poignant and powerful, spotlighting his portraits, street photography, and more, but we thought that it deserved more space! (100+ contact sheets on view, merely 20 enlargements—institution's collection is 5.7k+ contact sheets) www.themorgan.org/exhibitions/...
“I think both of these moments show just how regressive the Republican Party is" | Reporter @marisakabas.bsky.social on her important work on the El-Sayed "viral moment" and the disgusting Ramaswamy ad podcasts.apple.com/us/podcast/o... via @onthemedia.bsky.social
Caught a small, thoroughly packed art show last night on Orchard, on the LES—bunch of graffiti writers redesigning/re-envisioning used record album sleeves. All-wax DJ sets (we missed Large Professor 😢) www.pabloancona.art/vinyl-vandal...
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New — I wrote about Vivek Ramaswamy’s weaponization of Amy Acton’s childhood sexual abuse and how it’s only the latest symptom of a Republican party flush with rape apologists, led by an adjudicated rapist:
NYC ballot proposal 3 is a doozy, right? What if I am eager to speed up bike lane development and bus lanes but ALSO concerned about oversight regarding air rights? *Looks around, anticipating clear-eyed guidance on this jumbled ballot proposal* gothamist.com/news/ballot-...
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In-depth, on-the-ground reporting from the Buckeye State, where Vivek Ramaswamy, with the help of his own abhorrent ads, "could be the first Ohio Republican to lose a gubernatorial bid in 20 years" (fingers crossed) slate.com/news-and-pol...
last month, before That Ad made it to air, I went down to Ohio to figure out why Vivek Ramaswamy seemed to be struggling so much in his home state. the South Asians of Columbus, the bored students of OSU, and the hecklers of the Cleveland 'burbs all helped me understand: slate.com/news-and-pol...
For gods sake give the cheese truckers what they want apnews.com/article/ital...
“The last time The Ringer hired somebody with the sole intention of having them write for the website is hard to pinpoint, but I don’t think it was this decade” — this is …strange stuff defector.com/nobody-wants...
Dominic Umile reposted
Just saw this show. Very good, though small to cover six artists. Just learned that one of the artists, Kay Sekimachi, just celebrated her 100th birthday.
Postwar artist S. Neil Fujita, who designed ~50 album covers for Columbia Records in the late 1950s as “the label’s first in-house art director,” is one of six Japanese-American artists featured in a new Barnes Foundation show — see @natechinen.bsky.social www.wrti.org/arts-desk/20...
Seasonally appropriate re-post: I wrote in 2025 about Ray Bradbury's horror comics and his business relationship with EC Comics, which began when the publisher plagiarized his work www.dominicumile.com/blog/ray-bra...
The postwar-era crusade against comics that included EC's was led by Fredric Wertham, a German-born psychiatrist whose manipulated and fabricated data led to an industry-crippling censorship campaign—I wrote about its effects at Hyperallergic in 2017 hyperallergic.com/banned-horro...
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“If IBM had Paul Rand, the Metropolitan Transportation Authority had Massimo Vignelli, and Alfred Hitchcock had Saul Bass, nature itself had Charley Harper.” www.cincinnatiartmuseum.org/art/exhibiti...
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NEW: I dug into public records behind a secretive $66 billion data center and found General Catalyst and an energy startup founded by Palantir alumni are spearheading the project. www.inc.com/sam-blum/mys...
"In a recent survey, 86% of job hunters said they had encountered a posting that wasn’t tied to an active opening" — job search but make it more demoralizing www.fastcompany.com/91626086/gho...
Here to tell you that the Everly Brothers’ version of Bacharach and David’s “Trains and Boats and Planes” on this ‘67 LP is heavenly—tracked with Wrecking Crew personnel and released not terribly long before their country-rock charmer Roots hit shops youtu.be/VQ7s-3kBvYA?...
Related: On the Everlys’ go at a weed anthem, “released a little less than two months after Sgt. Pepper’s Lonely Hearts Club Band” danepstein.substack.com/p/gettin-hig...
What a disgrace—Republicans own this. What an absolutely disgusting display. Mortifying that this thing is President
Trump: "You go up to Minnesota -- number one place in the entire country for the sale of Mercedes-Benz. And Somalians are buying them. They come here with low IQs and no money and they get rich. Do we feel stupid? Our fraud division is getting them all."
Seasonally appropriate re-post: I wrote in 2025 about Ray Bradbury's horror comics and his business relationship with EC Comics, which began when the publisher plagiarized his work www.dominicumile.com/blog/ray-bra...
Johnny Craig's cover art for The Vault of Horror, No. 18 (1951). “I was supposed to do three stories a month. I was lucky if I did one"—gallery of eye candy at the Paris Review (2020) www.theparisreview.org/blog/2020/10...
In 1953, Craig created a piece for the cover of The Vault of Horror that featured a burst christening Ray Bradbury “America’s Top Horror Writer”—it featured an adaptation of Bradbury's "The Lake," with impeccably detailed depictions of nature by Joe Orlando www.dominicumile.com/blog/ray-bra...
Seasonally appropriate re-post: I wrote in 2025 about Ray Bradbury's horror comics and his business relationship with EC Comics, which began when the publisher plagiarized his work www.dominicumile.com/blog/ray-bra...
Al Feldstein at EC Comics: “This became the love of my life, adapting Ray Bradbury into comics. I did The Martian Chronicles, Golden Apples of the Sun, and for the horror, I was doing The Dark Carnival. And I just loved it" www.tcj.com/al-feldstein...
"I’d say the EC books were the most influential than any of the comic books. They influenced people’s lives" — Harvey Kurtzman talked with comics scholar Patrick Rosenkranz in 1972 about the Comics Code Authority, which was adopted in October of 1954 www.tcj.com/harvey-kurtz...
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"In 1967, William Eggleston arrived in Manhattan with a suitcase full of colour slides of the Mississippi Delta. They caught the eye of John Szarkowski—then a curator at MoMA and America’s most influential photography critic" www.anothermag.com/art-photogra...
I noticed this too and thought it was a bug—Bluesky now hiding the followers you have in common on a user's profile page. Seems bad
This was apparently originally committed/implemented 10 days ago, & still rolling out. It is a genuinely terrible idea. One of the things that happens these days after news about, say, predators or bigots breaks is people unfollow their socials, en masse. So if someone clicks a mutual's profile…
“Do you think that Trump is attempting to overthrow democracy? Because I do, and think it’s obvious that he is” — former Chicago Tribune editor @markjacob.bsky.social reflects on his NYT interview here www.stopthepresses.news/p/the-new-yo...
This NYT reader got the chance to challenge its standards editor @patrickhealynyt.bsky.social about its soft and romantic headlines. www.tiktok.com/t/ZTf8eGCaw/
Very in-depth two-part podcast interview w/ Rich Medina about DJ culture, early-2000s-era parties at APT in NYC, and a lot more—part one here soundcloud.com/roadpodcast/...
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On view at Garth Greenan Gallery: a new exhibition of overlooked Pop artist (and writer) Rosalyn Drexler's 1960s-era work— the reliably insightful @jilnotjill.bsky.social has more on a new "season of Drexler rediscovery" www.nytimes.com/2026/10/15/a...
Dominic Umile reposted
Off to see @perennialtheband.bsky.social playing tracks from their new LP 'Modernism' later. In a deliberate high concept move on someone's part, it's upstairs at The Modernist Society's gallery/shop in Manchester. 18.30 doors, 19.00 Perennial, 20.00 Port Street Beer House. Or something like that.