Crafter of literaryish fantasy, oft too indulgent of beautiful language in exploring how personal stories embody social ones.
Californian and non-taciturn Estonian, mostly domesticated.
Now in Clarion West 2026 Novel Workshop
The best for you, always
The day is finally upon us!
THE FIST OF MEMORY is officially out NOW in the US and Canada.
This near-future story of assassins, aliens, astrophysicists and ancestors that I started 15 years ago, is finally out in the world & it still feels a bit unreal.
astrapublishinghouse.com/product/the-...
It sorrows me at times that my camera cannot capture the softest moonlight, but too it is a gentle joy that none other but the moon and me alone can share this silver light before dawn.
So, now that these good people of @clarionwest.bsky.social and @drkarenlord.bsky.social have shaken me awake again, I am dusting off my habit of sharing whatever snippets have arrived that day, bearing joy in their beaks.
For me, the flow of words needs be oiled; rusty poetry does me no good.
I make no representations that any of it will be remotely good, and all of is shamelessly self-indulgent, so youβll just have to put up with it, my dearies.
Please welcome the most fabulous writer and my fellow Clarion west Novel Workshop participant @bydeannajohnston.bsky.social to BlueSky! Say hi! Sheβs awesome.
An honest question: would all the adaptations and retelling of things like Romeo and Juliet or King Lear qualify as βShakespeare tie-insβ?
Ok, maybe less honest and more snarky.
There is a doofus currently arguing here that no "creative talent" would choose to write tie-ins, and since I just did a panel this weekend on why creative talents choose to write IP, here are a few reasons. Non-financial reasons, for fun and because frankly it usually doesn't pay that well.
so excited to announce my short story βthis is c(lone)-popβ is now out in @othersidespec.bsky.social! π₯Ή
feat. fun normal stuff (tm) like:
π§ͺdissolving your celeb crush in acid
βοΈ commentary on the totally fine and not at all exploitive k-pop/c-pop industry
π€ parasocial toxic yuri x 1000
Just don't use it. Ursula K Le Guin comes to mind: 'We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.'
From Bruno to Lysenko, the politically powerful have always slight to distort science to their preferences as if ideology can alter reality. This is a centuries old tradition, one that has only harvested ignorance
Every summer I repost this article on how to spot drowning. Please read it and pass on. In the last few years Iβve had SIX messages from people who saved a kidβs life after clicking on the link from my feed.
slate.com/technology/2...
Every summer I repost this article on how to spot drowning. Please read it and pass on. In the last few years Iβve had SIX messages from people who saved a kidβs life after clicking on the link from my feed.
slate.com/technology/2...
The architecture of thoughts in story brings me joy today. Soaring spanning structures or crafted fine details, all make up the whole. Story can be magnificent cathedrals or simple vernacular of rough wood sheds, and all of them have their own glories
Ask again tomorrow, though, when I hate it
Super psyched to have two poems selected as Rhysling Award Finalists! βThe Language of Firefliesβ (in @thedeadlands.com) and βThe Mourning Robotβ (in @uncannymagazine.bsky.social).
Thanks so much to everyone who nominated and congrats to all the wonderful finalists!
Congratulations to all the finalists!
Voting for the Rhysling Award begins July 1; a link to the ballot will be sent with the Rhysling Anthology, as well as with the July issue of Star*Line.
More information on the Rhysling Award can be found here: sfpoetry.org/wp/rhysling-...
The feel of a fountain pen on rough paper invites ideas like no screen Iβve ever seen. That much seems to be true.
As for the candle, I couldnβt possibly say, but if my house burns down, youβll know why
Learning this is a boomer take because some people do write on their phones, but wait until I tell you kids about printing the whole thing out and editing it by hand like you live in the 1800s because that shit works. Grab a candle and a quill if you want to do this right
Another reminder that the scammers are getting better, but you are smarter. Don't click in their emails.
Our podcast for #writers on the subject: carsonhume.com/2026/...
Film youβve watched more than six times with a gif
Hard mode: no Star Wars, Star Trek, Lott, marvel, dc, Disney, Pixar, dreamworld, Spielberg, Cameron, wachowskis, or ghibli
Film you've watched more than six times with a gif.
hard mode: no star wars, star trek, lotr, dc, marvel, disney, pixar, dreamworks, spielberg, cameron, wachowskis, or ghibli
Here's a goddamn win and thank you to many people for bringing it to my attention:
988 works. We have more people still with us because of it.
I'm glad they're here and I'm glad you're here.
www.nytimes.com/2026/04/22/s...
I take sick days because I am, well, sickk. So how do I convince my little writing demon that I am taking a sick day because Iβm too muddledheaded to work, which applies every bit as much to writing as to my day job? He wonβt listen!
This isnβt a new problem. LLMs predict what an average writer might say next, copying other writers.
We have always had a word for this: derivative.
The real work is in writing what hasnβt been written before, outside the scope what has already been written.
Perhaps the darkest argument Iβve heard in favour of writing with AI is that thereβs no point writing without it; weβll all be consuming so much AI-generated content unwittingly that it will re-programme our writing styles and thought patterns. Humans who write without AI will sound like AI anyway.
I am currently sporting two horribly swollen tick bites* and a dog bite. Yes, this is my best life
(*Ixoides pacificus bites give be a big reaction like a volleyball sized mosquito bite. Not actually a tick borne disease but we are watching)
The backstory is evolving into a wild and tangly thing that now I desperately want to write the prequel first, but that would undo so many delightful surprises.
#writerlyproblems
"Qonoraq regarded her hand for a moment, a weathered hand, a grandmotherβs hand that had cared for babies and woven cloth, and seen a lifetime of mistakes made."
There are days when the font gives, and others when it doesn't, alas.
Indians on Bsky, #Indiasky, please pay attention, read up & email the government to make your objections known about the Draft IT Rules, 2nd Amendment, 2026, which is going to seriously adversely affect the ability of Indians to engage in any political discourse online w/out state sanction.
Bookish Checkpoint:
Last book finished: All This Twosted Glory by Tahereh Mafi
Currently reading: The Invisible Life of Addie LaRue by VE Schwab
Next Read: probably Number9Dream by David Mitchell
Last added to TBR: Stories are Weapons by @annaleen.bsky.social
Bookish Checkpoint ππ
Last book read: Last Summer on State Street by Toya Wolfe
Currently reading: Strangers: A Memoir of Marriage by Belle Burden
Next read: The Odyssey by Homer, translated by Emily Wilson
Last added to my TBR: The Shut Eye by Belinda Bauer
Bookish Checkpoint ππ
Last book read: Last Summer on State Street by Toya Wolfe
Currently reading: Strangers: A Memoir of Marriage by Belle Burden
Next read: The Odyssey by Homer, translated by Emily Wilson
Last added to my TBR: The Shut Eye by Belinda Bauer
Bookish Checkpoint ππ
Last book read: A Guardian and a Thief by Megha Majumdar
Currently reading: Sisters in Yellow by Mieko Kawakami (tr. Laurel Taylor and Hitomi Yoshio)
Next read: Paradiso 17 by Hannah Lillith Assadi
Last added to my TBR: Itβs Not What You Think by Clare Mackintosh